Presents the works of Ivor Gurney, Isaac Rosenberg and Wilfred Owen, who were prolific during the World War I era and used the details of war and combat in their writing.

A new anthology that combines generous selections from well-known soldier poets such as Wilfred Owen and Siegfried Sassoon with work by civilian and women writers. A general introduction places Great War poetry in its contexts and the work of each poet is prefaced with a biographical account that explains the circumstances of composition.

Offers a major re-examination of the poetry of the First World War at the start of the war's centennial commemoration.

An overview of the English-language poetry of the Second World War, focussing on five of the most remarkable poets of that conflict.

This study analyses the major poems of the World War I and brings into focus some of the more neglected voices of that conflict. It draws attention also to women poets of the period.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.

Santayana's argument for the unity of philosophy and poetry. This concise and compelling volume—described by Santayana as a “piece of literary criticism, together with a first broad lesson in the history of philosophy”—introduces Santayana's thought in the rich context of a European poetic tradition that demonstrates his broad conception of philosophy. Rejecting both the Platonic opposition of philosophy and poetry and more recent attempts to reduce philosophy to science, Santayana argues that philosophy and poetry at their best are united in articulating a comprehensive vision of the world that permits honest contemplation of the universe. He considers the ideal visions of three artists: Lucretius's naturalism provides a total perspective on the physical world but renders experience monotonous; Dante's supernaturalism provides a total perspective on experience but subordinates nature to morality; Goethe's romanticism provides a dramatic perspective on nature and experience but lacks totality. Santayana sees each as the best in his own way, though none is best in all ways; and he speculates that the ideal poet would integrate the gifts and insights of all three, resulting in “rational art,” of which philosophical poetry is a prime example. This critical edition, volume VIII of The Works of George Santayana, includes notes, textual commentary, lists of variants and emendations, an index, and other tools useful to Santayana scholars.

Melanie Springer Mock makes available for the first time diaries of several Mennonite conscientious objectors from the First World War. Historical, biographical, and literary approaches are used to understand these diaries and their significant role in telling the historical narrative of Mennonites and wartime in America.

This important collection of essays both contributes to the expanding field of classical reception studies and seeks to extend it. Focusing on nineteenth- and twentieth-century Britain, it looks at a range of different genres (epic, novel, lyric, tragedy, political pamphlet). Within the published texts considered, the usual range of genres dealt with elsewhere is extended by chapters on books for children, and those in which childhood and memories of childhood are informed by antiquity; and also by a multi-genre case study of a highly unusual subject, Spartacus. "Remaking the Classics" also goes beyond books to dramatic performance, and beyond the theatre to radio - a medium of enormous power and influence from the 1920s to the 1960s, whose role in the reception of classics is largely unexplored. The variety of genres and of media considered in the book is balanced both by the focus on Britain in a specific time period, and by an overlap of subject-matter between chapters: the three chapters on twentieth-century drama, for example, range from performance strategies to post-colonial contexts.The book thus combines the consolidation of a field with an attempt to push it in new and exciting directions.

In his comprehensive analysis of this prolific and dramatic period in the composition of verse, James Persoon discuses the important works of these artists as well as those of Britain's lesser known poets." "Persoon insists on the centrality of war in considering British poetry of this period, using the awareness of war in British life as his primary metaphor."--BOOK JACKET.

"War, Women, and Poetry examines the experience of European women, especially British and German women, in World Wars I and II and the literature they wrote in reaction to those wars. Author Joan Montgomery Byles asks what the impact of war was upon women's lives, and she focuses on how women writers of both poetry and prose represented these wars in their writing. The study is both literary and historical and seeks to interweave the historical circumstances of these wars with women's and men's literary response, particularly the poetic response. In comparing the war poetry of men and women, the reader can see important differences and important similarities. The book then examines how the social-historical situation of war manifests itself in artistic expression: but of necessity, it also looks at the actual historical events themselves."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This anthology reflects the diversity of voices it contains: the poems are arranged thematically and the themes reflect the different experiences of war not just for the soldiers but for those left behind. This is what makes this volume more accessible and satisfying than others. In addition to the established canon there are poems rarely anthologised and a selection of soldiers' songs to reflect the voices of the soldiers themselves.

Includes approximately 800 British and American poets, past and present, with criticisms drawn from more than 160 journals and 300 books