Personalized Name daily diary / journal / notebook to write in, for creative writing, for creating lists, for Scheduling, Organizing and Recording your thoughts. Makes an excellent gift idea for birthdays, Christmas, coworkers or any special occasion YOU WILL GET: Perfectly sized at 6" x 9" 120 page Softcover bookbinding Flexible Paperback

Long characterized as an exceptional country within Latin America, Costa Rica has been hailed as a democratic oasis in a continent scorched by dictatorship and revolution; the ecological mecca of a biosphere laid waste by deforestation and urban blight; and an egalitarian, middle-class society blissfully immune to the violent class and racial conflicts that have haunted the region. Arguing that conceptions of Costa Rica as a happy anomaly downplay its rich heritage and diverse population, The Costa Rica Reader brings together texts and artwork that reveal the complexity of the country’s past and present. It characterizes Costa Rica as a site of alternatives and possibilities that undermine stereotypes about the region’s history and challenge the idea that current dilemmas facing Latin America are inevitable or insoluble. This essential introduction to Costa Rica includes more than fifty texts related to the country’s history, culture, politics, and natural environment. Most of these newspaper accounts, histories, petitions, memoirs, poems, and essays are written by Costa Ricans. Many appear here in English for the first time. The authors are men and women, young and old, scholars, farmers, workers, and activists. The Costa Rica Reader presents a panoply of voices: eloquent working-class raconteurs from San José’s poorest barrios, English-speaking Afro-Antilleans of the Limón province, Nicaraguan immigrants, factory workers, dissident members of the intelligentsia, and indigenous people struggling to preserve their culture. With more than forty images, the collection showcases sculptures, photographs, maps, cartoons, and fliers. From the time before the arrival of the Spanish, through the rise of the coffee plantations and the Civil War of 1948, up to participation in today’s globalized world, Costa Rica’s remarkable history comes alive. The Costa Rica Reader is a necessary resource for scholars, students, and travelers alike.

Romance was criticized for its perceived immorality throughout the Renaissance, and even enthusiasts were often forced to acknowledge the shortcomings of its dated narrative conventions. Yet despite that general condemnation, the striking growth in English fiction in the late sixteenth and early seventeenth centuries is marked by writers who persisted in using this much-maligned narrative form. In Renaissance Romance, Nandini Das examines why the fears and expectations surrounding the old genre of romance resonated with successive new generations at this particular historical juncture. Across a range of texts in which romance was adopted by the court, by popular print and by women, Das shows how the process of realignment and transformation through which the new prose fiction took shape was driven by a generational consciousness that was always inherent in romance. In the fiction produced by writers such as Sir Philip Sidney, Robert Greene and Lady Mary Wroth, the transformative interaction of romance with other emergent forms, from the court masque to cartography, was determined by specific configurations of social groups, drawn along the lines of generational difference. What emerged as a result of that interaction radically changed the possibilities of fiction in the period.

This book offers a fresh perspective in the debate on settler perceptions of Indigenous Australians. It draws together a suite of little known colonial women (apart from Eliza Fraser) and investigates their writings for what they reveal about their attitudes to, views on and beliefs about Aboriginal people, as presented in their published works. The way that reader expectations and publishers’ requirements slanted their representations forms part of this analysis. All six women write of their first-hand experiences on Australian frontiers of settlement. The division into ‘adventurers’ (Eliza Fraser, Eliza Davies and Emily Cowl) and longer-term ‘settlers’ (Katherine Kirkland, Mary McConnel and Rose Scott Cowen) allows interrogation into the differing representations between those with a transitory knowledge of Indigenous people and those who had a close and more permanent relationship with Indigenous women, even encompassing individual friendship. More pertinently, the book strives to reveal the aspects, largely overlooked in colonial narratives, of Indigenous agency, authority and individuality.

"The Longman Compact Anthology of British Literature" is a concise and thoughtfully arranged survey of British literature. Within its pages, canonical authors mingle with newly visible writers; English accents are heard next to Anglo-Norman, Welsh, Gaelic, and Scottish ones; female and male voices are set in dialogue; literature from the British Isles is integrated with post-colonial writing; and major works are illuminated by clusters of shorter texts that bring literary, social, and historical issues vividly to life. Readers interested in British Literature.

Volume 2A (The Romantics) of 6-volume splits of parent volumes.

Books recommended for undergraduate and college libraries listed by Library of Congress Classification Numbers.

Considered a cult figure for his revolutionary drawings and sculptures, Gaudier-Brzeska is as famous for his brief and extraordinary life as for what he produced. This biography describes his prolific and influential life with descriptions of his most important work.

Tinling has written a book about the exploration and derring-do of 42 women who, individually or with another, ventured forth to parts unknown or little known in the 19th and 20th centuries. . . . The accomplishment of each is sketched in biographical form that will variously intrigue, interest, and fascinate readers of varied persuasions. Choice Despite social restraints and limited financial resources, women have traveled in the past two centuries to virtually every unexplored region of the earth, sometimes with a male companion and often leading their own expeditions. In this book, Tinling offers portraits of some forty-five enterprising and intrepid women who have explored uncharted territory investigating the lives and customs of remote human societies, study rare plants and wild animals, or excavating the ruins of ancient civilizations. The subjects include English, American, and continental European women. In addition to detailed biographical essays, the author presents comprehensive bibliographical data on the published and unpublished works of the subjects and the articles and books that have been written about them. The explorations of these women have yielded impressive contributions to many areas of knowledge, including geography, archaeology, botany, zoology, and anthropology, as well as sensitive accounts of travel and discovery. Each of the biographical sketches supplies a chronological listing of the subject's writings and a list of chief bibliographical sources. The volume concludes with an annotated list of travel books by women in the English language, a general bibliography, and an index. This book is an appropriate resource for studies in women's history, geography, social history, and anthropology, and an appealing choice for women readers with an interest in travel and biography.

To love or to write? This was the crucial question facing the major women writers oft he last century. The painful struggle between sexual relations and personal fulfillment as creative artists is constantly portrayed and re-enacted in their fiction. This book provides the first close analysis of the central struggle in the lives and writings of Victorian women authors. It demonstrates the inadequacy of attitudes formed by twentieth century sexual libertation for an understanding of feminism in Victorian writing. This study establishes a double tendency in Victorian feminism to favor love but equally to oppose it from a position of 'radical chastity'. This essential book at once articulates crucial feminist issues and also constitutes a majr statement on the sources of female creativity. -- Publisher description