The Man Who Fell to Earth

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The Man Who Fell to Earth

The Man Who Fell to Earth

  • Author: Walter Tevis
  • Publisher: Rosetta Books
  • ISBN: 0795343027
  • Category: Fiction
  • Page: 209
  • View: 9959
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The “beautiful” novel that inspired the film starring David Bowie, from a Nebula Award finalist (The New York Times). The Man Who Fell to Earth tells the story of Thomas Jerome Newton, an alien disguised as a human who comes to Earth on a mission to save his people. Devastated by nuclear war, his home planet, Anthea, is no longer habitable. Newton lands in Kentucky and starts patenting Anthean technology—amassing the fortune he needs to build a spaceship that will bring the last three hundred Anthean survivors to Earth. But instead of the help he seeks, he finds only self-destruction, sinking into alcoholism and abandoning his spaceship, in this poignant story about the human condition by the acclaimed author of Mockingbird. “Beautiful science fiction . . . The story of an extraterrestrial visitor from another planet is designed mainly to say something about life on this one.” —The New York Times “An utterly realistic novel about an alien human on Earth . . . Realistic enough to become a metaphor for something inside us all, some existential loneliness.” —Norman Spinrad, author of The Iron Dream “Those who know The Man Who Fell to Earth only from the film version are missing something. This is one of the finest science fiction novels of its period.” —J. R. Dunn, author of This Side of Judgment

Earthbound

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Earthbound

Earthbound

David Bowie and The Man Who Fell To Earth

  • Author: Susan Compo
  • Publisher: Jawbone Press
  • ISBN: 9781911036258
  • Category: Biography & Autobiography
  • Page: 272
  • View: 3550
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'Before there was Star Wars ... before there was Close Encounters ... there was The Man Who Fell To Earth.' - advertising tag line for 1981 reissue of the film. Earthbound is the first book-length exploration of a true classic of twentieth-century science-fiction cinema, shot under the heavy, ethereal skies of New Mexico by the legendary British director Nicolas Roeg and starring David Bowie in a role he seemed born for as an extraterrestrial named Thomas Newton who comes to Earth in search of water. Based on a novel by the highly regarded American writer Walter Tevis, this dreamy, distressing, and visionary film resonates even more strongly in the twenty-first century than it did on its original release during the year of the US Bicentennial. Drawing on extensive research and exclusive first-hand interviews with members of the cast and crew, Earthbound begins with a look at Tevis's 1963 novel before moving into a detailed analysis of a film described by its director as 'a sci-fi film without a lot of sci-fi tools' and starring a group of actors - Bowie, Buck Henry, Candy Clark, Rip Torn - later described by one of them (Henry) as 'not a cast but a dinner party.' It also seeks to uncover the mysteries surrounding Bowie's rejected soundtrack to the film (elements of which later ended up his groundbreaking 1977 album Low) and closes with a look at his return to the themes and characters of The Man Who Fell To Earth in one of his final works, the acclaimed musical production Lazarus.

David Bowie

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David Bowie

David Bowie

Critical Perspectives

  • Author: Eoin Devereux,Aileen Dillane,Martin Power
  • Publisher: Routledge
  • ISBN: 1317754492
  • Category: Music
  • Page: 324
  • View: 5823
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David Bowie: Critical Perspectives examines in detail the many layers of one of the most intriguing and influential icons in popular culture. This interdisciplinary book brings together established and emerging scholars from a wide variety of backgrounds, including musicology, sociology, art history, literary theory, philosophy, politics, film studies and media studies. Bowie’s complexity as a singer, songwriter, producer, performer, actor and artist demands that any critical engagement with his overall work must be interdisciplinary and wide-ranging in its scope. The chapters are organised around the key themes of ‘textualities’, ‘psychologies’, ‘orientalisms’, ‘art and agency’ and ‘performing and influencing’ in Bowie’s work. This comprehensive book contributes a great deal to the study of popular music, performance, gender, religion, popular media and celebrity.

Terminal Identity

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Terminal Identity

Terminal Identity

The Virtual Subject in Postmodern Science Fiction

  • Author: Scott Bukatman
  • Publisher: Duke University Press
  • ISBN: 9780822313403
  • Category: Literary Criticism
  • Page: 404
  • View: 9684
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Scott Bukatman's Terminal Identity—referring to both the site of the termination of the conventional "subject" and the birth of a new subjectivity constructed at the computer terminal or television screen--puts to rest any lingering doubts of the significance of science fiction in contemporary cultural studies. Demonstrating a comprehensive knowledge, both of the history of science fiction narrative from its earliest origins, and of cultural theory and philosophy, Bukatman redefines the nature of human identity in the Information Age. Drawing on a wide range of contemporary theories of the postmodern—including Fredric Jameson, Donna Haraway, and Jean Baudrillard—Bukatman begins with the proposition that Western culture is suffering a crisis brought on by advanced electronic technologies. Then in a series of chapters richly supported by analyses of literary texts, visual arts, film, video, television, comics, computer games, and graphics, Bukatman takes the reader on an odyssey that traces the postmodern subject from its current crisis, through its close encounters with technology, and finally to new self-recognition. This new "virtual subject," as Bukatman defines it, situates the human and the technological as coexistent, codependent, and mutally defining. Synthesizing the most provocative theories of postmodern culture with a truly encyclopedic treatment of the relevant media, this volume sets a new standard in the study of science fiction—a category that itself may be redefined in light of this work. Bukatman not only offers the most detailed map to date of the intellectual terrain of postmodern technology studies—he arrives at new frontiers, providing a propitious launching point for further inquiries into the relationship of electronic technology and culture.

The Comedy Film Nerds Guide to Movies

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The Comedy Film Nerds Guide to Movies

The Comedy Film Nerds Guide to Movies

Featuring Dave Anthony, Lord Carrett, Dean Haglund, Allan Havey, Laura House, Jackie Kashian, Suzy Nakamura, Greg ... Schmidt, Neil T. Weakley, and Matt Weinhold

  • Author: Graham Elwood,Chris Mancini
  • Publisher: Morgan James Publishing
  • ISBN: 1614482225
  • Category: Performing Arts
  • Page: 272
  • View: 5239
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A movie guide for film and comedy fans, by filmmakers and comedians, for the movie lover with a good sense of humor. Tired of the usual boring, dry movie discussion? The Comedy Film Nerds Guide to Movies is something new. Is it serious movie discussion? Is it funny? Do the writers know what the hell they are talking about? Yes, yes, yes, and yes. Okay, that’s too many yes’s, but you get the point. Graham Elwood and Chris Mancini, both professional filmmakers and comedians, created comedyfilmnerds.com to mind meld the idea of real movie talk and real funny. And they called in all of their professionally funny and filmy friends to help them. Comedians and writers who have been on everything from the Tonight Show to their own comedy specials tell you what’s what about their favorite film genres. While The Comedy Film Nerds Guide to Movies is funny and informative, each genre is given a personal touch. All of the Comedy Film Nerds have a love of film and a personal connection to each genre. Read about a love of film from an insider’s perspective. The Comedy Film Nerds Guide to Movies brings what has been missing from movie discussion for too long: a healthy dose of humor.

At Bully Hills

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At Bully Hills

At Bully Hills

Confessions of an American Oxycontin Addict

  • Author: Thaddeus Deluca
  • Publisher: Xlibris Corporation
  • ISBN: 1469110911
  • Category: Fiction
  • Page: 423
  • View: 6567
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This book is dedicated to the legions of Alcoholics and Drug Addicts who still suffer; may they find enough courage to take the first step in changing their livesadmitting they have a problem. If in some small way this book helps someone suffering from the disease of addiction find peace, the mission of this book will be completed; then pass it along to another addict in the hope he or she might find peace.

The Man Who Sold The World

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The Man Who Sold The World

The Man Who Sold The World

David Bowie And The 1970s

  • Author: Peter Doggett
  • Publisher: Random House
  • ISBN: 1409041395
  • Category: History
  • Page: 432
  • View: 6065
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No artist offered a more incisive and accurate portrait of the troubled landscape of the 1970s than David Bowie. Cultural historian Peter Doggett explores the rich heritage of Bowie's most productive and inspired decade, and traces the way in which his music reflected and influenced the world around him. From 'Space Oddity', his dark vision of mankind's voyage into the unknown terrain of space, to the Scary Monsters album, Doggett examines in detail Bowie's audacious creation of an 'alien' rock star, Ziggy Stardust, and his increasingly perilous explorations of the nature of identity and the meaning of fame. Mixing brilliant musical critique with biographical insight and acute cultural analysis, The Man Who Sold The World is a unique study of a major artist and his times.

The Thinker's Thesaurus: Sophisticated Alternatives to Common Words (Expanded Third Edition)

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The Thinker's Thesaurus: Sophisticated Alternatives to Common Words (Expanded Third Edition)

The Thinker's Thesaurus: Sophisticated Alternatives to Common Words (Expanded Third Edition)

  • Author: Peter E. Meltzer
  • Publisher: W. W. Norton & Company
  • ISBN: 0393338975
  • Category: Reference
  • Page: 720
  • View: 5424
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With over twenty percent more material, a must for any lover of distinctive words. This entertaining and informative reference features sophisticated and surprising alternatives to common words together with no-fail guides to usage. Avoiding traditional thesauruses’ mundane synonym choices, Peter E. Meltzer puts each word—whether it’s protrepic, apostrophize, iracund, or emulous—in context by using examples from a broad range of contemporary books, periodicals, and newspapers. His new introduction makes the case for why we should widen our vocabulary and use the one right word. This groundbreaking thesaurus remains a unique venture, one that enriches your writing while helping you find the perfect word.

The Arts in the 1970s

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The Arts in the 1970s

The Arts in the 1970s

Cultural Closure

  • Author: Dr Bart Moore-Gilbert,Bart Moore-Gilbert
  • Publisher: Routledge
  • ISBN: 113485837X
  • Category: Social Science
  • Page: 324
  • View: 9704
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Were the 1970s really `the devils decade'? Images of strikes, galloping inflation, rising unemployment and bitter social divisions evoke a period of unparalleled economic decline, political confrontation and social fragmentation. But how significant were the pessimism and self-doubt of the 1970s, and what was the legacy of its cultural conflicts? Covering the entire spectrum of the arts - drama, television, film, poetry, the novel, popular music, dance, cinema and the visual arts - The Arts in the 1970s challenges received perceptions of the decade as one of cultural decline. The collection breaks new ground in providing the first detailed analysis of the cultural production of the decade as a whole, providing an invaluable resource for all those involved in cultural, media and communications studies.

Contemporary Masculinities in Fiction, Film and Television

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Contemporary Masculinities in Fiction, Film and Television

Contemporary Masculinities in Fiction, Film and Television

  • Author: Brian Baker
  • Publisher: Bloomsbury Publishing USA
  • ISBN: 1623567386
  • Category: Performing Arts
  • Page: 272
  • View: 5887
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While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century.