Aeschylus: Persians and Other Plays

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Author: Aeschylus,Christopher Collard

Publisher: Oxford University Press

ISBN: 9780198149682

Category: Drama

Page: 286

View: 8695

An accurate and readable new translation, with introduction, extensive explanatory notes, and up-to-date bibliography, of four of Aeschylus' plays, including the unique historical tragedy Persians and the hugely influential Prometheus Bound.

Aeschylus, Persians

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Author: David Rosenbloom

Publisher: Gerald Duckworth & Co Ltd

ISBN: 9780715632864

Category: Drama

Page: 224

View: 4904

Aeschylus' Persians is the earliest extant Greek tragedy and sole surviving historical tragedy

The Persians and Other Plays

The Persians / Prometheus Bound / Seven Against Thebes / The Suppliants

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Author: Aeschylus

Publisher: Penguin UK

ISBN: 0141955899

Category: Drama

Page: 304

View: 996

Aeschylus (525-456 BC) brought a new grandeur and epic sweep to the drama of classical Athens, raising it to the status of high art. The Persians, the only Greek tragedy to deal with events from recent Athenian history, depicts the final defeat of Persia in the battle of Salamis, through the eyes of the Persian court of King Xerxes, becoming a tragic lesson in tyranny. In Prometheus Bound, the defiant Titan Prometheus is brutally punished by Zeus for daring to improve the state of wretchedness and servitude in which mankind is kept. Seven Against Thebes shows the inexorable downfall of the last members of the cursed family of Oedipus, while The Suppliants relates the pursuit of the fifty daughters of Danaus by the fifty sons of Aegyptus, and their final rescue by a heroic king.

The Complete Aeschylus : Volume II: Persians and Other Plays

Volume II: Persians and Other Plays

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Author: Aeschylus,Peter Burian Professor of Classical and Comparative Literature and Theater Studies Duke University,Chapel Hill Alan Shapiro Distinguished Professor of English and Creative Writing University of Noth Carolina

Publisher: Oxford University Press, USA

ISBN: 0199706417

Category: Literary Collections

Page: 432

View: 4046

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The volume brings together four major works by one of the great classical dramatists: Prometheus Bound, translated by James Scully and C. John Herrington, a haunting depiction of the most famous of Olympian punishments; The Suppliants, translated by Peter Burian, an extraordinary drama of flight and rescue arising from women's resistance to marriage; Persians, translated by Janet Lembke and C. John Herington, a masterful telling of the Persian Wars from the view of the defeated; and Seven Against Thebes, translated by Anthony Hecht and Helen Bacon, a richly symbolic play about the feuding sons of Oedipus. These four tragedies were originally available as single volumes. This new volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.

The Persians

An Ancient Greek Tragedy

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Author: Aeschylus,Robert Potter

Publisher: CreateSpace

ISBN: 9781507838242

Category: Drama

Page: 36

View: 2050

The Persians Aeschylus Translated by Robert Potter An Ancient Greek Tragedy The Persians takes place in Susa, which at the time was one of the capitals of the Persian Empire, and opens with a chorus of old men of Susa, who are soon joined by the Queen Mother, Atossa, as they await news of her son King Xerxes' expedition against the Greeks. Expressing her anxiety and unease, Atossa narrates "what is probably the first dream sequence in European theatre." This is an unusual beginning for a tragedy by Aeschylus; normally the chorus would not appear until slightly later, after a speech by a minor character. An exhausted messenger arrives, who offers a graphic description of the Battle of Salamis and its gory outcome. He tells of the Persian defeat, the names of the Persian generals who have been killed, and that Xerxes had escaped and is returning. The climax of the messenger's speech is his rendition of the battle cry of the Greeks as they charged: "On, sons of Greece! Set free / Your fatherland, your children, wives, / Homes of your ancestors and temples of your gods! / Save all, or all is lost!" (401–405). At the tomb of her dead husband Darius, Atossa asks the chorus to summon his ghost: "Some remedy he knows, perhaps, / Knows ruin's cure" they say. On learning of the Persian defeat, Darius condemns the hubris behind his son's decision to invade Greece. He particularly rebukes an impious Xerxes' decision to build a bridge over the Hellespont to expedite the Persian army's advance. Before departing, the ghost of Darius prophesies another Persian defeat at the Battle of Plataea (479 BCE): "Where the plain grows lush and green, / Where Asopus' stream plumps rich Boeotia's soil, / The mother of disasters awaits them there, / Reward for insolence, for scorning God." Xerxes finally arrives, dressed in torn robes ("grief swarms," the Queen says just before his arrival, "but worst of all it stings / to hear how my son, my prince, / wears tatters, rags" (845–849)) and reeling from his crushing defeat. The rest of the drama (908–1076) consists of the king alone with the chorus engaged in a lyrical kommós that laments the enormity of Persia's defeat.

Persians

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Author: Aeschylus,,Janet Lembke,C. J. Herington

Publisher: Oxford University Press

ISBN: 9780195070088

Category: Fiction

Page: 144

View: 4729

The First Surviving Play in the history of western drama. The Persians represents a courageous act on the part of its author. The subject of Aeschylus' play was, in part, the conquering of the Persians by the Greeks, but he presented that event to his Greek audience not from their point of view, but from that of the defeated Persians. Accordingly, the Greeks were faced with a very human portrait of a people that they had only recently enslaved. The effect was to make the enemy knowable, to show the humanity of a people which war - as it has since time immemorial - had generalized and dehumanized. The lesson of Aeschylus' play speaks just as clearly today as it did for the ancient Greeks: the enemy is always us, human beings with shared (even if slightly dissimilar) aspirations and dreams. As director Peter Sellars points out in his introduction, "By humanizing the enemy, Aeschylus begins to suggest that we have much to learn about ourselves through the eyes of others, and that what we think we know about others should be questioned and expanded." In this modern version of Aeschylus' play. Robert Auletta shifts the action of the play from Persia to a modern-day Iraq, and, like Aeschylus, asks Americans to question and challenge their views of our recently defeated enemies.

The Emptiness of Asia

Aeschylus' "Persians" and the history of the fifth century

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Author: Thomas Harrison

Publisher: Duckbacks

ISBN: N.A

Category: History

Page: 191

View: 6235

Aeschylus' Persians is not only the first surviving Greek drama. It is also the only tragedy to take for its subject historical rather than mythical events; the repulse of the army of Xerxes at Salamis in 480 B.C. Thomas Harrison here provides both a more satisfying literary reading of the Persians and a richer picture of fifth-century history - the history both of events and of ideology.

Aeschylus, 2

The Persians, Seven Against Thebes, The Suppliants, Prometheus Bound

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Author: Aeschylus

Publisher: University of Pennsylvania Press

ISBN: 9780812216714

Category: Drama

Page: 232

View: 9461

"A boon for classicists and general readers alike. For the reader who comes to tragedy for the first time, these translations are eminently 'accessible,' and consummately American in tone and feeling. For the classicist, these versions constitute an ambitious reinterpretation of traditional masterpieces; after 2,500 years, the poetry of Euripides and Aeschylus has found a new voice—in fact, ten of them."—The Boston Book Review