Search results for: daido-moriyama-in-color

Daido Moriyama in Color

Author : Filippo Maggia
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Considered one of the great masters of contemporary Japanese photography, Daido Moriyama is always on the road, a lone traveller whose black-and-white images recount visions and worlds hidden just beneath the surface of reality. This book contains 250 photographs taken over the latest five years. A constant flow of images that is often frenetic or suddenly suspended, following the rhythm of an unfettered, restless life spent travelling the roads of the world. Daido Moriyama (born 1938) is one of the most important living photographers and photobook makers.

Daido Moriyama

Author : Daidō Moriyama
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Published on the occasion of the exhibition William Klein + Daido Moriyama held at Tate Modern, London, Oct. 10, 2012-Jan. 20, 2013.

The World Through My Eyes

Author : Daidō Moriyama
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'Provoke' is the title of the magazine founded in 1968 by a group of Japanese photographers, graphic designers, poets, critics, and political activists. Moriyama's photography is indeed provocative, both for the form it takes (dirty, blurry, overexposed,or scratched) and for its content.

Daido Moriyama Remix

Author : Daidō Moriyama
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Published to accompany an exhibition held at Kamel Mennour Gallery, Paris, 5 November - 10 December 2004.

Daido Moriyama

Author : Hisako Motoo
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Mirage is the fourth of Japanese photographer Daido Moriyama's limited-edition publications with MMM. For this volume, Moriyama (born 1938) unearthed a selection of previously unpublished color slides from the 1970s. The slides have faded over the past four decades, and this volume reproduces them in their present fragile beauty. The works consist of several bondage photographs made on commission, and images shot for Japanese Playboy. Editor Hisako Motoo writes in his afterword: ..". after several decades film takes on mildewy discolorations until we're peering at scenes through a blur of frosted glass. As if the crisp coating of reality had worn away over time, misting into hazy mirages of memory." This beautiful, slipcased hardcover volume features a tip-on front-cover image and is published in a limited edition of 1,000 copies (of which 200 are available through Artbook-D.A.P.). Each copy is signed by Moriyama on the title page, and both the book and the slipcase are numbered.

Record no 21

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Daid Moriyama

Author : Daidō Moriyama
File Size : 46.95 MB
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Heavy Light

Author : Christopher Joel Phillips
File Size : 50.20 MB
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Published in conjunction with an exhibition organized for the International Center of Photography, New York, and held there May 15-Sept. 7, 2008.

Image

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An Index to Articles on Photography

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Artforum International

Author :
File Size : 27.95 MB
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The New Yorker

Author : Harold Wallace Ross
File Size : 22.43 MB
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New York

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File Size : 85.55 MB
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Choice

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File Size : 71.28 MB
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Popular Photography

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File Size : 52.57 MB
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Negative Positive

Author : Geoffrey Batchen
File Size : 66.30 MB
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As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium. The fact that a photograph is split between negative and positive manifestations means that its identity is always simultaneously divided and multiplied. The interaction of these two components was often spread out over time and space and could involve more than one person, giving photography the capacity to produce multiple copies of a given image and for that image to have many different looks, sizes and makers. This book traces these complications for canonical images by such figures as William Henry Fox Talbot, Kusakabe Kimbei, Dorothea Lange, Man Ray, Seydou Keïta, Richard Avedon, and Andreas Gursky. But it also considers a number of related issues crucial to any understanding of photography, from the business practices of professional photographers to the repetition of pose and setting that is so central to certain familiar photographic genres. Ranging from the daguerreotype to the digital image, the end result is a kind of little history of photography, partial and episodic, but no less significant a rendition of the photographic experience for being so. This book represents a summation of Batchen’s work to date, making it be essential reading for students and scholars of photography and for all those interested in the history of the medium

Art and AsiaPacific

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Aperture

Author : Aperture Foundation, Incorporated
File Size : 30.22 MB
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Art AsiaPacific Almanac

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2000 2003

Author : 森山大道
File Size : 29.24 MB
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