The Classical Style

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The Classical Style

The Classical Style

Haydn, Mozart, Beethoven

  • Author: Charles Rosen
  • Publisher: W. W. Norton & Company
  • ISBN: 9780393317121
  • Category: Music
  • Page: 533
  • View: 4572
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Presents a detailed analysis of the musical styles and forms developed by Mozart, Haydn, and Beethoven

The Emergence of the Classical Style in Greek Sculpture

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The Emergence of the Classical Style in Greek Sculpture

The Emergence of the Classical Style in Greek Sculpture

  • Author: Richard Neer
  • Publisher: University of Chicago Press
  • ISBN: 0226570657
  • Category: History
  • Page: 288
  • View: 2790
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In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.

Analysis Through Composition

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Analysis Through Composition

Analysis Through Composition

Principles of the Classical Style

  • Author: Nicholas Cook
  • Publisher: Oxford University Press, USA
  • ISBN: N.A
  • Category: Music
  • Page: 204
  • View: 5429
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In this textbook Professor Nicholas Cook provides an unusual and stimulating approach to teaching analytical concepts through the study of style composition. The emphasis is on analysis and decision-making within a practical context, drawing on `real' musical examples ranging from J. C. Bachto early Beethoven. Students can use these examples as models to complete compositional assignments provided in a number of subject areas. The illustrative use of contemporary source materials such as sketches and pedagogical exercises (e.g. Thomas Attwood's studies with Mozart) provides a usefulhistorical framework and draws together an appealing combination of musical disciplines.

Chen

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Chen

Chen

Living Taijiquan in the Classical Style

  • Author: Jan Silberstorff
  • Publisher: Singing Dragon
  • ISBN: 1848190212
  • Category: Body, Mind & Spirit
  • Page: 317
  • View: 4571
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In this book, Master Jan Silberstorff, a leading Chen practitioner, shares his expertise and insights into Chen style Taijiquan, explaining its background and key principles. He discusses the different Chen forms and the importance of each, as well as the place of competition and the effect on participants.

The Classical Hollywood Cinema

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The Classical Hollywood Cinema

The Classical Hollywood Cinema

Film Style and Mode of Production to 1960

  • Author: David Bordwell,Janet Staiger,Kristin Thompson
  • Publisher: Routledge
  • ISBN: 1134988095
  • Category: Social Science
  • Page: 658
  • View: 6107
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'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.

Pleasure and Meaning in the Classical Symphony

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Pleasure and Meaning in the Classical Symphony

Pleasure and Meaning in the Classical Symphony

  • Author: Melanie Lowe
  • Publisher: Indiana University Press
  • ISBN: 0253000068
  • Category: Music
  • Page: 240
  • View: 1015
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Classical music permeates contemporary life. Encountered in waiting rooms, movies, and hotel lobbies as much as in the concert hall, perennial orchestral favorites mingle with commercial jingles, video-game soundtracks, and the booming bass from a passing car to form the musical soundscape of our daily lives. In this provocative and ground-breaking study, Melanie Lowe explores why the public instrumental music of late-eighteenth-century Europe has remained accessible, entertaining, and distinctly pleasurable to a wide variety of listeners for over 200 years. By placing listeners at the center of interpretive activity, Pleasure and Meaning in the Classical Symphony offers an alternative to more traditional composer- and score-oriented approaches to meaning in the symphonies of Haydn and Mozart. Drawing from the aesthetics of the Enlightenment, the politics of entertainment, and postmodern notions of pleasure, Lowe posits that the listener's pleasure stems from control over musical meaning. She then explores the widely varying meanings eighteenth-century listeners of different social classes may have constructed during their first and likely only hearing of a work. The methodologies she employs are as varied as her sources -- from musical analysis to the imaginings of three hypothetical listeners. Lowe also explores similarities between the position of the classical symphony in its own time and its position in contemporary American consumer culture. By considering the meanings the mainstream and largely middle-class American public may construct alongside those heard by today's more elite listeners, she reveals the great polysemic potential of this music within our current cultural marketplace. She suggests that we embrace "crosstalk" between performances of this music and its myriad uses in film, television, and other mediated contexts to recover the pleasure of listening to this repertory. In so doing, we surprisingly regain something of the classical symphony's historical ways of meaning.

The Classical Style in Islamic Painting

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The Classical Style in Islamic Painting

The Classical Style in Islamic Painting

The Early School of Herat and Its Impact on Islamic Painting of the Later 15th, the 16th and 17th Centuries : Some Examples in American Collections

  • Author: Ernst J. Grube
  • Publisher: N.A
  • ISBN: N.A
  • Category: Art, Islamic
  • Page: 204
  • View: 2486
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Salomon de Brosse and the Development of the Classical Style in French Architecture from 1565 to 1630

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Salomon de Brosse and the Development of the Classical Style in French Architecture from 1565 to 1630

Salomon de Brosse and the Development of the Classical Style in French Architecture from 1565 to 1630

  • Author: Rosalys Coope
  • Publisher: HarperCollins
  • ISBN: N.A
  • Category: Architecture
  • Page: 295
  • View: 3531
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Spotlight on Classical Style

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Spotlight on Classical Style

Spotlight on Classical Style

  • Author: Catherine Rollin
  • Publisher: Alfred Music
  • ISBN: 9781457442605
  • Category: Music
  • Page: 24
  • View: 6458
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A wonderful assortment of original piano pieces in the Classical style. Designed to provide an introduction to Classical style for intermediate-level students who may not be quite ready to play the easier Classical literature. Includes two Sonatinas, one Theme and Variation and one Minuet.