'Delightful banter, hot romance and a love story that's worthy of the big screen' Kate Spencer, author of In a New York Minute Ten years later and she still has butterflies. But does he feel the same way? Then. Twenty-something writer Chani Horowitz is stuck. While her former classmates are nabbing high-profile book deals, all she does is churn out puff pieces. Then she's hired to write a profile of movie star Gabe Parker: her number one celebrity crush and the latest James Bond. All Chani wants to do is keep her cool and nail the piece. But what comes next proves to be life changing in ways she never saw coming, as the interview turns into a whirlwind weekend that has the tabloids buzzing - and Chani getting closer to Gabe than she had planned. Now. Ten years later, after a brutal divorce and a healthy dose of therapy, Chani is back in Los Angeles as a successful writer with the career of her dreams. Except that no matter what she's promoting, someone always asks about The Profile. It always comes back to Gabe. So when his PR team requests that they reunite for a second interview, she wants to say no. She wants to pretend that she's forgotten about the time they spent together. But the truth is that Chani wants to know if those seventy-two hours were as memorable to Gabe as they were to her. And so . . . she says yes. Alternating between their first meeting and their reunion a decade later, this deliciously irresistible novel will have you hanging on until the last word. Praise for Funny You Should Ask 'A breezy, addictive romance - I couldn't put it down!' Rachel Lynn Solomon 'A smart, sensitive story full of love and longing - not to mention a totally swoonworthy hero' Heather Cocks and Jessica Morgan 'A beautiful, fun, heartfelt love story that I couldn't put down' Maurene Goo

A restless young journalist with big dreams interviews a Hollywood heartthrob—and reunites with him ten years later to discover exactly how he feels about her in this sexy and engrossing novel “You will absolutely devour this book. It’s filled with delightful banter, hot romance, and a love story that’s worthy of the big screen.”—Kate Spencer, author of In a New York Minute and host of Forever35 Then. Twenty-something writer Chani Horowitz is stuck. While her former MFA classmates are nabbing high-profile book deals, all she does is churn out puff pieces. Then she’s hired to write a profile of movie star Gabe Parker: her number one celebrity crush and the latest James Bond. All Chani wants to do is keep her cool and nail the piece. But what comes next proves to be life changing in ways she never saw coming, as the interview turns into a whirlwind weekend that has the tabloids buzzing—and Chani getting closer to Gabe than she had planned. Now. Ten years later, after a brutal divorce and a healthy dose of therapy, Chani is back in Los Angeles as a successful writer with the career of her dreams. Except that no matter what new essay collection or online editorial she’s promoting, someone always asks about The Profile. It always comes back to Gabe. So when his PR team requests that they reunite for a second interview, she wants to say no. She wants to pretend that she’s forgotten about the time they spent together. But the truth is that Chani wants to know if those seventy-two hours were as memorable to Gabe as they were to her. And so . . . she says yes. Alternating between their first meeting and their reunion a decade later, this deliciously irresistible novel will have you hanging on until the last word.

This oral history of television sitcom writing offers the perspectives of 22 of the best and most prolific early comedy writers. How they broke into the business; how they wrote scripts (and where they got their ideas); what it was like to work on hits--and on flops; what the sitcom actors were like; how they collaborated with other writers and producers; and why they retired are just some of the topics they speak to. The book documents insider knowledge and gives the reader a better understanding of what makes great television comedy. The writers' observations about the changes that took place during their long careers help explain why television comedy has evolved so greatly in recent years.

Funny You Should Ask reveals intimate details and highlights the humor of the physical and emotional rollercoaster of finding balance, personal discoveries, and trying to feel whole through the ups and downs of breast cancer treatment. It is intended to give women who have been diagnosed with breast cancer, and their friends and family, a sneak peek into some of the physical and emotional aspects of the everyday challenges through the voice of one womans personal experiences. The photography by Brian Kelly highlights the emotion of these moments. This book is meant to highlight the blessings and humor that ARE unexpectedly sprinkled through a challenging time.

There is a certain perception from the outside that the publishing industry is a near insurmountable fortress, with gatekeepers and naysayers manning the turrets looking for any way to fire a flaming arrow at the dreams of an aspiring writer. Funny You Should Ask, based on the popular Writer's Digest column of the same name, assists to deconstruct, inform, and illuminate the path to publication and beyond, all while dispelling the rumor that those in the industry are better than thou. And even though each writer's publishing journey is like a game of PLINKO--you can drop the chip in the same slot every time and get a different result--there are still common constructs and confusions that can be shared and explored together in order to help inform all writers. From understanding the nuts and bolts of a query letter, to learning how to process the soul-searing envy of watching someone else's career flourish, to how to talk to your editor, veteran literary agent Barbara Poelle covers the approach and execution of the common and uncommon bumps along the traditional publishing path. Includes • More than 100 questions answered including expanded answers to topics that didn't get the full treatment in a column • Writing exercises, submission checklists, and publishing BINGO for every publishing milestone

A collection of sixteen humorous stories, grouped under the headings "All in the Family," "That's What Friends Are For," and "Classrooms and Corridors."

Answers to over 100 questions about superstitions, customs, clothes, food, music, science, etc.

The perfect gift for all those big and little kids in your life who ask'why...?'. With an introduction from Zoe Ball. The QI Elves are the clever clogs behind the hit panel show QI. Every Wednesday the Elves appear on The Zoe Ball Breakfast Show's 'Why Workshop' where they answer the ponderings and wonderings of Radio 2's most inquisitive listeners. Funny You Should Ask... features the QI Elves' answers to questions on topics ranging from goosebumps to grapefruit, pizza to pirates and everything in-between. Generously sprinkled with extra facts from the Elves this is essential reading for the incurably curious. How much water would you need to put out the Sun? If spiders can walk on the ceiling why can't they get out of the bath? What's the point of snot? Why does my pizza taste so much better the next morning? Why do dads make such bad jokes? Why am I a capital letter and you're not? Why is there an Essex, a Wessex, a Sussex but no Nossex? Can I dig a tunnel to the other side of the Earth? Why aren't unicorns called unihorns? Do cats get goosebumps? When does a rock become an island? Why don't clouds freeze? Can I live forever?

Do you remember the 1959 game show where ABC cancelled a tape featuring a female impersonator (Across the Board)? Ever heard of Snip, the 1976 sitcom starring David Brenner that NBC canned just before it debuted? Almost everyone who has worked on a successful television series has also been on one that flopped. Even during the first thirty years of broadcasting, when NBC, CBS, and ABC were the only networks and not quite so quick to cancel unsuccessful programs, hundreds of shows lasted less than one year. This work tells the stories of those ill-fated series that were cancelled within one year after their premieres. The entries are arranged chronologically from the 1948-1949 through the 1977-1978 seasons, and provide brief descriptions of the shows along with such facts as the type of program each series was; its times, dates, and network; its competition on other networks; and the names of the cast, producer, director and writer. The book also includes information from more than 100 interviews with actors, writers, directors, and producers who worked on the short-lived television series.