Search results for: antkind-a-novel

Antkind

Author : Charlie Kaufman
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The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review “Kaufman is a master of language . . . a sight to behold.”—NPR B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

The Literary Era

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A Book For Free Spirits 2

Author : Friedrich Nietzsche
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One should only speak where one cannot remain silent, and only speak of what one has conquered—the rest is all chatter, “literature,” bad breeding. My writings speak only of my conquests, “I” am in them, with all that is hostile to me, ego ipsissimus, or, if a more haughty expression be permitted, ego ipsissimum. It may be guessed that I have many below me.... But first I always needed time, convalescence, distance, separation, before I felt the stirrings of a desire to flay, despoil, lay bare, “represent” (or whatever one likes to call it) for the additional knowledge of the world, something that I had lived through and outlived, something done or suffered. Hence all my writings,—with one exception, important, it is true,—must be ante-dated—they always tell of a “behind-me.” Some even, like the first three Thoughts out of Season, must be thrown back before the period of creation and experience of a previously published book (The Birth of Tragedy in the case cited, as any one with subtle powers of observation and comparison could not fail to perceive). That wrathful outburst against the Germanism, smugness, and raggedness of speech of old David Strauss, the ] contents of the first Thought out of Season, gave a vent to feelings that had inspired me long before, as a student, in the midst of German culture and cultured Philistinism (I claim the paternity of the now much used and misused phrase “cultured Philistinism”). What I said against the “historical disease” I said as one who had slowly and laboriously recovered from that disease, and who was not at all disposed to renounce “history” in the future because he had suffered from her in the past. When in the third Thought out of Season I gave expression to my reverence for my first and only teacher, the great Arthur Schopenhauer—I should now give it a far more personal and emphatic voice—I was for my part already in the throes of moral scepticism and dissolution, that is, as much concerned with the criticism as with the study of all pessimism down to the present day. I already did not believe in “a blessed thing,” as the people say, not even in Schopenhauer. It was at this very period that an unpublished essay of mine, “On Truth and Falsehood in an Extra-Moral Sense,” came into being. Even my ceremonial oration in honour of Richard Wagner, on the occasion of his triumphal celebration at Bayreuth in 1876—Bayreuth signifies the greatest triumph that an artist has ever won—a work that bears the strongest stamp of “individuality,” was in the background an act of homage and gratitude to a bit of the past in me, to the fairest but most perilous calm of my sea-voyage ... and as a matter of fact a severance and a farewell. (Was Richard Wagner mistaken on this point? I do not think so. So long as we still love, we do not paint such pictures, ] we do not yet “examine,” we do not place ourselves so far away as is essential for one who “examines.” “Examining needs at least a secret antagonism, that of an opposite point of view,” it is said on page 46 of the above-named work itself, with an insidious, melancholy application that was perhaps understood by few.) The composure that gave me the power to speak after many intervening years of solitude and abstinence, first came with the book, Human, All-too Human, to which this second preface and apologia1 is dedicated. As a book for “free spirits” it shows some trace of that almost cheerful and inquisitive coldness of the psychologist, who has behind him many painful things that he keeps under him, and moreover establishes them for himself and fixes them firmly as with a needle-point. Is it to be wondered at that at such sharp, ticklish work blood flows now and again, that indeed the psychologist has blood on his fingers and not only on his fingers?

The Columbian Spelling book

Author : Daniel Crandall
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Who s that Ant Whose Dead End

Author : Susanna Ho
File Size : 32.74 MB
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Where there are ants, there is politics. Where there are a lot of ants, there's bound to be a lot of politics. Who are these ants and why should you read about them? Ants and education might not appear to have an obvious connection, but they go hand in hand in this novella. The story takes place in an imaginary colony of ants. It is therefore timeless. The novella considers the serious subject of education and the political issues related to this billion-dollar business, but in a humorous way. Common universal issues are projected into the setting of the ant colony. The book tells how this small ant colony becomes internationally known for its achievements in education, which occur in events that are not dissimilar to those of the human world. It is told in the same voice that links the past with the present in three contexts: a little ant who enjoys talking and learning from his grandfather (representing the distant past), the writer of the history book A Chronicle of Education of Antkind (the immediate past) and a book prize winner who seeks help from a stranger (the present). Who's that Ant? Whose Dead End? is a real treat of a story that can be easily read in one sitting. You will most likely want to get more out of it by re-reading certain sections, or simply ponder your understanding of education the next time you see an ant. Susanna Ho teaches full-time at a university in Hong Kong. This is her second novel. Her first, Mother's Tongue: A Story of Forgiving and Forgetting, was published in 2013. Publisher's website: http: //sbprabooks.com/SusannaHo

Tracts Produced for the Tract and Book Society of the Evangelical Lutheran Church of St John

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A Descriptive List of Novels

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The Mid continent Year Book

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Roy Huggins

Author : Paul Green
File Size : 76.98 MB
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Producer-writer Roy Huggins is best known for creating the TV series, Maverick, 77 Sunset Strip, The Fugitive, Run For Your Life and The Rockford Files (with Stephen J. Cannell). This biography details his personal and professional life, aided by exclusive interviews with family, producers, actors and writers who worked with him. The author was granted exclusive access to Huggins' personal memoirs to provide an intimate, firsthand account, including his early career at Columbia, RKO, Warner Bros. and 20th Century-Fox. Huggins' political activism at UCLA and the subsequent House Un-American Activities hearing in 1952 is covered in depth. The book includes an extensive filmography and previously unpublished photographs provided by family members.

The Waverley Novels Waverly Guy Mannering

Author : Walter Scott
File Size : 31.75 MB
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The First Book of Illustrated Words and Sentences Or Easy Lessons in Spelling

Author : William Joseph Moran
File Size : 48.71 MB
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Transactions of the Manchester Statistical Society

Author : Manchester Statistical Society (Manchester, England)
File Size : 75.15 MB
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Report of the society and list of members included in each vol.

Blackwood s Magazine

Author :
File Size : 53.43 MB
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The Natural History of Insects with Their Properties and Uses in Medicine

Author : Richard Brookes
File Size : 77.62 MB
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Godey s Magazine

Author : Louis Antoine Godey
File Size : 39.58 MB
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Includes music.

The Lancet London

Author :
File Size : 37.33 MB
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Ainslee s

Author :
File Size : 90.69 MB
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Thirty Years View or a history of the working of the American Government for thirty years from 1820 to 1850 chiefly taken from the Congress Debates the private papers of General Jackson and the speeches of ex Senator Benton with his actual view of men and affairs With historical notes and illustrations and some notices of eminent deceased contemporaries By a Senator of thirty years i e T H Benton

Author : United States
File Size : 86.67 MB
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Webster s Thesaurus Grades 4 8

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The Notebook Reference Webster's Thesaurus offers students thousands of words to help them expand their vocabulary right at their fingertips! The easy-to-read entry words appear in boldface type and are arranged alphabetically. Each entry is followed by a list of synonyms, and where applicable, entry words also include a list of antonyms. Students will also find a section of vocabulary for readers and writers with useful information on homonyms and homographs, similes and metaphors, the writing process, and more! The 3-hole punched format allows students to carry this book in a 3-ring binder for quick reference at school, at home, or on the go.

The Practical Teacher

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