Search results for: early-music-for-the-harp

Early Music for the Harp

Author : Deborah Friou
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This book contains over 40 medieval and renaissance songs and dances arranged for the harp. They are played on pedal and lever style harps.

Early Music History

Author : Iain Fenlon
File Size : 76.77 MB
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume four include: Toledo, Rome and the legacy of Gaul; Classical tragedy in the history of early opera in Rome; and Reading and singing: on the genesis of occidental music-writing.

Exploring the Folk Harp

Author : JANNA MCCALL GELLER
File Size : 55.30 MB
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Written in a supportive, easy-to-follow style, this big book covers just about everything of interest to harpers, beginning through advanced, and is recommended by players and teachers as an excellent tool to better understand your instrument. It combines a reference on such topics as types of harps, maintenance, harmony and chords, ear playing, arranging, singing, improvising, instructions on how to simplify and personalize the music to suit your playing level and much more with a full range of harp arrangements from Celtic to Classic, including a special emphasis on Renaissance music. The 46 titles include Ash Grove, Greensleeves, Danny Boy, Gymnopedie No.3, Cielito Lindo, Amazing Grace, and more, with complete lyrics

The King s Delight

Author : Suzanne Guldimann
File Size : 76.85 MB
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From the earliest known complete piece of western music to the songs of the medieval troubadours and the dances of the Renaissance, this collection of early music contains 21 songs, airs and dances from England, France, Germany, Italy, Spain and ancient Greece. The music is arranged for small harp, but it can also be played on a larger harp, or on any melody instrument. Each piece includes fingering, lyrics, chord symbols, and historical notes. Illustrated by the author.

Inside Early Music

Author : Bernard D. Sherman
File Size : 56.11 MB
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The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.

Tree of strings

Author : Keith Sanger
File Size : 84.22 MB
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This is the first history of the harp in Scotland to be published. It sets out to trace the development of the instrument from its earliest appearance on the Pictish stones of the 8th century, to the present day. Describing the different harps played in the Highlands and the Lowlands of Scotland, the authors examine the literary and physical evidence for their use within the Royal Courts and "big houses" by professional harpers and aristocratic amateurs. They vividly follow the decline of the wire-strung clarsach from its links with the hereditary bards of the Highland chieftains to its disappearance in the 18th century, and the subsequent attempts at the revival of the small harp during the 19th and 20th centuries. The music played on the harp, and its links with the great families of Scotland are described. The authors present, in this book, material which has never before been brought to light, from unpublished documents, family papers and original manuscripts. They also make suggestions, based on their research, about the development and dissemination of the early Celtic harps and their music. This book, therefore, should be of great interest, not only to harp players but to historians, to all musicians in the fields of traditional and early music, and to any reader who recognises the importance of these beautiful instruments, and their music, throughout a thousand years of Scottish culture.

Celtic Culture A Celti

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A Performer s Guide to Seventeenth Century Music

Author : Jeffery Kite-Powell
File Size : 26.76 MB
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Revised and expanded, A Performer’s Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.

Early Music History Volume 21

Author : Iain Fenlon
File Size : 31.86 MB
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 21 include: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello; Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy; The Triodia Sacra as a key source for late-Renaissance music in southern Germany; The debate over song in the Accademia Fiorentina.

Instruments and their Music in the Middle Ages

Author : TimothyJ. McGee
File Size : 78.43 MB
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This is a collection of twenty-nine of the most influential articles and papers about medieval musical instruments and their repertory. The authors discuss the construction of the instruments, their playing technique, the occasions for which they performed and their repertory. Taken as a whole, they paint a very broad, as well as detailed, picture of instrumental performance during the medieval period.