From favorites like "Puss in Boots" and "Goldilocks" to obscure gems like "The Boy Who Drew Cats," Fairy Tale Comics has something to offer every reader. Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

From Cinderella to comic con to colonialism and more, this companion provides readers with a comprehensive and current guide to the fantastic, uncanny, and wonderful worlds of the fairy tale across media and cultures. It offers a clear, detailed, and expansive overview of contemporary themes and issues throughout the intersections of the fields of fairy-tale studies, media studies, and cultural studies, addressing, among others, issues of reception, audience cultures, ideology, remediation, and adaptation. Examples and case studies are drawn from a wide range of pertinent disciplines and settings, providing thorough, accessible treatment of central topics and specific media from around the globe.

Set within a world that’s a magical echo of our own, Porcelain is the story of Child, an urchin, who leaves behind the cold streets of a snowy city when she climbs the high wall into the Porcelain Maker’s garden. The Porcelain Maker discovers Child trespassing but, amused by her audacity, he offers her the chance to stay. He’s a lonely man, kept company only by his alchemically-powered automata, and he and Child form an unlikely friendship. Shut off from the world beyond the wall, Child wants or needs for nothing as the Porcelain Maker heaps affection and luxury upon her, indulging her like a daughter. In return, she can do as she pleases, except for one command, one rule that must never be broken, she must not look behind the workshop door.

El gremio de magos Fairy Tail es el más temido de todo el reino. Allí conviven los magos más duros, los más atrevidos... y los más destructivos. Lucy es una chica que quiere ingresar en Fairy Tail, para poder desarrollar sus poderes mágicos y cumplir los encargos que le puedan salir desde el gremio. Es así como conoce a Natsu, un Dragon Slayer, mago que utiliza la magia de los dragones, y que le permite convertir en fuego cualquier parte de su cuerpo. Junto al resto de sus compañeros, se enfrentarán a los encargos más temibles y duros que les puedan llegar, incluso contra otros gremios que ansían el poder de Fairy Tail. - Esta gran serie manga ha dado ya el salto al anime en TV. Premios Premio K&ōdansha al mejor Shonen en 2009.

This Oxford companion provides an authoritative reference source for fairy tales, exploring the tales themselves, both ancient and modern, the writers who wrote and reworked them and related topics such as film, art, opera and even advertising.

A complete critical guide to the history, form and contexts of the genre, Children's and Young Adult Comics helps readers explore how comics have engaged with one of their most crucial audiences. In an accessible and easy-to-navigate format, the book covers such topics as: - The history of comics for children and young adults, from early cartoon strips to the rise of comics as mainstream children's literature - Cultural contexts – from the Comics Code Authority to graphic novel adaptations of popular children's texts such as Neil Gaiman's Coraline - Key texts – from familiar favourites like Peanuts and Archie Comics to YA graphic novels such as Gene Luen Yang's American Born Chinese and hybrid works including the Diary of a Wimpy Kid series - Important theoretical and critical approaches to studying children's and young adult comics Children's and Young Adult Comics includes a glossary of crucial critical terms and a lengthy resources section to help students and readers develop their understanding of these genres and pursue independent study.

Provides alphabetically arranged entries on folk and fairy tales from around the world, including information on authors, subjects, themes, characters, and national traditions.

The Fairy Tale World is a definitive volume on this ever-evolving field. The book draws on recent critical attention, contesting romantic ideas about timeless tales of good and evil, and arguing that fairy tales are culturally astute narratives that reflect the historical and material circumstances of the societies in which they are produced. The Fairy Tale World takes a uniquely global perspective and broadens the international, cultural, and critical scope of fairy-tale studies. Throughout the five parts, the volume challenges the previously Eurocentric focus of fairy-tale studies, with contributors looking at: • the contrast between traditional, canonical fairy tales and more modern reinterpretations; • responses to the fairy tale around the world, including works from every continent; • applications of the fairy tale in diverse media, from oral tradition to the commercialized films of Hollywood and Bollywood; • debates concerning the global and local ownership of fairy tales, and the impact the digital age and an exponentially globalized world have on traditional narratives; • the fairy tale as told through art, dance, theatre, fan fiction, and film. This volume brings together a selection of the most respected voices in the field, offering ground-breaking analysis of the fairy tale in relation to ethnicity, colonialism, feminism, disability, sexuality, the environment, and class. An indispensable resource for students and scholars alike, The Fairy Tale World seeks to discover how such a traditional area of literature has remained so enduringly relevant in the modern world.

Fairy Tale Parade was first published, by Dell Publishing Co., in June 1942 and it ran for 9 issues until November 1944. The series is now critically acclaimed primarily as it showcases work by a true comic book great Walt Kelly. Kelly had recently left Walt Disney Studios and it was Walt Disney who advised him to work in comics. The publishers were obviously extremely pleased with Kelly's work as at the front of issue #1 was a Foreword which is reproduced beneath: 'Fairy Tale Parade is an attempt to bring to young and old a series of picture books of folk tales and stories of many lands - not as a shortcut to reading but in the hope of instilling the desire to read and re-read the fairy tales, legends and myths of bygone days. 'Often we have longed for more pictures in our favorite fairy tale book. Now Walt Kelly, the artist who drew all the wonderful pictures in this book, makes our wish come true. So, let us go with him into the land of trolls and wicked witches.' 'Let us tip-toe through enchanted palaces past deep dungeons where iron chains clank and rattle, meet giants and tiny dwarfs. Let's step into the fairy ring and meet the little people.' Cover art by Walt Kelly. Thumbelisa, pencils by Walt Kelly. Little Black Sambo, script by Helen Bannerman (original text), pencils by Walt Kelly; Little Black Sambo runs into tigers in the woods. The Story of Hansel and Gretel, art by Walt Kelly. Winkie and the Wishing Well, art by Walt Kelly. The Flute O'McTootle, art by Walt Kelly. Big Claus and Little Claus. The Sleeping Beauty, art by Arthur E. Jameson. Ali Baba and the Forty Thieves. Prince Joel text story. The Wise Men of Gotham. The Nose Tree, art by L. Bing. The Tail of Rufus Redfox, script by Gaylord Du Bois; Rufus Redfox, proud of his pure red tail, gets caught raiding Squire Beaver's grapes, catches what for, concocts a fable of the Boogly Bird, is scoffed at, goes home, creates a Boogly Bord of tar and feathers, scares Squire Beaver into giving up goodies, is found out, gets his tail tip burnt; the fur will grow in white, now all red foxes have a white-tip tail. Beauty and the Beast, art by Arthur Jameson. The Legend of the Stars, art by Walt Kelly; Bright and Glum are sprites in charge of day and night; Glum gets depressed and decides not to work anymore. The Gingerbread Man, pencils by Walt Kelly; The gingerbread man can outrun everyone, but can he outrun a wiley fox? The Frog Queen. The Wild Swans, art by Arthur E. Jameson. Saku, art by Bill Brady. Cover art by Walt Kelly. The Dragon of Dilly Dun Dee, art by Walt Kelly. The Ugly Duckling, art by George Kerr; Adapted from the story by Hans Christian Andersen. The Brave Prince; Adapted from the Hungarian fairy tale. The Mermaid, script by Gaylord Du Bois, art by Arthur E. Jameson; The mermaid falls for the prince, strikes a deal with the sea witch, but the prince marries another, and mermaid girl dies. Walt Kelly cover and art. Sinbad the Sailor, the Three Little Dwarfs, Jack and the Beanstalk, the Pied Piper of Hamelin, Cover art by Walt Kelly. Prince Robin and the Dwarfs, art by Walt Kelly. The Legend of Saturday Mountain, art by Arthur E. Jameson; A Polish fairy tale. The Snow Queen, script by Gaylord Du Bois, art by L. Bing; adapted from the story by Hans Christian Andersen.

THE WICKED SIDE OF WIZARDRY Cute girl wizard Lucy wants to join the Fairy Tail, a club for the most powerful wizards. But instead, her ambitions land her in the clutches of a gang of unsavory pirates le by a devious magician. Her only hope is Natsu, a strange boy she happens to meet on her travels. Natsu’s not your typical hero – he gets motion sickness, eats like a pig, and his best friend is a talking cat. With friends like this, is Lucy better off with her enemies?