Search results for: the-art-and-history-of-frames

The Art and History of Frames

Author : Henry Heydenryk
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Includes Europe and the United States, from the Middle Ages to the present.

Frames of Reference

Author : Janet Marquardt
File Size : 76.79 MB
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A History of European Picture Frames

Author : Paul Mitchell
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A scholarly survey documenting frame styles and their original context over the past eight centuries. Material is organized by nationality and period, with 56 diagrams in the form of framemakers' pattern books interspersed with 38 plates of framed paintings. Components are drawn directly from photog

Framing Russian Art

Author : Oleg Tarasov
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The notion of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame. Both meanings are essential to how the work is perceived. In Framing Russian Art, art historian Oleg Tarasov investigates the role of the frame in its literal function of demarcating a work of art and in its conceptual function affectingthe understanding of what is seen. The first part of the book is dedicated to the framework of the Russian icon. Here, Tarasov explores the historical and cultural meanings of the icon’s,setting, and of the iconostasis. Tarasov’s study then moves through Russian and European art from ancient times to the twentieth century, including abstract art and Suprematism. Along the way, Tarasov pays special attention to the Russian baroque period and the famous nineteenth century Russian battle painter Vasily Vereshchagin. This enlightening account of the cultural phenomenon of the frame and its ever-changing functions will appeal to students and scholars of Russian art history.

Italian Renaissance Frames at the V A

Author : Christine Powell
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This visually stunning and technically detailed book is an in-depth analysis of the materials and techniques used on thirty eight of the V&A's Renaissance frames. The book will teach the reader to recognise frame style, structure and surface decoration of the period, as well as additions and alterations and later frames in the style. * First detailed technical analysis of the V&A's most important Renaissance frames * Highly illustrated with 100 + colour photos of front back and details, digital reconstructions, section profiles, and illustrations of frame types, joints and mouldings. * Provides a comparative reference for Renaissance frames in other publications Christine Powell has worked at the V&A since 1993. She is a Senior Furniture Conservator specialising in gilt wood European Furniture, mirror and picture frames. She has also worked at The National Gallery London for seven years as conservator working on European painted and gilt wood altarpieces and frames and The Wallace Collection for two years on European gilt wood frames and furniture. She has taught and published articles on the history, materials techniques and conservation of gilding. Christine studied furniture making and restoration of furniture at the London College of Furniture (latterly the Metropolitan University) including wood finishing, carving and gilding. Before this she worked in private practice for furniture restoration and special paint effects firms. She also attended Epsom School of Art and Design. Zoë Allen first joined the V&A in 2000 to work on gilt wooden objects for the British Galleries and returned to the V&A in 2003 where she has worked since as Frames and Gilded Furniture Conservator. Before joining the V&A full time she worked as a conservator for both public institutions, such as English Heritage, and private practices including projects at the Royal Academy, St Paul's Cathedral and Somerset House. Zoë has published articles on her work. After a first degree in French Literature, Zoë studied conservation at the City & Guilds of London Art School. Her training covered the conservation of objects made from wood, stone and other sculptural materials, gilding and decorative surfaces. Internships included the National Institute for Restoration, Croatia, the Royal Collection, London and the Museum of London. * First detailed technical analysis and documentation of 40 of the most important Renaissance frames in the V&A collection. * Provides a comparative reference for Renaissance frames in other international collections. * Highly illustrated with 100+ commissioned colour photos of frame fronts, backs and close-up shots of details as well as digital reconstruction of selected frames

The Frame in Classical Art

Author : Verity Platt
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The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.

Looking at European Frames

Author : D. Gene Karraker
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Works of art in their own right, frames play an essential and often overlooked role in complementing the artworks they support. The craft and history of European frames is a fascinating subject and this volume provides a rich and informative guide to the frame maker s art from the thirteenth to the nineteenth century. This handy reference tool features over two hundred entries arranged alphabetically from "abacus "to "whiting "that concisely explain the techniques, materials, and styles involved in the making of frames. The introduction gives an overview of the history of frame styles and explains how frames are chosen by artists and museums for specific artworks. Lavishly illustrated with objects from the collection of the J. Paul Getty Museum, this handbook will be invaluable not only to professionals and collectors but also to all those wishing to increase their understanding and enjoyment of frames."

The Secret Lives of Frames

Author : Deborah Davis
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A painting wouldn't be the same without its frame. In fact, it can be as important as the art it surrounds. Yet the picture frame is the Cinderella of the art world, beautiful, hardworking, and frequently overlooked. The Secret Lives of Frames, inspired by the hundred-year history of Lowy, the premier fine arts services atelier in the country, celebrates the extraordinary art and artistry of the frame. In chapters such as The Making of a Framer and a Frame, The Lure of Antique Frames, and New Designs for the New Millennium, magnificent edges of all kinds come to life in vivid detail. Their history, so colorful and varied, is interwoven with the history of Lowy, an old-world company started by the legendary New York framer Julius Lowy, that marries the finest of traditional craftsmanship with new and inventive framing, restoration, and conservation techniques. Fascinating stories about frames, a lively historical survey of their evolution, and behind-the-scenes views of Lowy will transform readers into knowledgeable insiders who understand how to make their own framing choices. The Secret Life of Frames includes vintage photographs illustrating Lowy's colorful history and extensive photographs of frames and framed works of art in splendid real-life settings.

Cross Cultural Issues in Art

Author : Steven Leuthold
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This book provides an engaging introduction to aesthetic concepts, expanding the discussion beyond the usual Western theorists and Western examples.

Framing Consciousness in Art

Author : Gregory Minissale
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Framing Consciousness in Art examines how the conscious mind enacts and processes the frame that both surrounds the work of art yet is also shown as an element inside its space. These `frames-in-frames¿ may be seen in works by Teniers, Velázquez, Vermeer, Degas, Rodin, and Cartier-Bresson and in the films of Alfred Hitchcock and Buñuel. The book also deals with framing in a variety of cultural contexts: Indian, Chinese and African, going beyond Euro-American formalist and aesthetic concerns which dominate critical theories of the frame.

Time Frames

Author : Ugo Carughi
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Time Frames provides a reconnaissance on the conservation rules and current protection policies of more than 100 countries, with particular attention to the emerging nations and twentieth-century architecture. The contributions illustrate the critical issues related to architectural listings, with a brief history of national approaches, a linkography and a short bibliography. The book also provides a short critical lexicography, with 12 papers written by scholars and experts including topics on identities, heritages, conservation, memories and the economy. By examining the methods used to designate building as heritage sites across the continents, this book provides a comprehensive overview of current protection policies of twentieth-century architecture as well as the role of architectural history.

Frames

Author : Henrik Bjerre
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Framing Borders in Literature and Other Media

Author : Werner Wolf
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This book is both a contribution to an interdisciplinary study of literature and other media and a pioneering application of cognitive and frame-theoretical approaches to these fields. In the temporal media a privileged place for the coding of cognitive frames are the beginnings while in spatial media physical borders take over many framing functions. This volume investigates forms and functions of such framing spaces from a transmedial perspective by juxtaposing and comparing the framing potential of individual media and works. After an introductory theoretical essay, which aims to clarify basic concepts, the volume presents eighteen contributions by scholars from various disciplines who deal with individual media. The first section is dedicated to framing in or through the visual arts and includes discussions of the illustrations of medieval manuscripts, the practice of framing pictures from the Middle Ages to Magritte and contemporary American art as well as framings in printmaking and architecture. The second part deals with literary texts and ranges from studies centred on framings in frame stories to essays focussing on the use of paratextual, textual and non-verbal media in the framings of classical, medieval and modern German and American narrative literature; moreover, it includes studies on defamiliarized framings, e.g. by Julio Cortazar and Jasper Fforde, as well as an essay on end-framing practices. Sections on framings in film (including the trailers of Tolkien s "The Lord of the Rings") and in music (operatic overtures and Schumann s piano pieces) provide perspectives on further media. The volume is of relevance to students and scholars from various fields: intermedia studies, cognitive approaches to the media, literary and film studies, history of art, and musicology."

The Art of the Picture Frame

Author : Jacob Simon
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Published to accompany exhibition held at the National Portrait Gallery, London, 8/11/96 - 9/2/97.

Modernism and the Architecture of Private Life

Author : Victoria Rosner
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Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design. Elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art, Victoria Rosner's work explores the collaborations among modern British writers, interior designers, and architects in redefining the form, function, and meaning of middle-class private life. Drawing on a host of previously unexamined archival sources and works by figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf, Rosner highlights the participation of modernist literature in the creation of an experimental, embodied, and unstructured private life, which we continue to characterize as "modern."

Time Frames

Author : Scott Nygren
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Until 1951, when Kurosawa’s Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from world distribution and the international discourse on film. After this historic event, however, Japanese cinema could no longer be ignored.In Time Frames, Scott Nygren explores how Japanese film criticism and history has been written both within and beyond Japan, before and after Rashomon. He takes up the central question of which, and whose, Japan do critics and historians mean when reviewing the country’s cinema—an issue complicated by assumptions about cultural purity, Japan’s appropriation of Western ideas and technologies, and the very existence of a West and an Orientalist non-West.Deftly moving backward and forward from the pivotal 1951 festival, Nygren traces the invention of Japanese film history as a disciplinary mode of knowledge. His analysis includes such topics as the reconfiguration of prewar films in light of postwar recognition, the application of psychoanalytic theory to Japanese art and culture, and the intersection of kanji and cinema. He considers the historical inscription of 1950s Japan as “the golden age of the humanist film,” the identification of a Japanese New Wave and the implications of categorizing Japanese film through analogy to other national cinemas. Bringing the discussion to Japan’s reception of postmodernism, Nygren looks at the emergence of video art and anime and the end of Japanese film history as a meaningful concept in the rise of the Internet and globalization.Nygren highlights the creative exchange among North American, European, and Asian media, places Japanese film at the center of this discourse, and, ultimately, reveals its global role as a cultural medium, capable of transforming theory.Scott Nygren is associate professor of film and media studies at the University of Florida.

The Classification of Visual Art

Author : Tiffany Sutton
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Sutton's work explores what it is that bestows the designation 'art' on an artwork.

Zen and the Art of Local History

Author : Carol Kammen
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Zen and the Art of Local History is an engaging, interactive conversation that conveys the exciting nature of local history. Divided into six major themes the book covers the scope and breadth of local history: • Being a Local Historian • Topics and Sources • Staying Relevant • Getting it Right • Writing History • History Organizations Each chapter features one of Carol Kammen’s memorable editorials from History News. Her editorial is a “call.” Each is followed by a response from one of more than five dozen prominent players in state and local history. These Respondents include local and public historians, archivists, volunteers, and history professionals across the kaleidoscopic spectrum of local history. Among this group are Katherine Kane, Robert “Bob” Richmond, Charlie Bryan, and Cinnamon Catlin-Legutko. The result is a series of dialogues on important topics in the field of local history. This interactivity of these conversations makes Zen and the Art of Local History a unique offering in the public history field.

Framing Pictures

Author : Steven Jacobs
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Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts.

The Book of Picture Frames

Author : Claus Grimm
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