A “delightful” (Vanity Fair) collection from the longest-running, most influential book review in America, featuring its best, funniest, strangest, and most memorable coverage over the past 125 years. Since its first issue on October 10, 1896, The New York Times Book Review has brought the world of ideas to the reading public. It is the publication where authors have been made, and where readers first encountered the classics that have enriched their lives. Now the editors have curated the Book Review’s dynamic 125-year history, which is essentially the story of modern American letters. Brimming with remarkable reportage and photography, this beautiful book collects interesting reviews, never-before-heard anecdotes about famous writers, and spicy letter exchanges. Here are the first takes on novels we now consider masterpieces, including a long-forgotten pan of Anne of Green Gables and a rave of Mrs. Dalloway, along with reviews and essays by Langston Hughes, Eudora Welty, James Baldwin, Nora Ephron, and more. With scores of stunning vintage photographs, many of them sourced from the Times’s own archive, readers will discover how literary tastes have shifted through the years—and how the Book Review’s coverage has shaped so much of what we read today.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Originally published in 1990, this is a comprehensive and annotated bibliography of the writings on Joseph Conrad and his works. Covering the years from 1895 to 1975 it also includes indexes of authors, secondary works, periodicals and newspapers, foreign languages and primary titles. Part of a series of annotated bibliographies on English Literature in Transition, 1880-1920 this will be a valuable resource for students of literature.

Joseph Conrad (1857-1924) is widely considered one the great modern writers in English literature. This 21-volume set contains titles, originally published between 1976 and 1990 as well as a biography from 1957 written by one of his closest friends. The first 18 books are a set of concordances and indexes to Conrad’s printed works, which were part of a project directed by Todd K. Bender at the University of Wisconsin-Madison, USA and are among the first attempts to use the power of computers to enhance our reading environment and assist in lexicography, scholarly editing, and literary analysis. The set also contains a meticulously compiled bibliography of writings on Joseph Conrad, as well as an original and powerful analysis of his major work.

The memoirs and accounts of the Black educator are presented with letters, speeches, personal documents, and other writings reflecting his life and career.

'Ouida,' the pseudonym of Louise Ramé (1839-1908), was one of the most productive, widely-circulated and adapted of Victorian popular novelists, with a readership that ranged from Vernon Lee, Oscar Wilde and Ruskin to the nameless newspaper readers and subscribers to lending libraries. Examining the range and variety of Ouida’s literary output, which includes journalism as well as fiction, reveals her to be both a literary seismometer, sensitive to the enormous shifts in taste and publication practices of the second half of the nineteenth century, and a fierce protector of her independent vision. This collection offers a radically new view of Ouida, helping us thereby to rethink our perceptions of popular women writers in general, theatrical adaptation of their fiction, and their engagements with imperialism, nationalism and cosmopolitanism. The volume's usefulness to scholars is enhanced by new bibliographies of Ouida's fiction and journalism as well as of British stage adaptations of her work.

Explores language and mysticism, Buddhism and Zen, Christianity, comparative religion, psychedelics, and psychology and psychotherapy. To commemorate the 2015 centenary of the birth of Alan Watts (1915–1973), Peter J. Columbus and Donadrian L. Rice have assembled a much-needed collection of Watts’s scholarly essays and lectures. Compiled from professional journals, monographs, scholarly books, conferences, and symposia proceedings, the volume sheds valuable light on the developmental arc of Watts’s thinking about language and mysticism, Buddhism and Zen, Christianity, comparative religion, psychedelics, and psychology and psychotherapy. This definitive collection challenges Watts’s reputation as a “popularizer” or “philosophical entertainer,” revealing his concerns to be much more expansive and transdisciplinary than is suggested by the parochial “Zen Buddhist” label commonly affixed to his writings. The editors’ authoritative introduction elucidates contemporary perspectives on Watts’s life and work, and supports a bold rethinking of his contributions to psychology, philosophy, and religion. “This excellent volume is important in establishing Watts as perhaps the most important Western thinker and writer on Eastern religions and philosophy, as well as comparative religions, of the twentieth century.” — John W. Traphagan, author of Rethinking Autonomy: A Critique of Principlism in Biomedical Ethics

G. K. Chesterton was a literary giant of his age. With an exceptional intellect, he wrote about history, politics, economics, philosophy, social and literary criticism, and theology. He published essays, novels, biographies, short stories, and poetry, and the Christian classics Heretics, Orthodoxy, and The Everlasting Man, which C. S. Lewis credits as instrumental in his conversion to Christianity. With much of his finest material out of print or hard to find, modern readers have long needed a standard collection of his best thoughts. Kevin Belmonte’s The Quotable Chesterton brings them to you arranged alphabetically by topic, with complete original source documentation. There are entries from Adventure to Cheese, Politics to Émile Zola, interspersed with essays about Chesterton’s life and times. Hundreds of passages drawn from Chesterton’s fiction, poetry, essays, and other books showcase a man the New York Times hailed as a “brilliant English essayist” and George Bernard Shaw called a “colossal genius.” Endorsements: “There isn’t a writer who gets me pacing and smiling and thinking like G.K. Chesterton. His every paradigm shift is an adjustment to my mental compass, and so a gift.” —DONALD MILLER, author of the New York Times bestsellers A Million Miles in a Thousand Years and Blue Like Jazz “Over the years, I have delivered thousands of lectures, speeches, talks, and sermons; I have written hundreds of articles, essays, books, and reviews; it is an exceedingly rare occasion when any of them should fail to contain the words ‘Chesterton once said.’ Kevin Belmonte here reveals that fountain of wit, wisdom, and wonder, G.K. Chesterton, in all his irresistibly, irrepressibly, quotable splendor.”—GEORGE GRANT, Pastor, Parish Presbyterian Church, and Chancellor, New College Franklin

Bret Harte was the best-known and highest paid writer in America in the early 1870s, yet his vexed attempts to earn a living by his pen led to the failure of his marriage and, in 1878, his departure for Europe. Gary Scharnhorst’s biography of Harte traces the growing commercial appeal of western fiction and drama on both sides of the Atlantic during the Gilded Age, a development in which Harte played a crucial role. Harte’s pioneering use of California local color in such stories as "The Outcasts of Poker Flat" challenged genteel assumptions about western writing and helped open eastern papers to contributions by Mark Twain and others. The popularity of Bret Harte’s writings was driven largely by a literary market that his western stories helped create. The first Harte biography in nearly seventy years to be written entirely from primary sources, this book documents Harte’s personal relationships and, in addition, his negotiations with various publishers, agents, and theatrical producers as he exploited popular interest in the American West.

Overviews literary journalism and provides biographical entries for writers and editors who practiced literary journalism.

At the beginning of the twentieth century, Indian Territory, which would eventually become the state of Oklahoma, was a multicultural space in which various Native tribes, European Americans, and African Americans were equally engaged in struggles to carve out meaningful lives in a harsh landscape. John Milton Oskison, born in the territory to a Cherokee mother and an immigrant English father, was brought up engaging in his Cherokee heritage, including its oral traditions, and appreciating the utilitarian value of an American education. Oskison left Indian Territory to attend college and went on to have a long career in New York City journalism, working for the New York Evening Post and Collier?s Magazine. He also wrote short stories and essays for newspapers and magazines, most of which were about contemporary life in Indian Territory and depicted a complex multicultural landscape of cowboys, farmers, outlaws, and families dealing with the consequences of multiple interacting cultures. Though Oskison was a well-known and prolific Cherokee writer, journalist, and activist, few of his works are known today. This first comprehensive collection of Oskison?s unpublished autobiography, short stories, autobiographical essays, and essays about life in Indian Territory at the turn of the twentieth century fills a significant void in the literature and thought of a critical time and place in the history of the United States.

A romance of America’s nascent imperial power, Richard Harding Davis’s Soldiers of Fortune recounts the adventures of Robert Clay, a mining engineer and sometime mercenary, and Hope Langham, the daughter of a wealthy American industrialist, as they become caught up in a coup in Olancho, a fictional Latin American republic. When the coup, organized by corrupt politicians and generals, threatens the American-owned Valencia Mining Company, Clay organizes his workers and the handful of Americans visiting the mine into a counter-coup force. Written on the eve of the Spanish-American War, Soldiers of Fortune casts the young American as the dashing, hypermasculine hero of the new military and economic. A huge best-seller, the novel did its part to push the nation into war against Spain, and stands as one of the most important texts in the literature of American imperialism. The appendices, which bring together primary materials by writers and politicians such as Rebecca Harding Davis, Theodore Roosevelt, Jose Martí, Mark Twain, Herbert Spencer, and others, address such issues as social Darwinism, masculinity, and ideas of Anglo-American superiority.

This catalogue focuses on a unique assemblage of artwork, which forms the nucleus of the club's permanent collection. Some of the works have been on fairly continuous display over the years, while others, due to a lack of wall space, have been tucked away in storage, or hung in the intimate, out-of-the-way stairways and corridors one finds in a rambling nineteenth-century structure. This publication is intended to provide club members, as well as those with an interest in historical American art, with the stories behind the paintings and sculptures that make a visit to the National Arts Club such a memorable experience.