"These translations of Mahmoud Darwish's marvelous poems reveal the lifelong development of a major world poet. The book is a gift to other poets and lovers of poetry. It's also an important contribution to current and future discourse on culture and politics."—Adrienne Rich, author of Fox: Poems, 1996-2000 "At this critical moment in world relations, cultural, creative projects feel more necessary than ever. Celebrate this most comprehensive gathering of Mahmoud Darwish's poetry ever translated into English. Darwish is the premier poetic voice of the Palestinian people, and the collaboration between translators Akash and Forché is a fine mingling of extraordinary talents. The style here is quintessential Darwish—lyrical, imagistic, plaintive, haunting, always passionate, and elegant—and never anything less than free—what he would dream for all his people."—Naomi Shihab Nye, author of Fuel

"These translations of Mahmoud Darwish's marvelous poems reveal the lifelong development of a major world poet. The book is a gift to other poets and lovers of poetry. It's also an important contribution to current and future discourse on culture and politics."--Adrienne Rich, author of "Fox: Poems, 1996-2000" "At this critical moment in world relations, cultural, creative projects feel more necessary than ever. Celebrate this most comprehensive gathering of Mahmoud Darwish's poetry ever translated into English. Darwish is the premier poetic voice of the Palestinian people, and the collaboration between translators Akash and Forche is a fine mingling of extraordinary talents. The style here is quintessential Darwish--lyrical, imagistic, plaintive, haunting, always passionate, and elegant--and never anything less than free--what he would dream for all his people."--Naomi Shihab Nye, author of "Fuel"

Are you my enemy? Am I yours? Violent stories surround us. Brutal beginnings, horror-filled middles, despair-inducing endings. We need better stories: stories forged in the furnace of conflict, narratives that kindle compassion and ignite hope. In the pages of I Am Not Your Enemy, writer Michael T. McRay visits divided regions of the world and interviews activists, peacebuilders, former combatants about their personal stories of conflict, justice, and reconciliation. In Israel and Palestine, Northern Ireland, and South Africa, he hears from grieving parents who partner together across enemy lines, a woman who meets her father’s killer, and a man who uses theater to counter the oppression of his people, and many more. In a time of heightened alienation and fear, McRay offers true, sacred stories of reconciliation and justice, asking what they can teach us about our own divided states. Must violence be met with violence? Is my belonging complete only when I take away yours? Will more guns, more walls, more weapons keep us safe? We need stories that cultivate empathy and tell the truth. We need stories to save us from our fear.

Take a tour of the burgeoning world of plastic cameras and low-tech photography in this fun and funky guide to creating the most artistic pictures of your life! Whether you're an experienced enthusiast or toy camera neophyte, you'll find this guide full of tantalizing tips, fun facts, and absolutely striking photographs taken with the lowest tech tools around. You'll learn how to prep your plastic camera, their advantages and quirks, and what film to feed it. You'll also explore what makes a good subject, vignetting, multiple exposures, panoramas, close-ups, night photography, color, flash, problems and solutions, and so much more. Michelle Bates also takes you from a negative to either prints or pixels so that you can show off your photos and jump on the toy-camera revolution! Contributors include: Michael Ackerman, Thomas Michael Alleman, Erin Antognoli, Jonathan Bailey , James Balog, Michelle Bates, Phil Bebbington, Gyorgy Beck, Susan Bowen, Laura Corley Burlton, David Burnett, Susan Burnstine, Nancy Burson, Perry Dilbeck, Jill Enfield, fotovitamina, Annette Elizabeth Fournet, Brigitte Grignet, Eric Havelock-Bailie, Christopher James, Michael Kenna, Wesley Kennedy, Teru Kuwayama, Louviere & Vanessa, Mary Ann Lynch, Anne Arden McDonald, Ted Orland, Sylvia Plachy, Dan Price, Becky Ramotowski, Nancy Rexroth, Francisco Mata Rosas, Richard Ross, Franco Salmoiraghi, Rosanna Salonia, Jennifer Shaw, Nancy Siesel, Mark Sink, Kurt Smith, Sandy Sorlien, Pauline St. Denis, Harvey Stein, Gordon Stettinius, Ryan Synovec, Rebecca Tolk, Marydorsey Wanless, Shannon Welles, Matthew Yates, Dan Zamudio

Contains analyses of literary texts written by, among others, Chinua Achebe , Samuel Beckett, James Joyce, Michael Ondaatje, George Orwell, Salman Rushdie and Edward Said.

A fragmentary catalogue of poetic derangements that reveals the ways in which mania communicates with an extreme will to annihilation What kind of circumstances provoke an obsessive focus on the most minute object or activity? And what causes such mania to blossom into the lethal conviction that everything must be annihilated? There is no turning away from the imperative to study this riddle in all its mystifying complexity and its disturbing contemporary resonance—to trace the obscure passage between a lone state of delirium and the will to world-erasure.. A fragmentary catalogue of the thousand-and-one varieties of manic disposition (augomania, dromomania, catoptromania, colossomania…), Omnicide enters the chaotic imaginations of the most significant poetic talents of the Middle East in order to instigate a new discourse on obsession, entrancement, excess, and delirium. Placing these voices into direct conversation, Jason Bahbak Mohaghegh excavates an elaborate network of subterranean ideas and interpretive chambers, byways, and burrows by which mania communicates with fatality. Like secret passages leading from one of the multitudinous details of a bustling Persian miniature to the blank burning immanence of the desert, each is a contorted yet effective channel connecting some attractive universe (of adoration, worship, or astonishment) to the instinct for all-engulfing oblivion (through hatred, envy, indifference, rage, or forgetting). A captivating fractal of conceptual prisms in half-storytelling, half-theoretical prose, a rhythmic, poetic, insidious work that commands submission, Omnicide absorbs the reader into unfamiliar and estranging landscapes whose every subtle euphoric aspect threatens to become an irresistible invitation to the end of all things.

These essays emerge from different crucial and complex conflicts: from the memory of a bishop, Bartolome de las Casas, urging the pope of his time to cleanse the church of complicity with violence, oppression, and slavery; from the lament and defiance of so many Middle Eastern women, victims of male domination and too many wars; from the voices bursting out from the colonial margins that dare to question and transgress the norms and laws imposed by colonizers and conquerors; from the emerging and diverse theological disruptions of traditional orthodoxies and rigid dogmatisms; from the denial of human rights to immigrant communities, living in the shadows of opulent societies; from the use of the sacred Hebrew Scriptures to displace and dispossess the indigenous peoples of Palestine. The essays belong to different intellectual genres and conceptual crossroads and are thus illustrative of the dialogic imagination that the Russian intellectual Mikhail Bakhtin considered basic to any serious intellectual enterprise. They are also the literary sediment of years of sharing lectures, dialogues, and debates in several academic institutions in the United States, Mexico, Argentina, Chile, Costa Rica, Malaysia, Switzerland, Germany, and Palestine.

Shows the full breadth and scope of Edward Said's work and of his role as a public intellectual.

Newly widowed Charlotte Figg purchases a double-wide trailer sight unseen and moves to the Paradise Trailer Park with her dog Lucky. Unfortunately, neither the trailer nor Paradise are what Charlotte expected. Her trailer is a ramshackle old place in need of major repair, and the people of Paradise are harboring more secrets than Bayer has aspirin. Charlotte’s new friend Rose Tattoo learns that Charlotte played softball and convinces her to rally the women of Paradise into a team. Reluctant at first, Charlotte warms to the notion and is soon coaching the Paradise Angels. Meanwhile, Charlotte discovers that the manager of Paradise, Fergus Wrinkel, abuses his wife Suzy. Charlotte sets out to find a way to save Suzy from Fergus and in the process comes to a difficult realization about her own painful marriage.

Most Christians experience doubts at times about their salvation, and that uncertainty can be alarming. But either salvation is eternally secure from the moment of genuine faith or it isn’t. And no subject is more important than the assurance that you can know at this very moment that you possess eternal life. How to Know You’re Going to Heaven provides the undeniable and compelling biblical proof to resolve any uncertainty about your eternal destiny. As you encounter the infinite treasure and wonder of Jesus Christ and all He has accomplished for you on the cross, you will experience joy and lasting freedom once and for all—forever.