As the teenage ruler of his own country, Matt must cope with clones and cartels in this riveting sequel to the modern classic "House of the Scorpion, " winner of the National Book Award, a Newbery Honor, and a Printz Honor.

In the riveting sequel to the acclaimed bestseller The House of the Scorpion, Matt reels from the change in status quo and struggles to do the right thing; find out his story’s end in this new edition with a reimagined cover! Matt Alacrán is a fourteen-year-old drug lord. Until recently, Matt was just a clone grown from a strip of El Patrón’s skin. Now he is lord of the land of Opium, on the one-time US–Mexico border, and rules over an army of microchipped, zombielike workers who are programmed to produce the drugs that are Opium’s main export. El Patrón kept the air and water in Opium clean, but the rest of the world is a polluted wasteland. Matt is sure that, in his new position, he can find a way to break the cycle of violence and destruction—but it will only be possible if he chooses the right people to trust.

Matt has always been nothing but a clone - an exact replica, grown from a strip of old El Patron's skin. Now, age fourteen, Matt suddenly finds himself thrust into the position of ruling over his own country, Opium, on the one-time border between the US and Mexico, stretching from the ruins of San Diego to the ruins of Matamoros. But while Opium thrives, the rest of the world has been devastated by ecological disaster… and hidden somewhere in Opium is the cure. And that isn't all that's hidden within the depths of Opium. Matt is haunted by the ubiquitous army of eejits, zombie-like workers harnessed to the old El Patron's sinister system of drug growing... people stripped of the very qualities which once made them human. Matt wants to use his newfound power to help stop the suffering, but he can't even find a way to smuggle his childhood love Maria across the border and into Opium. Instead, his every move hits a roadblock - both from the traitors that surround him and from a voice within himself. For who is Matt really but the clone of an evil, murderous dictator?

Contributions by Torsten Caeners, Phoebe Chen, Mathieu Donner, Shannon Hervey, Angela S. Insenga, Patricia Kennon, Maryna Matlock, Ferne Merrylees, Lars Schmeink, Anita Tarr, Tony M. Vinci, and Donna R. White For centuries, humanism has provided a paradigm for what it means to be human: a rational, unique, unified, universal, autonomous being. Recently, however, a new philosophical approach, posthumanism, has questioned these assumptions, asserting that being human is not a fixed state but one always dynamic and evolving. Restrictive boundaries are no longer in play, and we do not define who we are by delineating what we are not (animal, machine, monster). There is no one aspect that makes a being human--self-awareness, emotion, artistic expression, or problem-solving--since human characteristics reside in other species along with shared DNA. Instead, posthumanism looks at the ways our bodies, intelligence, and behavior connect and interact with the environment, technology, and other species. In Posthumanism in Young Adult Fiction: Finding Humanity in a Posthuman World, editors Anita Tarr and Donna R. White collect twelve essays that explore this new discipline's relevance in young adult literature. Adolescents often tangle with many issues raised by posthumanist theory, such as body issues. The in-betweenness of adolescence makes stories for young adults ripe for posthumanist study. Contributors to the volume explore ideas of posthumanism, including democratization of power, body enhancements, hybridity, multiplicity/plurality, and the environment, by analyzing recent works for young adults, including award-winners like Paolo Bacigalupi's Ship Breaker and Nancy Farmer's The House of the Scorpion, as well as the works of Octavia Butler and China Miéville.

Discusses how young adult fiction offers new ways of thinking about climate change and definitions of citizenship. The Necessity of Young Adult Fiction argues that YA fiction helps us to think about some of most pressing problems of the twenty-first century by offering imaginative reconceptualizations about identity, nation, family, and the human relationship to the planet. Using examples from YA fiction that range from the Harry Potter series to Nnedi Okorafor's trilogy set in contemporary Nigeria, this book argues that the cultural work of YA fiction shapes readers perceptions, making them receptive to--and invested in--the possibility of positive social change. The novels examined could all be considered "fantastical," but they offer insights into the real world that all readers--and particularly young adult readers--might draw on in order to reimagine social structures and the well-being of the planet. The book is designed to bring readers into the conversation about how we might create cosmopolitan societies that are shaped around conversation and engagement rather than fear and isolation. Each of these novels, in different ways, illustrate the dangers inherent in fundamentalist visions of the world. Through its discussions about the relationships between reading and citizenship, monsters and families, the local and the global, The Necessity of Young Adult Fiction demonstrates that YA fiction is doing some of the most important and creative work in literature today.

This book is the first to offer a justice-focused cognitive reading of modern YA speculative fiction in its narrative and filmic forms. It links the expansion of YA speculative fiction in the 20th century with the emergence of human and civil rights movements, with the communitarian revolution in conceptualizations of justice, and with spectacular advances in cognitive sciences as applied to the examination of narrative fiction. Oziewicz argues that complex ideas such as justice are processed by the human mind as cognitive scripts; that scripts, when narrated, take the form of multiply indexable stories; and that YA speculative fiction is currently the largest conceptual testing ground in the forging of justice consciousness for the 21st century world. Drawing on recent research in the cognitive and evolutionary sciences, Oziewicz explains how poetic, retributive, restorative, environmental, social, and global types of justice have been represented in narrative fiction, from 19th century folk and fairy tales through 21st century fantasy, dystopia, and science fiction. Suggesting that the appeal of these and other nonmimetic genres is largely predicated on the dream of justice, Oziewicz theorizes new justice scripts as conceptual tools essential to help humanity survive the qualitative leap toward an environmentally conscious, culturally diversified global world. This book is an important contribution to studies of children’s and YA speculative fiction, adding a new perspective to discussions about the educational as well as social potential of nonmimetic genres. It demonstrates that the justice imperative is very much alive in YA speculative fiction, creating new visions of justice relevant to contemporary challenges.

A CIA double agent holds the fate of China—and the world—in his hands in this gripping spy thriller from the author of The Man Who Loved Mata Hari. John Polly enters Shanghai in 1948 on a muggy, velvet evening, just in time for the Communist takeover of China. It marks only his fourth month in America’s newly formed Central Intelligence Agency. Over the next two decades, Polly will become The White Mandarin, a double agent buried so deep within the inner circle of the People’s Republic as to shape the futures of both that nation and his own. Dan Sherman’s intricate, superbly crafted spy thriller follows Polly as he walks a dangerous tightrope of intrigue and suspense. As China rebuilds itself, Polly attempts to start a family in the intersection between the American intelligence system and the Asian drug trade. Can Polly keep his wife and daughter safe? Can he keep track of the shifting stories and changing allegiances in the CIA? Will his emotion get in the way of his mission? Only pages into this stunning novel, readers will easily understand why Sherman has earned comparison to the great John le Carré and Graham Greene. It is both a story of very personal love and loss, and an insightful history of China between the rise of Chairman Mao and the 1972 visit by President Nixon. Anyone looking to understand the China of yesterday and today—its power, its flaws, its beauty—need look no further than The White Mandarin.

With the explosion in YA publishing, it’s harder than ever to separate good books from the rest. Booklistmagazine’s editors’ deep and broad knowledge of the landscape offers indispensable guidance, and here they bring together the very best of the best books for young adults published since the start of the 21st century. Drawing on the careful judgment of expert YA librarians, this book Includes a foreword by best-selling YA lit authority Michael Cart, who demonstrates how we have entered a new golden age of books for young adults Collects reviews which showcase the most stimulating contemporary YA titles Features an essay in each section, grouped by genre, presenting an overview and examining relevant trends Indexes selections by author, title, and genre for handy reference The thoughtful professional review coverage for which ALA’s Booklist is known makes this volume an ideal tool for YA readers’ advisory and collection development.