A Thing of Beauty

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Author: Lisa Samson

Publisher: Thomas Nelson

ISBN: 0529123789

Category: Fiction

Page: 304

View: 4792

It’s a wonder to behold what happens when love moves in . . . Former child star Fiona Hume deserted the movie biz a decade ago—right after she left rehab. She landed in Baltimore, bought a dilapidated old mansion downtown, and hatched dreams of restoring it into a masterpiece, complete with a studio for herself. She would disappear from public view and live an artist’s life. That was the plan. Ten years later, Fiona’s huge house is filled with junk purchased at thrift stores, haggled over at yard sales, or picked up from the side of the road. Each piece was destined for an art project . . . but all she’s got so far is a piece of twine with some antique buttons threaded down its length. She’s thirty-two years old and still recognizable, but Fiona’s money has finally run out. She’s gotten pretty desperate, too, and in her desperation she’s willing to do almost anything for money. Almost. So it is that she comes to rent out the maid’s quarters to a local blacksmith named Josia Yeu. Josia is everything Fiona isn’t: gregarious, peaceful, in control without controlling . . . in short, happy. As the light from the maid’s quarters begins to permeate the dank rooms of Fiona’s world, something else begins to transform as well—something inside Fiona. Something even she can see is beautiful.

The Metaphysics of Beauty

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Author: Nick Zangwill

Publisher: Cornell University Press

ISBN: 9780801438202

Category: Philosophy

Page: 224

View: 2706

He uses this principle to defend the notion of the aesthetic, to call for a version of aesthetic formalism, and to reconsider the reality of beauty."--BOOK JACKET.

A Thing of Beauty

A One Act Play

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Author: Maurice Berger

Publisher: Pioneer Drama Service, Inc.

ISBN: N.A

Category: One-act plays, American

Page: 13

View: 9839

A Work of Beauty

Alexander McCall Smith's Edinburgh

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Author: Alexander McCall Smith

Publisher: N.A

ISBN: 9781902419909

Category: Architecture

Page: 224

View: 2544

HISTORY OF ARCHITECTURE. "I love this city, and always shall. I write about it. I dream about it. I walk its streets and see something new each day - traces of faded lettering on the stone, still legible, but just; some facade that I have walked past before and not noticed; an unregarded doorway with the names, in brass, of those who lived there sixty years ago, the bell-pulls sometimes still in place, as if one might summon long-departed residents from their slumbers." Edinburgh is a city of stories - a place that has witnessed everything from great historical upheavals, to the individual lives of a remarkable cast of characters. Every spire, cobblestone, bridge, close and avenue has a tale to tell. In this sumptuous new book, Alexander McCall Smith curates his own, distinctive story of Edinburgh - combining his affectionate, incisive wit with a wealth of stunning imagery drawn from Scotland's national collection of architecture and archaeology.

Maritain’s Ontology of the Work of Art

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Author: J.W. Hanke

Publisher: Springer Science & Business Media

ISBN: 9401024847

Category: Philosophy

Page: 138

View: 8296

I. Since the appearance in 1902 of Benedetto Croce's L'estetica come scienza dell' espressione e linguistica generale, the problem of the ontology of the work of art or aesthetic object - what kind of thing it is and what its mode of being is - has come to occupy a central place in the philosophy of art. Moreover, a particular conception of the identity of art objects is at present a driving force in some quarters of the art world itself. As Harold Rosenberg so well points out, Minimalist or Reductive Art has attempted, sometimes quite self-consciously, to establish the autonomous physical reality of the work of art by empty ing it of all expressive and representational content. ! What is the ontological problem? One rather crude way of stating it is to ask where the work of art or object of aesthetic contemplation 2 exists. Is it, to pick some examples, to be identified with the material product of the artist's labors which exists spatially "outside of" and independently of artist and beholder? Or does it exist only "in the mind" of the beholder or the artist? Is it either one perception of a beholder or a series of his perceptions? Or is it the class of all percep tions of either all spectators or all "qualified" spectators? Put another way, it would be a question of whether and to what such purported names as 'Beethoven's Fifth Symphony' refer.

The Eclipse and Recovery of Beauty

A Lonergan Approach

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Author: John Dadosky

Publisher: University of Toronto Press

ISBN: 144266732X

Category: Philosophy

Page: 256

View: 1191

According to the Swiss theologian Hans Urs von Balthasar, a world that has lost sight of beauty is a world riddled with skepticism, moral and aesthetic relativism, conflicting religious worldviews, and escalating ecological crises. In The Eclipse and Recovery of Beauty, John D. Dadosky uses Kierkegaard and Nietzsche’s negative aesthetics to outline the context of that loss, and presents an argument for reclaiming beauty as a metaphysical property of being. Inspired by Bernard Lonergan’s philosophy of consciousness, Dadosky presents a philosophy of beauty that is grounded in contemporary Thomistic thought. Responding to Balthasar, he argues for a concept of beauty that can be experienced, understood, judged, created, contemplated, and even loved. Deeply engaged with the work of Aquinas, Kierkegaard, Nietzsche, and Kant, among others, The Eclipse and Recovery of Beauty will be essential reading for those interested in contemporary philosophy and theology.

The Mirror of Beauty

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Author: Shamsur Rahman Faruqi

Publisher: Penguin UK

ISBN: 8184759932

Category: Fiction

Page: 984

View: 5746

It is the sunset of the Mughal Empire. The splendour of imperial Delhi flares one last time. The young daughter of a craftsman in the city elopes with an officer of the East India Company. And so we are drawn into the story of Wazir Khanam: a dazzlingly beautiful and fiercely independent woman who takes a series of lovers, including a Navab and a Mughal prince—and whom history remembers as the mother of the famous poet Dagh. But it is not just one life that this novel sets out to capture: it paints in rapturous detail an entire civilization. Beginning with the story of an enigmatic and gifted painter in a village near Kishangarh, The Mirror of Beauty embarks on an epic journey that sweeps through the death-giving deserts of Rajputana, the verdant valley of Kashmir and the glorious cosmopolis of Delhi, the craft of miniature painting and the art of carpet designing, scintillating musical performances and recurring paintings of mysterious, alluring women. Its scope breathtaking, its language beguiling, and its style sumptuous, this is a work of profound beauty, depth and power.

The Abuse of Beauty

Aesthetics and the Concept of Art

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Author: Arthur Coleman Danto

Publisher: Open Court Publishing

ISBN: 9780812695403

Category: Art

Page: 167

View: 9838

In The Abuse of Beauty, art critic and philosopher Arthur Danto explains how the notion of beauty as anathema to art arose and flourished and offers a new way of looking at art and beauty. He draws on the thought of artists, critics, and philosophers such as Rimbaud, Fry, Matisse, and Greenberg, to reposition beauty as one of many modes ? along with sexuality, sublimity, disgust, and horror ? through which the human sensibility expresses itself. 20 black-and-white illustrations are included.

Investigations Into the Phenomenology and the Ontology of the Work of Art

What are Artworks and How Do We Experience Them?

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Author: Peer F. Bundgaard,Frederik Stjernfelt

Publisher: Springer

ISBN: 3319140906

Category: Philosophy

Page: 264

View: 9301

​This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.

A Thing of Beauty;

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Author: Alexander Fraser

Publisher: Wentworth Press

ISBN: 9780353884908

Category: History

Page: 292

View: 9210

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.