Henri Cartier-Bresson

the modern century

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Author: Henri Cartier-Bresson,Peter Galassi,Museum of Modern Art (New York, N.Y.),Art Institute of Chicago,San Francisco Museum of Modern Art,High Museum of Art

Publisher: Hubsta Ltd

ISBN: N.A

Category: Photography

Page: 376

View: 871

Henri Cartier-Bresson (1908-2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as "Life" while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson-including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material-featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines-will revolutionize the study of Cartier-Bresson's work.

Henri Cartier-Bresson. by Clment Chroux

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Author: Clément Chéroux

Publisher: Gardners Books

ISBN: N.A

Category: Photography

Page: 159

View: 5266

Henri Cartier-Bresson's photography came to define the 20th century. This book tells his life story through his images: all the major events from his youth to his death in 2004 are described, contextualized and analysed in the light of his photographic work. From his early encounters with the Surrealists, his film work and his experiences in the SecondWorldWar, to the development of his own personal aesthetic, the concept of the 'decisive moment', and the foundation of Magnum Photos, his influence on the world has been profound and unforgettable.

Henri Cartier-Bresson, the early work

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Author: Peter Galassi,Henri Cartier-Bresson,Museum of Modern Art (New York, N.Y.)

Publisher: N.A

ISBN: N.A

Category: Photography

Page: 151

View: 7322

20th Century Photographers

Interviews on the Craft, Purpose, and the Passion of Photography

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Author: Grace Schaub

Publisher: CRC Press

ISBN: 1317554043

Category: Photography

Page: 282

View: 3484

This book is a compilation of interviews and essays that cover a broad range of photographers and photographic disciplines. Each photographer profiled made a living by concentrating on a specific aspect of the craft, but in doing so transcended their livelihood to become recognized for more than the type of images they created. Each had a distinct "style," creative approach, dedication to the craft, point of view about themselves and the world. These interviews were conducted during a seminal period in the shift from film to digital and from print reproduction to global distribution on the Internet. Just like their photographs continue to inspire today, now these pros’ words can live on as an invaluable reference for the photographers of the future. The truth and wisdom in this collection transcend time and technology.

Europeans

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Author: Henri Cartier-Bresson,Jean Clair (pseud.)

Publisher: N.A

ISBN: 9780500281222

Category: Europe

Page: 231

View: 5833

Tls review 5/1/98, Transl. fr/French, Pub. 1st in UK by Thames & Hudson, Exhib. catalog.

The 20th Century A-GI

Dictionary of World Biography

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Author: Frank N. Magill

Publisher: Routledge

ISBN: 1136593349

Category: History

Page: 1422

View: 1098

Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.

Encyclopedia of Twentieth-Century Photography, 3-Volume Set

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Author: Lynne Warren

Publisher: Routledge

ISBN: 1135205434

Category: Photography

Page: 2042

View: 3689

The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

Encyclopedia of Twentieth Century Photography, Lynne Warren

Photography

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Author: Routledge, Taylor & Francis Group

Publisher: Bukupedia

ISBN: 1579583938

Category: Photography

Page: 1853

View: 3457

Editor’s note : These definitions err on the side of succinctness and are intended to be beginning points for the serious student. An attempt to standardize terminology commonly found in the medium of fine arts photographs that avoids copyrighted term or trade names (‘‘dye-destruction print’’ in lieu of ‘‘Cibachrome’’ and so on) has been made using guidelines set forth by the J. Paul Getty Institute. In acknowledgment of the increase in collecting vintage prints and the perennial interest in historical processes, many nineteenth century processes and obsolete terms are included. Cross referencing within the glossary is indicated by italics; encyclopedia entries are indicated by small capitals. Additive colors The primary colors of red, green and blue which are mixed to form all other colors in photo- graphic reproduction. See entry COLOR THEORY: NATURAL AND SYNTHETIC . Agfacolor Trade name for a subtractive color film manufactured by the European company Agfa-Gevaert; analogous to Kodachrome and Ansocolor. Albumen print Prints obtained from a process in wide use during the nineteenth century in which paper is prepared with an albumen emulsion obtained from egg whites and made light sensitive with a silver nitrate solution. See also Collodion process ; Dry plate processes . Amberlith An orange acetate historically used for masking mechanicals during the process of preparing plates for commercial printing. The area so masked photographs as black to the camera, printing clear on the resulting positive film. See also Rubylith . Ambrotype An image created by the collodion process, historically on glass, which gives the illusion of being positive when placed against a dark backing, often a layer of black lacquer, paper, or velvet. Also see Ferrotype . Anamorphic image An image featuring differing scales of magnification across the picture plane, especially varying along the vertical and horizontal axes, with the result being extreme distortion. Aniline A rapid-drying oil-based solvent used in the preparation of dyes and inks for photographic applications. Aniline process A method of making prints directly from line art (drawings) on translucent materials bypassing the need for a negative. Also see Diazo process . Aniline printing See Flexography . Angle of incidence The measurement in degrees in terms of the deviation from the perpendicular of the angle at which light hits a surface. Angle of view The measurement in degrees of the angle formed by lines projected from the optical center of a lens to the edges of the field of view. This measurement is used to identify lenses and their appropriateness to capture various widths or degrees of actual space in a photographic representation, thus an extreme telephoto lens captures between 6 and 15

Henri Cartier-Bresson and Alberto Giacometti

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Author: Tobia Bezzola

Publisher: Scalo Publishers

ISBN: 9783908247852

Category:

Page: 192

View: 420

Henri Cartier-Bresson and Alberto Giacometti became friends in the mid-1930s in Paris. Both were seeking a way out of Surrealism that would lead them back to reality. Giacometti returned to life studies; Cartier-Bresson exchanged his brush for a camera. The content of this volume revolves around the many mutual resonances in the work of these two great artists.~The book opens with photographs of Giacometti taken by Cartier-Bresson over a period of three decades. The inner workings of the artists' friendship is illuminated by a comparison between their respective work as draughtsmen, their search for the "decisive moment," and the question of how the photographs of one and the paintings and drawings of the other are used in portraiture. The result is a unique encounter between two giants of 20th-century art and photography.~In his in-depth essay, Tobia Bezzola, curator at the Kunsthaus Zurich, not only follows the traces of this exceptional friendship with accuracy, but also places their work and visual dialogue within the frame of the history of Surrealist and modern art.~This book is produced in collaboration with Henri-Cartier Bresson, the Alberto Giacometti Foundation, and the Fondation Henri Cartier-Bresson in Paris.

Creating the 20th Century

100 Artists, Writers, and Thinkers

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Author: Ara Guler,Alberto Manguel

Publisher: Editions Didier Millet

ISBN: 9814260460

Category: Photography

Page: 224

View: 9680

Ara Güler describes himself as a visual historian, and his work reflects the importance he places on the human element in a picture. In this collection of portraits, he presents a classic assemblage of famous personalities from the worlds of literature, photography, art, politics and film. The images are accompanied by detailed captions that provide compelling insights into the significance and story behind the photographs.