THE WITCHES, Roald Dahl's most scary story for children, in a large format, full colour paperback edition. With Quentin Blake's brilliant line artwork in full colour, THE WITCHES is a must-have for children collecting all of the Roald Dahl in full-colour format including CHARLIE AND THE CHOCOLATE FACTORY, FANTASTIC MR FOX, THE TWITS, GEORGE'S MARVELLOUS MEDICINE, JAMES AND THE GIANT PEACH, ESIO TROT and THE MAGIC FINGER.

The witches have a motto- One child a week is fifty-two a year. Squish them and squiggle them and make them disappear. The Grand High Witch of All the World is the scariest of the lot, but one boy and the grandmother he adores have a plan to get rid of the witches for good.

An emotive, haunting story of a community torn apart, the Essex witch accusations and trial of 1581-2 are, taken together, one of the pivotal instances of that malign and destructive wave of misogynistic persecution which periodically broke over early modern England. Yet, for all their importance in the overall study of witchcraft, the so-called witches of St Osyth have largely been overlooked by scholars. Marion Gibson now sets right that neglect. Using fresh archival sources – and investigating not just the village itself, but also its neighbouring Elizabethan hamlets and habitations – the author offers revelatory new insights into the sixteen women and one man accused of sorcery while asking wider, provocative questions about the way history is recollected and interpreted. Combining landscape detective work, a reconstruction of lost spaces and authoritative readings of crucial documents, Gibson skilfully unlocks the poignant personal histories of those denied the chance to speak for themselves.

The Witches’ Almanac is a sophisticated publication appealing to general readers as well as hardcore Wiccans. Founded in 1971 by Elizabeth Pepper, the art director of Gourmet magazine for many years, The Witches’ Almanac is a witty, literate, and sophisticated publication that appeals to all those devoted to the Craft. At one level, it is a pop reference that will fascinate anyone interested in folklore, mythology, and culture; but at another, it is the most sophisticated and wide-ranging annual guide available today for the mystic enthusiast. Modeled after the Old Farmers’ Almanac, it includes information related to the annual moon calendar (weather forecasts and horoscopes), as well as legends, rituals, herbal secrets, mystic incantations, interviews, and many a curious tale of good and evil. Although it is an annual publication, much of the content is both current and timeless—not specific to the date range of each issue. The theme of Issue 41 (Spring 2022–Spring 2023) is The Moon: Transforming the Inner Spirit. Also included are articles on geomancy, the lunar nodes, charms of the Welsh March, the Messenger of the Gods, the Orisha Sango, and much more.

Beautiful girls in swimsuits glistening in the sun? Yes, please! Summer break is finally here and Yukinari is on duty as a lifeguard at the local pool, but he best not let his guard down--voluptuous senior lifeguard Nonoka is taking her shot at him now! She may have an innocent face, but this witch is about to drag Yukinari into a dangerous game of tits-for-tat.

Whether the dreams brought on the fever or the fever brought on the dreams Walter Gilman did not know. Behind everything crouched the brooding, festering horror of the ancient town, and of the moldy, unhallowed garret gable where he wrote and studied and wrestled with figures and formulae when he was not tossing on the meager iron bed. His ears were growing sensitive to a preternatural and intolerable degree, and he had long ago stopped the cheap mantel clock whose ticking had come to seem like a thunder of artillery. At night the subtle stirring of the black city outside, the sinister scurrying of rats in the wormy partitions, and the creaking of hidden timbers in the centuried house, were enough to give him a sense of strident pandemonium. The darkness always teemed with unexplained sound-and yet he sometimes shook with fear lest the noises he heard should subside and allow him to hear certain other fainter noises which he suspected were lurking behind them.

The Witchcraft Sourcebook, now in its second edition, is a fascinating collection of documents that illustrates the development of ideas about witchcraft from ancient times to the eighteenth century. Many of the sources come from the period between 1400 and 1750, when more than 100,000 people - most of them women - were prosecuted for witchcraft in Europe and colonial America. During these years the prominent stereotype of the witch as an evil magician and servant of Satan emerged. Catholics and Protestants alike feared that the Devil and his human confederates were destroying Christian society. Including trial records, demonological treatises and sermons, literary texts, narratives of demonic possession, and artistic depiction of witches, the documents reveal how contemporaries from various periods have perceived alleged witches and their activities. Brian P. Levack shows how notions of witchcraft have changed over time and considers the connection between gender and witchcraft and the nature of the witch's perceived power. This second edition includes an extended section on the witch trials in England, Scotland and New England, fully revised and updated introductions to the sources to include the latest scholarship and a short bibliography at the end of each introduction to guide students in their further reading. The Sourcebook provides students of the history of witchcraft with a broad range of sources, many of which have been translated into English for the first time, with commentary and background by one of the leading scholars in the field.

In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art.

You're a witch. It's the dead of night. You're scared. You might even be found out. Suddenly, a flash of light dazzles you. A glowing translucent book has appeared before your eyes. You read its ice-like pages. They foretell the end of your magic ...even your life. What on earth are you going to do? Cordelia and her sister Mer have no choice but to fight back. Shockingly, they and their friends lives are now in grave peril. No one has ever managed to live by opposing the heartless Witches of Ice.

The ancient forest of Selwood straddles the borders of Somerset and Wiltshire and terminates in the south where these counties meet Dorset. Until now, a comprehensive study of its exceptionally rich history of demonological beliefs and witchcraft persecution in the early modern period has not been attempted. This book explores the connections between important theological texts written in the region, notably Richard Bernard’s Guide to the Grand-Jury Men (1627) and Joseph Glanvill’s Saducismus Triumphatus (1681), influential local families such as the Hunts and the Hills, and the extraordinary witchcraft episodes associated with Shepton Mallet, Brewham, Stoke Trister, and elsewhere. In particular, it focuses on a little-known case in the village of Beckington in 1689, and shows how this was not a late, isolated episode, but an integral part of the wider Selwood Forest witchcraft story.