Search results for: from-the-platform-subway-graffiti-1983-1989

From the Platform

Author : Paul Cavalieri
File Size : 41.87 MB
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See the New York City transit system at a time the Metropolitan Transit Authority (MTA) has tried hard to forget. In the early '80s, graffiti writer Paul Cavalieri, who writes "CAVS," was drawn to the colorful tags on trains. He started learning train schedules so he could snap works by many writers of the time. This is a compilation of subway graffiti from 1983 to 1989, when the MTA announced that its fleet was entirely graffiti-free. More than 325 color photos capture everything from motion-bombed train interiors riddled with pilot marker tags to epic works covering whole exteriors, top to bottom. Artists tell their tales of adventure throughout and reminisce about working on live third rails, navigating the complex subway system to find their works, and witnessing graffiti's gradual disappearance from the trains. This book presents a nostalgic look at 1980s New York City and the street artists that gave it soul.

From the Platform 2

Author : Paul Cavalieri
File Size : 58.35 MB
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This is a nostalgic, visual account of the best time and place to be a graffiti writer. In the 1980s, brothers Kenny, a.k.a. KEY, and Paul, a.k.a. CAVS, immersed themselves in the graffiti scene in the Boogie Down Bronx, dutifully photographing hundreds of pieces on now-discontinued MTA subway cars and capturing their proud comrades before, during, and after the act. "Bombing" "White Elephants" with their pilot markers and documenting them with their cameras, which they always carried, they were on the ride of their lives--until 1989, when the last painted train was removed from service. Tags by names like QUIK, IZTHEWIZ, and many others appear here in color exposures, and dozens of artists share stories and drop knowledge with no filter. A foreword by graffiti historian Henry Chalfant, coproducer of Style Wars--the seminal documentary on New York graffiti and hip-hop culture--kicks things off.

Routledge Handbook of Graffiti and Street Art

Author : Jeffrey Ian Ross
File Size : 24.98 MB
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The Routledge Handbook of Graffiti and Street Art integrates and reviews current scholarship in the field of graffiti and street art. Thirty-seven original contributions are organized around four sections: History, Types, and Writers/Artists of Graffiti and Street Art; Theoretical Explanations of Graffiti and Street Art/Causes of Graffiti and Street Art; Regional/Municipal Variations/Differences of Graffiti and Street Art; and, Effects of Graffiti and Street Art. Chapters are written by experts from different countries throughout the world and their expertise spans the fields of American Studies, Art Theory, Criminology, Criminal justice, Ethnography, Photography, Political Science, Psychology, Sociology, and Visual Communication. The Handbook will be of interest to researchers, instructors, advanced students, libraries, and art gallery and museum curators. This book is also accessible to practitioners and policy makers in the fields of criminal justice, law enforcement, art history, museum studies, tourism studies, and urban studies as well as members of the news media. The Handbook includes 70 images, a glossary, a chronology, and the electronic edition will be widely hyperlinked.

Copyright Beyond Law

Author : Marta Iljadica
File Size : 41.44 MB
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The form of graffiti writing on trains and walls is not accidental. Nor is its absence on cars and houses. Employing a particular style of letters, choosing which walls and trains to write on, copying another writer, altering or destroying another writer's work: these acts are regulated within the graffiti subculture. Copyright Beyond Law presents findings from empirical research undertaken into the graffiti subculture to show that graffiti writers informally regulate their creativity through a system of norms that are remarkably similar to copyright. The 'graffiti rules' and their copyright law parallels include: the requirement of writing letters (subject matter) and appropriate placement (public policy and morality exceptions for copyright subsistence and the enforcement of copyright), originality and the prohibition of copying (originality and infringement by reproduction), and the prohibition of damage to another writer's works (the moral right of integrity). The intersection between the 'graffiti rules' and copyright law sheds light on the creation of subculture-specific commons and the limits of copyright law in incentivising and regulating the production and location of creativity.

American Graffiti

Author : Margo Thompson
File Size : 24.69 MB
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The first appearances of graffiti “tags” (signatures) on New York City subway trains in the early 1970s were discarded as incidents of vandalism or the rough, violent cries of the ignorant and impoverished. However, as the graffiti movement progressed and tags became more elaborate and ubiquitous, genuine artists emerged whose unique creativity and unconventional media captured the attention of the world. Featuring gallery and street works by several contributors to the graffiti scene, this book offers insight into the lives of urban artists, describes their relationship with the bourgeois art world, and discusses their artistic motivation with unprecedented sensitivity.

Underground Harmonies

Author : Susie J. Tanenbaum
File Size : 37.89 MB
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This is the first book on New York's subway musicians--modern troubadours who perform on platforms, mezzanines, and even trains pounding through the city. Illustrating her account with captivating photos, Susie J. Tanenbaum draws on interviews with musicians and their audiences to explore both the vibrant culture and the intricate politics of subway music.

Step Inside Design

Author :
File Size : 75.89 MB
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UITP Revue

Author :
File Size : 87.10 MB
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