Responding to thirty years of feminist fairy-tale scholarship, this book breaks new ground by rethinking important questions, advocating innovative approaches, and introducing woman-centered texts and traditions that have been ignored for too long.

In his latest book, fairy tales expert Jack Zipes explores the question of why some fairy tales "work" and others don't, why the fairy tale is uniquely capable of getting under the skin of culture and staying there. Why, in other words, fairy tales "stick." Long an advocate of the fairy tale as a serious genre with wide social and cultural ramifications, Jack Zipes here makes his strongest case for the idea of the fairy tale not just as a collection of stories for children but a profoundly important genre. Why Fairy Tales Stick contains two chapters on the history and theory of the genre, followed by case studies of famous tales (including Cinderella, Snow White, and Bluebeard), followed by a summary chapter on the problematic nature of traditional storytelling in the twenty-first century.

The fairy tale is arguably one of the most important cultural and social influences on children's lives. But until the first publication of Fairy Tales and the Art of Subversion, little attention had been paid to the ways in which the writers and collectors of tales used traditional forms and genres in order to shape children's lives – their behavior, values, and relationship to society. As Jack Zipes convincingly shows in this classic work, fairy tales have always been a powerful discourse, capable of being used to shape or destabilize attitudes and behavior within culture. How and why did certain authors try to influence children or social images of children? How were fairy tales shaped by the changes in European society in the sixteenth and seventeenth centuries? Zipes examines famous writers of fairy tales such as Charles Perrault, Jacob and Wilhelm Grimm, Hans Christian Andersen and L.Frank Baum and considers the extraordinary impact of Walt Disney on the genre as a fairy tale filmmaker.

The all new essays in this book discuss black cultural retellings of traditional, European fairy tales. The representation of black protagonists in such tales helps to shape children's ideas about themselves and the world beyond--which can ignite a will to read books representing diverse characters. The need for a multicultural text set which includes the multiplicity of cultures within the black diaspora is discussed. The tales referenced in the text are rich in perspective: they are Aesop's fables, Cinderella, Rapunzel and Ananse. Readers will see that stories from black perspectives adhere to the dictates of traditional literary conventions while still steeped in literary traditions traceable to Africa or the diaspora.

"Wishfulfillment and Symbolism in Fairy Tales" by Franz Ricklin (translated by William A. White). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The book combines two main perspectives: the study of the social unconscious and the study of fairy tales. Examining different versions of fairy tales told by different ethnic communities teaches us about the relations between universal and local/cultural aspects of the social unconscious. Exploring the unique status of fairy tales as located on the border line between concrete/somatic and abstract/linguistic realms sheds light on different levels of the human mind. The book focuses on a specific phenomenon common in fairy tales: a realization of idiomatic expressions - a phenomenon in which an abstract/mental idea is hidden behind a concrete event embedded in the plot. Deciphering the abstract idea out of the pictorial world of the fairy tale enables to understand the stories in a way which is not available otherwise. The book suggests interdisciplinary examination, reminding us the rich, deep messages hidden in fairy tales, and connecting us to early developments in the field of psychoanalysis, by suggesting new interpretation to old, ancient material.

Was the stranger, who knocked at the city gates during a storm, really a princess? What kind of friend could a frog be? Read ‘The Frog Prince’ to find out. If you want to know why the animals were afraid of the proud elephant, Karpuratilaka, read the Indian tale in this collection to find your answer. Could the turtle really fly? A West Indian folktale reveals how the turtle took to the skies. Read about the party for the long-tailed animals in author Dianne Stewart’s original African folktale, ‘A Dance in the Moonlight’. This collection of fairy and folktales from around the world, is beautifully illustrated by Heidi-Kate Greeff and will be enjoyed by adult and child alike.

Fractured Fairy Tales is a collection of stories written by kindergarten students at Science & Arts Academy.

This is the 10th Fairy Book of Many Colours compiled and edited by Andrew Lang. The stories in all the books are borrowed from many countries – Australia, North America, Southern Africa, New Caledonia located in the southwest Pacific Ocean, Persia, Northern Europe, India, South America and beyond. However much these nations differ about trifles, they all agree in liking fairy tales. Herein you will find 32 illustrated fairy tales like What the Rose did to the Cypress, The Bunyip, The Story of the Yara, The Cunning Hare, The Turtle and his Bride, The Sacred Milk of Koumongoé, The Wicked Wolverine, The Elf Maiden, Asmund and Signy and many, many more. The stories are further enhanced by 8 coloured plates, 22 full-page pen and ink drawings and 21 In Text sketches by H. J. Ford. This book contains many references to fairies. As to whether there are really any fairies or not, is a difficult question. Andrew Lang never saw any himself, but he knew several people who have seen them-in the Highlands - and heard their music. So, if ever you are near Nether Lochaber, go to the Fairy Hill, and you may hear the music your-self, but you must go on a fine day…… TABLE of CONTENTS What the Rose did to the Cypress Ball-Carrier and the Bad One How Ball-Carrier finished his Task The Bunyip Father Grumbler The Story of the Yara The Cunning Hare The Turtle and his Bride How Geirald the Coward was Punished Hábogi How the Little Brother set Free his Big Brothers The Sacred Milk of Koumongoé The Wicked Wolverine The Husband of the Rat’s Daughter The Mermaid and the Boy Pivi and Kabo The Elf Maiden How Some Wild Animals became Tame Ones Fortune and the Wood-Cutter The Enchanted Head The Sister of the Sun The Prince and the Three Fates The Fox and the Lapp Kisa the Cat The Lion and the Cat Which was the Foolishest? Asmund and Signy Rübezahl Story of the King who would be Stronger than Fate Story of Wali Dâd the Simple-hearted Tale of a Tortoise and of a Mischievous Monkey The Knights of the Fish

Herein you will find 9 Illustrated stories from “Golden Lands” compiled by May Wentworth. But why “Golden Lands”? Well, an introductory poem tells us why – There are orange groves and lime trees green That glint in the sunlight’s glowing sheen, There are deserts yellow with priceless sand, All these you will find in the Golden Land. Well, how else would you describe the lands of Fairydom? In the Preface of this exquisite book, Wentworth addresses all children everywhere – “In the pleasant Christmas-time I greet the children everywhere.To some I shall not be a stranger, for we have met before, not face to face, but in the pages of the last years little book. In the sunny days of childhood, a year is so long a time, that when the summer and winter have passed it seems like an age gone by; yet as again I bring my Christmas offering, I hope to be remembered and welcomed as the friend who loves the children well. They are the true critics, generous and fearless. For their warm hearts and keen appreciation, I write these stories of the Golden Clime. May the joy and blessedness of the holy Christmas rest upon them, and follow them through all the sunshine and rain of the coming year.” The stories in this volume are: The Little Lace-Maker Golden Snow Gracia And Catrina The Dancing Sunbeam The Young Gold-Seeker The Wishing Cap Crimson Tuft Snowdrop And Rosebud Lazarus And Bummer ============= TAGS: Folklore, fairy, tales, myths, legends, children’s stories, bedtime stories, Little Lace-Maker, Golden Snow, Gracia And Catrina, Dancing Sunbeam, Young Gold-Seeker, Wishing Cap, Crimson Tuft, Snowdrop And Rosebud, Lazarus And Bummer, orange groves, lime trees, green, glint of sunlight, glowing sheen, deserts, yellow sand, Golden Lands