Emile Berliner, Maker of the Microphone

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Author: Frederic William Wile

Publisher: Sagwan Press

ISBN: 9781340074449

Category:

Page: 404

View: 5990

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The New Encyclopaedia Britannica

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Author: Encyclopaedia Britannica, inc

Publisher: N.A

ISBN: N.A

Category: Encyclopedias and dictionaries

Page: N.A

View: 1869

Books in Print

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Author: N.A

Publisher: N.A

ISBN: N.A

Category: American literature

Page: N.A

View: 1027

Books in print is the major source of information on books currently published and in print in the United States. The database provides the record of forthcoming books, books in-print, and books out-of-print.

ABPR

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Author: N.A

Publisher: N.A

ISBN: N.A

Category: American literature

Page: N.A

View: 4524

The Producer as Composer

Shaping the Sounds of Popular Music

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Author: Virgil Moorefield

Publisher: MIT Press

ISBN: 0262514052

Category: Music

Page: 143

View: 3142

"In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate electicism of George Martin's recordings of the Beatles did not resemble live performances--in the Albert Hall or elsewhere--but instead created a new sonic world. The role of the record producer, writes [the author in this book]...was evolving from that of organizer to auteur. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques--tape editing, overdubbing, compression--and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers.... [This book] tries to unravel the mystery of good pop: why does it sound the way it does?"--From publisher description.

Journal of the Audio Engineering Society

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Author: Audio Engineering Society

Publisher: N.A

ISBN: N.A

Category: Electro-acoustics

Page: N.A

View: 2925

"Directory of members" published as pt. 2 of Apr. 1954- issue.