After a cyclone transports her to the land of Oz, Dorothy must seek out the great wizard in order to return to Kansas.

One of the most beloved film musicals of all time, The Wizard of Oz represents an enduring family favorite and cultural classic. Yet there is much more to the story than meets the eye, and the MGM movie is just one of many ways in which it has been represented. In this lively and wide-ranging book, editors Danielle Birkett and Dominic McHugh bring together insights from eleven experts into the varied musical forms this great American myth has taken in the past century. Starting with the early adaptations of L. Frank Baum's story, the book also explores the writing, composition and reception of the MGM film, its importance in queer culture, stage adaptations of the movie, cult classic The Wiz, Stephen Schwartz's Broadway blockbuster Wicked, and the cultural afterlife of the iconic Arlen-Harburg songs. What emerges is a vivid overview of how music - on stage and screen - has been an essential part of the story's journey to become a centerpiece of American culture.

Since the publication of L. Frank Baum's The Wonderful Wizard of Oz in 1900, authors, filmmakers, and theatrical producers have been retelling and reinventing this uniquely American fairy tale. This volume examines six especially significant incarnations of the story: Baum's original novel, the MGM classic The Wizard of Oz (1939), Sidney Lumet's African American film musical The Wiz (1978), Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West (1995), Stephen Schwartz and Winnie Holzman's Broadway hit Wicked: A New Musical (2003), and the SyFy Channel miniseries Tin Man (2007). A close consideration of these works demonstrates how versions of Baum's tale are influenced by and help shape notions of American myth, including issues of gender, race, home, and magic, and makes clear that the Wizard of Oz narrative remains compelling and relevant today.

Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title—offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords. This edition of The Wizard of Oz includes a Foreword, Biographical Note, and Afterword by Jane Yolen. In a terrifying instant of darkness, a tornado snatches up Dorothy Gale and her dog Toto, whirling them on the wild wind out of Kansas and straight to Oz. In this wondrous world of sorcery and danger, Munchkins, flying monkeys, talking mice and fighting trees, all Dorothy wants to do is go home... Together with the Scarecrow who wants a brain, the Tin Man who wants a heart, and the Cowardly Lion who wants courage, Dorothy and Toto must follow the Yellow Brick Road to find the Wizard of the Emerald City. But before the wizard of Oz will grant their wishes, Dorothy and her friends must do the impossible--Destroy the all-powerful Wicked Witch of the West....

“We’re off to see the Wizard! The wonderful Wizard of Oz!” In this gorgeously illustrated, classic edition of The Wizard of Oz, readers of all ages will follow the Yellow Brick Road. It’s an unforgettable and colorful journey that takes us from Dorothy’s gray Kansas home into the blue Munchkin land; the sparkling bejeweled Emerald City; the dark, foreboding forest; and the ruby-red throne room of Glinda the Good Witch. This Classic Edition of The Wizard of Oz is a must-have for every family's library and features: - A beautifully designed eBook - A child-friendly retelling that remains faithful to L. Frank Baum's original text - Lavish illustrations by renowned, New York Times #1 Bestselling artist Charles Santore, the critically-acclaimed illustrator of multiple classic tales, including The Night Before Christmas, The Velveteen Rabbit, The Classic Tale of Peter Rabbit, and Aesop's Fables The work of New York Times bestselling children’s book illustrator Charles Santore has been widely exhibited in museums and celebrated with recognitions such as the prestigious Hamilton King Award, the Society of Illustrators Award of Excellence, and the Original Art 2000 Gold Medal from the Society of Illustrators. He is best known for his luminous interpretations of classic children’s stories, including The Little Mermaid, Alice's Adventures in Wonderland, Snow White, and more!

For the very first time, all of the wonderful songs from the motion picture classic The Wizard of Oz are brought together in this exquisitely crafted choral revue. Audiences of all ages will be thrilled to hear this delightful choral setting of the timeless music. This 10-minute revue includes: *Munchkinland *Ding Dong! The Witch Is Dead *The Lullaby League *We're Off to See the Wizard *If I Only Had a Brain *The Merry Old Land of Oz *Over the Rainbow The Pete Schmutte orchestration adds that 'MGM' style extravaganza sound to make every performance of this review a real event! Bring the incredible story to life by adding this revue to your next concert.

When Russel B. Nye and Martin Gardner teamed up to bring out a new edition of The Wonderful Wizard of Oz, theirs was the first critical analysis of L. Frank Baum American classic. The book opens with an essay by Nye, entitled "An Appreciation," which is an overview of Baum's creative and imaginative genius. Nye explores the reasons why earlier critics virtually ignored the Oz stories. Gardner, in his essay, "The Royal Historian of Oz," presents a brief biographical sketch, revealing little-known facts about this prolific writer. The volume also contains the complete, original text of the Wonderful Wizard of Oz, along with many original illustrations by artist W. W. Denslow.

Dorothy and the Wizard in Oz is the fourth book set in the Land of Oz written by L. Frank Baum and illustrated by John R. Neill. It was published on June 18, 1908 and reunites Dorothy with the humbug Wizard from The Wonderful Wizard of Oz (1900). This is one of only two of the original fourteen Oz books (the other being The Emerald City of Oz (1910), to be illustrated with watercolor paintings. Baum, having resigned himself to writing a series of Oz books, set up elements of this book in the prior Ozma of Oz (1907).[1] He was not entirely pleased with this, as the introduction to Dorothy and the Wizard of Oz opens with the protest that he knows many tales of many lands, and hoped that children would permit him to tell them those tales. Written shortly after the 1906 San Francisco earthquake and around the time Baum moved to California, the book starts with an earthquake in California. Dorothy and others are swallowed up by cracks in the earth, and fall into an underground cavern, where they begin their adventures. Very little of the story-six of the twenty chapters-actually takes place in Oz.[3] As in Ozma of Oz before it, and in some of the books after, Oz is not the land where the adventures take place, but the land the characters are seeking as a refuge from adventure. The book was dedicated to Harriet Alvena Baum Neal, the author's eldest sister. Dorothy Gale is gladly joining her Uncle Henry in California to visit relatives who live at Hugson's Ranch, after their vacation from Australia in Ozma of Oz. Dorothy meets Hugson's nephew who is her second cousin, Zeb of Hugson's Ranch. Dorothy, Eureka (her cat) and Zeb are riding a buggy being pulled by a cab-horse named Jim when a violent earthquake strikes. A crevice opens in the ground beneath them and they fall deep into the Earth. Dorothy, Eureka, Jim, Zeb, and the buggy land in the underground Land of the Mangaboos, a race of vegetable people who grow on vines. The Mangaboos accuse them of causing the earthquake, which has damaged many of their glass buildings. Just as they are about to be sentenced to death by the Mangaboos, a hot air balloon randomly descends, and in the basket is the former Wizard of Oz, whom Dorothy last saw as he floated away into the sky from the Emerald City at the end of the earlier book The Wizard of Oz. The Wizard demonstrates his (humbug) magic powers, first, by "conjuring" nine tiny, mouse-sized piglets (actually taking them from his pocket by sleight-of-hand), and then, by lighting a fire, which is a phenomenon unknown to the Mangaboos. Impressed, the Mangaboo prince gives him a temporary job as court wizard, but the death sentence is only postponed until a new, native Mangaboo wizard grows ripe enough to serve. Eureka asks for permission to eat one of the piglets, but the Wizard angrily refuses to allow this. The Mangaboo people eventually drive the travelers out of their country into a dark tunnel, which leads to another kingdom. They pass through the tunnel into a beautiful green valley. They enter a seemingly empty cottage and are welcomed by invisible people, for they have entered the Valley of Voe, whose inhabitants are able to remain invisible by eating a magic fruit, and use their invisibility to hide from marauding bears. In order to avoid being eaten by the bears, the travelers move on. The companions climb Pyramid Mountain, and meet the Braided Man, a manufacturer of holes, flutters (guaranteed to make any flag flutter on a windless day), and rustles for silk dresses. After exchanging gifts with him, the travelers continue upwards into the Land of the Gargoyles, which are hostile, silent, flying monsters made of wood. The travelers are able, at first, to repel their attack successfully because the Gargoyles are frightened by loud noises. However, the travelers are soon out of breath and unable to make more noise, so the Gargoyles capture them.

Swept away by a cyclone from the Kansas prairies to the Land of Oz, Dorothy and her dog, Toto, must find their way home. Traveling to the Emerald City with a new band of friends; the Scarecrow, the Tin Woodman, and the Cowardly Lion, Dorothy’s fate is in the hands of a great and terrible wizard. But a wicked enemy stands in her way. But with help of his friends, Dorothy will go back to Kansas and live happily with his Uncle Henry and Aunt Em.

No childhood is complete without a trip down the Yellow Brick Road, and this reprint of the original edition of L. Frank Baum's classic will transport young readers and listeners from the plains of Kansas to the shining towers of Oz. Baum characterized his ever-popular story as "a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out." His rich fantasies and child-friendly narrative, combined with W. W. Denslow's artistry, made this the bestselling children's book of 1900. More than a century later, children continue to take Dorothy and her friends into their hearts. This version of their adventures is enhanced with the original 143 illustrations and 23 color plates. Dover (2015) republication of the edition originally published by the George M. Hill Company, Chicago and New York, 1900. A selection of the Common Core State Standards Initiative. See every Dover book in print at www.doverpublications.com