The Cultural Cold War in Western Europe, 1945-1960


Author: Roosevelt Study Center

Publisher: Psychology Press

ISBN: 9780714653082

Category: History

Page: 335

View: 4307

The articles that comprise this collection constitute an evaluation of overt and covert influences on political and cultural activity in Western European democracies during the earliest period of the Cold War.

The Cultural Cold War

The CIA and the World of Arts and Letters


Author: Frances Stonor Saunders

Publisher: The New Press

ISBN: 1595589422

Category: History

Page: 448

View: 6603

During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.

Who Paid the Piper?

The CIA and the Cultural Cold War


Author: Frances Stonor Saunders

Publisher: Granta Books

ISBN: 9781862073272

Category: Arts

Page: 509

View: 8200

During the Cold War, writers and artists were faced with a huge challenge. In the Soviet world, they were expected to turn out works that glorified militancy, struggle and relentless optimism. In the West, freedom of expression was vaunted as liberal democracy's most cherished possession. But such freedom could carry a cost.

The Culture of the Cold War


Author: Stephen J. Whitfield

Publisher: JHU Press

ISBN: 9780801851957

Category: History

Page: 288

View: 9683

"A lively and well documented account of how the Cold War both produced and was sustained by super-patriotism, intolerance, and suspicion, and how these pathologies infected all aspects of American life in the 1950s -- entertainment, churches, schools." -- Foreign Affairs

Cold War confrontations

US exhibitions and their role in the cultural Cold War


Author: Jack Masey,Conway Lloyd Morgan

Publisher: Lars Muller Publishers


Category: Architecture

Page: 423

View: 7983

Discussing American World's Fairs and their role during the Cold War, this title presents extensive new illustrative material with texts and original documents compiled by insiders.

Divided Dreamworlds?

The Cultural Cold War in East and West


Author: Peter Romijn,Giles Scott-Smith,Joes Segal

Publisher: Amsterdam University Press

ISBN: 9089644369

Category: Social Science

Page: 238

View: 8930

With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the two blocs. Encompassing developments in both the arts and sciences, the authors analyze focal points, aesthetic preferences and cultural phenomena through topics as wide-ranging as the East- and West German interior design; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as a universal cultural ambassador. Well positioned at the cutting edge of Cold War studies, this important work illuminates some of the striking paradoxes involved in the production and reception of culture in East and West.

The Dancer Defects

The Struggle for Cultural Supremacy during the Cold War


Author: David Caute

Publisher: OUP Oxford

ISBN: 9780191554582

Category: History

Page: 818

View: 3958

The cultural Cold War between the Soviet Union and the West was without precedent. At the outset of this original and wide-ranging historical survey, David Caute establishes the nature of the extraordinary cultural competition set up post-1945 between Moscow, New York, London and Paris, with the most intimate frontier war staged in the city of Berlin. Using sources in four languages, the author of The Fellow-Travellers and The Great Fear explores the cultural Cold War as it rapidly penetrated theatre, film, classical music, popular music, ballet, painting and sculpture, as well as propaganda by exhibition. Major figures central to Cold War conflict in the theatre include Brecht, Miller, Sartre, Camus, Havel, Ionesco, Stoppard and Konstantin Simonov, whose inflammatory play, The Russian Question, occupies a chapter of its own based on original archival research. Leading film directors involved included Eisenstein, Romm, Chiarueli, Aleksandrov, Kazan, Tarkovsky and Wajda. In the field of music, the Soviet Union in the Zhdanov era vigorously condemned 'modernism', 'formalism', and the avant-garde. A chapter is devoted to the intriguing case of Dmitri Shostakovich, and the disputed authenticity of his 'autobiography' Testimony. Meanwhile in the West the Congress for Cultural Freedom was sponsoring the modernist composers most vehemently condemned by Soviet music critics; Stravinsky, Schoenberg, Hindemith among them. Despite constant attempts at repression, the Soviet Party was unable to check the appeal of jazz on the Voice of America, then rock music, to young Russians. Visits to the West by the Bolshoi and Kirov ballet companines, the pride of the USSR, were fraught with threats of cancellation and the danger of defection. Considering the case of Rudolf Nureyev, Caute pours cold water on overheated speculations about KGB plots to injure him and other defecting dancers. Turning to painting, where socialist realism prevailed in Russia, and the impressionist heritage was condemned, Caute explores the paradox of Picasso's membership of the French Communist Party. Re-assessing the extent of covert CIA patronage of abstract expressionism (Pollock, De Kooning), Caute finds that the CIA's role has been much exaggerated, likewise the dominance of the New York School. Caute challenges some recent, one-dimensional, American accounts of 'Cold War culture', which ignore not only the Soviet performance but virtually any cultural activity outside the USA. The West presented its cultural avant-garde as evidence of liberty, even through monochrome canvases and dodecaphonic music appealed only to a minority audience. Soviet artistic standards and teaching levels were exceptionally high, but the fear of freedom and innovation virtually guaranteed the moral defeat which accelerated the collapse of the Soviet Union.

The Cultural Cold War in Western Europe, 1945-60


Author: Hans Krabbendam,Giles Scott-Smith

Publisher: Routledge

ISBN: 1135763445

Category: History

Page: 256

View: 1233

The idea of the Cold War as a propaganda contest as opposed to a military conflict is being increasingly accepted. This has led to a re-evaluation of the relationship between economic policies, political agendas and cultural activities in Western Europe post 1945. This book provides an important cross-section of case studies that highlight the connections between overt/covert activities and cultural/political agendas during the early Cold War. It therefore provides a valuable bridge between diplomatic and intelligence research and represents an important contribution towards our understanding of the significance and consequences of this linkage for the shaping of post-war democratic societies.

The CIA, the British Left and the Cold War

Calling the Tune?


Author: Hugh Wilford

Publisher: Routledge

ISBN: 1135294771

Category: History

Page: 328

View: 2764

Shortly after it was founded in 1947, the CIA launched a secret effort to win the Cold War allegiance of the British left. Hugh Wilford traces the story of this campaign from its origins in Washington DC to its impact on Labour Party politicians, trade unionists, and Bloomsbury intellectuals