Keith Haring Journals

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Keith Haring Journals

Keith Haring Journals

(Penguin Classics Deluxe Edition)

  • Author: Keith Haring
  • Publisher: Penguin
  • ISBN: 1101195614
  • Category: Art
  • Page: 464
  • View: 4889
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Keith Haring is synonymous with the downtown New York art scene of the 1980's. His artwork-with its simple, bold lines and dynamic figures in motion-filtered in to the world's consciousness and is still instantly recognizable, twenty years after his death. This Penguin Classics Deluxe Edition features ninety black-and-white images of classic artwork and never-before-published Polaroid images, and is a remarkable glimpse of a man who, in his quest to become an artist, instead became an icon. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Keith Haring's Line

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Keith Haring's Line

Keith Haring's Line

Race and the Performance of Desire

  • Author: Ricardo Montez
  • Publisher: Duke University Press
  • ISBN: 1478012196
  • Category: Art
  • Page: 165
  • View: 6060
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In the thirty years since his death, Keith Haring—a central presence on the New York downtown scene of the 1980s—has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring’s artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring’s artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring’s Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring’s life and art. Examining Haring’s engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring’s messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation.

Nothing Is True-Everything is Permitted

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Nothing Is True-Everything is Permitted

Nothing Is True-Everything is Permitted

The Life of Brion Gysin

  • Author: John Geiger
  • Publisher: Red Wheel Weiser
  • ISBN: 1609258711
  • Category: Biography & Autobiography
  • Page: 320
  • View: 5379
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The multimedia artist, poet and novelist Brion Gysin may be the most influential cultural figure of the twentieth century that most people have never heard of.Gysin (1916–1986) was an English-born, Canadian-raised, naturalized American of Swiss descent, who lived most of his life in Morocco and France. He went everywhere when the going was good. He dabbled with surrealism in Paris in the 1930s, lived in the “interzone” of Tangier in the 1950s and traveled the Algerian Sahara with Sheltering Sky author Paul Bowles before moving into the legendary Beat Hotel in Paris. Gysin’s ideas influenced generations of artists, musicians and writers, among them David Bowie, Keith Haring, Patti Smith, Michael Stipe, Genesis P-Orridge, John Giorno and Brian Jones of the Rolling Stones. None was touched more profoundly than William S. Burroughs, who said admiringly of Gysin: “There was something dangerous about what he was doing. ”It was Gysin who introduced the Rolling Stones to the exotica of Morocco and took Stones’ guitarist Brian Jones to Jajouka where he recorded the tribal musicians performing the Pipes of Pan. It was Gysin who provided the hashish fudge recipe published in Alice B. Toklas’ cookbook, promising “ecstatic reveries and extensions of one’s personality on several simultaneous planes.” It was Gysin who introduced Burroughs to an automatic writing method called the cut-up, a literary progenitor to sampling. And it was Gysin who developed—with Ian Sommerville, the Dream Machine—a device that allowed people, with the flick of a switch, to access altered states of consciousness without drugs.Working with the authorization of Gysin’s literary executor, William S. Burroughs, John Geiger has produced the first-ever biography of the painter, poet, piper Brion Gysin.

The Calendar of Loss

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The Calendar of Loss

The Calendar of Loss

Race, Sexuality, and Mourning in the Early Era of AIDS

  • Author: Dagmawi Woubshet
  • Publisher: JHU Press
  • ISBN: 1421416557
  • Category: Literary Criticism
  • Page: 192
  • View: 2349
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His world view colored by growing up in 1980s Ethiopia, where death governed time and temperament, Dagmawi Woubshet offers a startlingly fresh interpretation of melancholy and mourning during the early years of the AIDS epidemic in The Calendar of Loss. When society denies a patient’s disease and then forbids survivors mourning rites, how does a child bear witness to a parent’s death or a lover grieve for his beloved? Looking at a range of high and popular works of grief—including elegies, eulogies, epistles to the dead, funerals, and obituaries—Woubshet identifies a unique expression of mourning that emerged in the 1980s and early 1990s in direct response to the AIDS catastrophe. What Woubshet dubs a "poetics of compounding loss" expresses what it was like for queer mourners to grapple with the death of lovers and friends in rapid succession while also coming to terms with the fact of their own imminent mortality. The time, consolation, and closure that allow the bereaved to get through loss were for the mourners in this book painfully thwarted, since with each passing friend, and with mounting numbers of the dead, they were provided with yet more evidence of the certain fatality of the virus inside them. Ultimately, the book argues, these disprized mourners turned to their sorrow as a necessary vehicle of survival, placing open grief at the center of art and protest, insisting that lives could be saved through the very speech acts precipitated by death. An innovative and moving study, The Calendar of Loss illuminates how AIDS mourning confounds and traverses how we have come to think about loss and grief, insisting that the bereaved can confront death in the face of shame and stigma in eloquent ways that also imply a fierce political sensibility and a longing for justice.

Keith Haring

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Keith Haring

Keith Haring

Die Zehn Gebote

  • Author: Keith Haring,Tilman Osterwold,Museum Fridericianum
  • Publisher: N.A
  • ISBN: N.A
  • Category: Art
  • Page: 66
  • View: 7331
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Art in America

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Art in America

Art in America

  • Author: N.A
  • Publisher: N.A
  • ISBN: N.A
  • Category: Art
  • Page: N.A
  • View: 7800
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The Literary Review

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The Literary Review

The Literary Review

  • Author: N.A
  • Publisher: N.A
  • ISBN: N.A
  • Category: Books
  • Page: N.A
  • View: 2401
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Contemporary Authors

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Contemporary Authors

Contemporary Authors

  • Author: Terrie M. Rooney
  • Publisher: Gale / Cengage Learning
  • ISBN: 9780787611859
  • Category: Biography & Autobiography
  • Page: 457
  • View: 6636
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Your students and users will find biographical information on approximately 300 modern writers in this volume of Contemporary Authors®.

GLQ

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GLQ

GLQ

A Journal of Lesbian and Gay Studies

  • Author: N.A
  • Publisher: N.A
  • ISBN: N.A
  • Category: Electronic journals
  • Page: N.A
  • View: 5325
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