Search results for: cantata-no-159-sehet-wir-gehn-bwv-159

The Creative Development of Johann Sebastian Bach Volume II 1717 1750

Author : Richard D. P. Jones
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This last in a two-volume study examines Bach's musical compositional development in his later years, including his time at Cðthen and Leipzig.

Choral Orchestral Repertoire

Author : Jonathan D. Green
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Choral-Orchestral Repertoire: A Conductor's Guide offers an expansive compilation of choral orchestral works from 1600 to the present. Synthesizing Jonathan Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, currently available editions, and locations of manuscript materials, as well as descriptive commentary, discography, and bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role, and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire: A Conductor's Guide is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.

Directory of Choral orchestral Music

Author : Michael Rosewall
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First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

Gramophone Compact Disc Digital Audio Guide and Catalogue

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The Gramophone Classical Catalogue

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Handbook to Bach s Sacred Cantata Texts

Author : Melvin P. Unger
File Size : 53.73 MB
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The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.

A Topical Guide to Schenkerian Literature

Author : David Carson Berry
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To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.

Essays from the Fourth International Schenker Symposium

Author : Allen Clayton Cadwallader
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The Fourth International Schenkerian Symposium took place at Mannes College of Music during March of 2006, a year that marked the hundredth anniversary of the publication of Harmonielehre and, in a very real sense, the beginning of the Schenkerian enterprise. The essays in this volume are organized into three categories--analytical, theoretical, and historical. Among the analytical essays is Carl Schachter's brilliant discussion of large-scale connections in the opening scenes of Don Giovanni. The theoretical section includes a comparison of two perspectives on sonata form by Allen Cadwallader and Warren Darcy. In the historical section, Robert Wason details the publication history of Harmonielehre and the checkered career of its translation into English. Like the previous volume published by Olms Verlag, this collection gives testimony to the ongoing exploration of Schenker's ideas by American and European scholars.

Sehet wir gehn hinauf gen Jerusalem

Author : Johann Sebastian Bach
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Organising Music in Libraries Cataloguing

Author : Brian L. Redfern
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A guide to organizing, classifying and cataloguing in music libraries and an explanation of the purposes of musical collection