One of the astonishing aspects of [Oliver's] work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward.

Understand, I am always trying to figure out what the soul is, and where hidden, and what shape- New and Selected Poems, Volume Two, an anthology of forty-two new poems-an entire volume in itself-and sixty-nine poems hand-picked by Mary Oliver from six of her last eight books, is a major addition to a career in poetry that has spanned nearly five decades. Now recognized as an unparalleled poet of the natural world, Mary Oliver writes with unmatched dexterity and a profound appreciation for the divergence and convergence of all living things. Mary Oliver is always searching for the soul of things. In poem after poem, her investigations go from the humble green bean that nourishes her and makes her wonder if "something/-I can't name it-watches as I walk the/rows, accepting the gift of their lives/to assist mine" to the vast, untouchable bliss of "things you can't reach./But you can reach out to them, and all day long./The wind, the bird flying away./The idea of God." Oliver's search grows and is informed by experience, meditation, perception, and discernment. And all the while, during her quest, she is constantly surprised and fortified by joy. This graceful volume, designed to be paired with New and Selected Poems, Volume One, includes new poems on birds, toads, flowers, insects, bodies of water, and the extraordinary experience of the everyday in our lives. In the words of Alicia Ostriker,'Mary Oliver moves by instinct, faith, and determination. She is among our finest poets, and still growing.' In both the older and new poems, Mary Oliver is a poet at the height of her control of image and language.

A collection of poems written in English inspired by the Bible.

Davis and Womack investigate the emerging gaps between literary scholarship and the reading experience. The idea of reconciling the void - the locus of our sociocultural disillusionment and despair in an uncertain world - concerns explicit artistic attempts to represent the ways in which human beings seek out meaning, hope and community.

When New and Selected Poems, Volume One was originally published in 1992, Mary Oliver was awarded the National Book Award. In the fourteen years since its initial appearance it has become one of the best-selling volumes of poetry in the country. This collection features thirty poems published only in this volume as well as selections from the poet's first eight books. Mary Oliver's perceptive, brilliantly crafted poems about the natural landscape and the fundamental questions of life and death have won high praise from critics and readers alike. "Do you love this world?" she interrupts a poem about peonies to ask the reader. "Do you cherish your humble and silky life?" She makes us see the extraordinary in our everyday lives, how something as common as light can be "an invitation/to happiness,/and that happiness,/when it's done right,/is a kind of holiness,/palpable and redemptive." She illuminates how a near miss with an alligator can be the catalyst for seeing the world "as if for the second time/the way it really is." Oliver's passionate demonstrations of delight are powerful reminders of the bond between every individual, all living things, and the natural world.

New and Selected Poems includes more than fifty poems from Marjory Wentworth’s previous three collections, Noticing Eden, Despite Gravity, and The Endless Repetition of an Ordinary Miracle, plus twenty-eight new poems. This collection serves as a capstone to Wentworth’s tenure as South Carolina poet laureate, a title she has held since 2003. Thematically Wentworth’s poems invite us to view nature as a site of reflection and healing, to consider the power of familial bonds and friendships, and to broaden our awareness of human rights and social justice. Regional settings appear throughout, indicative of Wentworth’s commitment to represent her adopted home state of South Carolina in her work. She skillfully employs a variety of forms, from prose poems to sonnets to elegies to list poems, making for a varied and interesting trek through this “best of” collection of her poems to date. This collection includes a foreword by the poet Carol Ann Davis, author of Psalm and Atlas Hour and assistant professor of English at Fairfield University.

Thirst, a collection of forty-three new poems from Pulitzer Prize-winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of her beloved partner of over forty years, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the frst time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades.

Responding to the increased interest in the integration of expressive arts and ecotherapy, this book presents a nature based approach to expressive arts work. It provides an overview of the two fields, emphasizing how they can enrich and learn from each other, and highlights attitudes and practices in expressive arts that are particularly relevant to working with nature. This includes cultivating an aesthetic response to the earth, the relationship between beauty and sustainability, and lessons about art and nature from indigenous cultures. Four suggested structures for a nature based expressive arts activity - including writing, body, and ritual centered - are provided in the appendices.

This anthology of classic and modern poetry features works selected and read by celebrated American movie actors and directors.