The Walking Dead Vol. 9

Here We Remain


Author: Robert Kirkman

Publisher: Image Comics

ISBN: 160706541X

Category: Comics & Graphic Novels

Page: 138

View: 1578

In the last volume we learned that no one is safe. Now after the staggering losses they've sustained, Rick and Carl are left to pick up the pieces and carry on... knowing that they could join their fallen friends and family at any moment. Collects issues 49-54.

Working-Class Comic Book Heroes

Class Conflict and Populist Politics in Comics


Author: Marc DiPaolo

Publisher: Univ. Press of Mississippi

ISBN: 149681665X

Category: Social Science

Page: 270

View: 4762

Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.

Graphic Novels: A Guide to Comic Books, Manga, and More, 2nd Edition


Author: Michael Pawuk,David S. Serchay

Publisher: ABC-CLIO

ISBN: 1440851360

Category: Language Arts & Disciplines

Page: 719

View: 4952

Covering genres from action/adventure and fantasy to horror, science fiction, and superheroes, this guide maps the vast and expanding terrain of graphic novels, describing and organizing titles as well as providing information that will help librarians to build and balance their graphic novel collections and direct patrons to read-alikes. • Introduces users to approximately 1,000 currently popular graphic novels and manga • Organizes titles by genre, subgenre, and theme to facilitate finding read-alikes • Helps librarians build and balance their graphic novel collections

The Astounding Wolf-Man Vol. 2


Author: Robert Kirkman

Publisher: Image Comics

ISBN: 1632151480

Category: Comics & Graphic Novels

Page: 160

View: 6752

After the Earth-Shattering events of volume one we find Gary Hampton, The Astounding Wolf-Man, on the run from the law - his very life hanging in the balance! He must learn how to harness the beast within, once and for all, and clear his name before the full might of the U.S. government takes him down! Guest Starring Invincible! This volume collects The Astounding Wolf-Man issues #8-12 and Invincible #57.

Goethe, Volume 9

Wilhelm Meister's Apprenticeship


Author: Johann Wolfgang von Goethe,Eric Albert Blackall,Victor Lange

Publisher: Princeton University Press

ISBN: 9780691043449

Category: Literary Criticism

Page: 387

View: 6434

Wilhelm Meister's Apprenticeship, a novel of self-realization greatly admired by the Romantics, has been called the first Bildungsroman and has had a tremendous influence on the history of the German novel. The story centers on Wilhelm, a young man living in the mid-1700s who strives to break free from the restrictive world of economics and seeks fulfillment as an actor and playwright. Along with Eric Blackall's fresh translation of the work, this edition contains notes and an afterword by the translator that aims to put this novel into historical and artistic perspective for twentieth-century readers while showing how it defies categorization.

The Sacred Generation (Vol.9 of the GLAS Series)


Author: Natasha Perova

Publisher: Glas

ISBN: 9785717200240

Category: Fiction

Page: 232

View: 836

Every society has had periods of totalitarianism and terror in one form or another. Russia is not exceptional in this respect. Whether the Russian brand of totalitarianism was worse or better than, say, the Inquisition in Spain, the slave trade in America, Nazism in Germany, or today's Islamic fundamentalism is hard to say. It would be interesting to attempt a comparative analysis. Slavery, or serfdom, was abolished in Russia only in 1862, but Alexander II's decreed could not abolish the mentality of servility overnight. Meek submissiveness of the bulk of the population on one hand, and authoritarian cruelty of the bureaucracy on the other, were to remain a feature of Russian society for a long time afterwards. The third factor in the social equation was the Russian intelligentsia, the bearers of culture in Russia who generated the country's intellectual and artistic values. This independent minded group caused the authorities particular concern and even fear as a constant source of dissidence both before and after the 1917 revolutions. In the initial decades of Soviet rule the working class and peasantry were forcibly driven into labour camps under various pretexts, because the dislocated country needed slave labour to realize its ambitious construction projects. The freedom loving intelligentsia was imprisoned in camps and lunatic asylums, so as to intimidate and exterminate them by apparently legal methods. Gradually the whole nation divided into civilian informers and alarmed citizens, trying hard to be law-abiding but still ending up in the labour camps accused of treason, espionage, cosmopolitanism, and a host of other imaginary crimes. They rarely survived to the end of their sentences in the arctic temperatures of Siberia and the Polar regions. Who can estimate how many political scientists, writers and artists of genius were lost to mankind in those inhuman conditions of the Soviet prison camps? It is no wonder that those decades of totalitarian rule affected people's minds so deeply that, even after several years of democracy, people in their sixties and seventies are afraid to discuss politics over the telephone for fear it might be bugged. The 1960's, a time of positive changes in the West, saw the first political "thaw" in Russia, following revelations about the Stalinist regime by Khrushchev at the Twentieth Congress of the Communist Party in 1956. The generation of intellectuals who reached their prime in the 1960's, and who retained a sincere belief in "socialism with a human face", is known in Russia as the "shestidesyatniks", or sixties generation. Some of them fought for human rights and suffered repression in their turn, while others lay low, only daring to discuss politics or read samizdat poetry in a very narrow circle of friends (those famous gatherings in the kitchen, which was considered less likely to be bugged). The sixties generation are still very active in politics and public life today, and they are the target of hostility from both the right and the left of the political spectrum. The sharpest criticism comes from the younger generation who, happily, have never experienced the kind of pressure their elders were subjected to, and who have also never been thoroughly indoctrinated. Westerners often ask why we put up with bureaucratic oppression, food shortages and queues, violations of human rights, and so on even now. Why don't we protest? The two works we offer you in this issue of Glas convey the atmosphere of invisible oppression and all-pervading fear in which the sixties generation grew up. Boris Yampolsky's "The Old Arbat" set in Moscow in the 1950's, with flashbacks of the 1930's and 1940's; and Vasil Bykov's "Manhunt" is set in the country in the 1930's. In both stories innocent people are persecuted in a way which precludes effective resistance.

Household Words

A Weekly Journal, Volume 9


Author: N.A

Publisher: N.A


Category: English literature

Page: 616

View: 4905