Theatre and Audience

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Author: Helen Freshwater

Publisher: Macmillan International Higher Education

ISBN: 0230364624

Category: Performing Arts

Page: 80

View: 6894

What does theatre do for – and to – those who witness, watch, and participate in it? Theatre& Audience provides a provocative overview of the questions raised by theatrical encounters between performers and audiences. Focusing on European and North American theatre and its audiences in the twentieth and twenty-first centuries, it explores belief in theatre's potential to influence, impact and transform. Illustrated by examples of performance which have sought to generate active audience involvement – from Brecht's epic theatre to the Blue Man Group – it seeks to unsettle any simple equation between audience participation and empowerment. Foreword by Lois Weaver

The Roman Theatre and Its Audience

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Author: Richard C. Beacham

Publisher: Harvard University Press

ISBN: 9780674779143

Category: History

Page: 267

View: 1760

Drawing on recent archaeological investigations, new scholarship, and the author's own original research and staging experience, this book offers a new and fascinating picture of theatrical performance in the ancient world. Richard Beacham traces the history of the Roman theatre, from its origins in the fourth century B.C. to the demise of formal theatrical activity at the end of antiquity. He characterizes the comedy of Plautus and Terence and the audience to which the Roman playwrights were appealing; describes staging, scenery, costuming, and performance style; and details a variety of theatrical forms, including comedy, tragedy, mime, pantomime, and spectacles.

Immersive Theatre and Audience Experience

Space, Game and Story in the Work of Punchdrunk

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Author: Rose Biggin

Publisher: Springer

ISBN: 3319620398

Category: Performing Arts

Page: 225

View: 379

This book is the first full-length monograph to focus on Punchdrunk, the internationally-renowned theatre company known for its pioneering approach to immersive theatre. With its promises of empowerment, freedom and experiential joy, immersive theatre continues to gain popularity - this study brings necessary critical analysis to this rapidly developing field. What exactly do we mean by audience “immersion”? How might immersion in a Punchdrunk production be described, theorised, situated or politicised? What is valued in immersive experience - and are these values explicit or implied? Immersive Theatre and Audience Experience draws on rehearsals, performances and archival access to Punchdrunk, providing new critical perspectives from cognitive studies, philosophical aesthetics, narrative theory and computer games. Its discussion of immersion is structured around three themes: interactivity and game; story and narrative; environment and space. Providing a rigorous theoretical toolkit to think further about the form’s capabilities, and offering a unique set of approaches, this book will be of significance to scholars, students, artists and spectators.

Theatre, Opera, and Audiences in Revolutionary Paris

Analysis and Repertory

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Author: Emmet Kennedy,Marie-Laurence Netter,James P. MGregor,Mark V. Olsen

Publisher: Greenwood Publishing Group

ISBN: 9780313289606

Category: Performing Arts

Page: 411

View: 6129

...A comprehensive inventory of theatre performances announced in Parisian newspapers during the decade of the French Revolution; introduced by an intelligent revisionist overview of the historiography of French Revolutionary theatre.

New Sites For Shakespeare

Theatre, the Audience, and Asia

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Author: John Russell Brown

Publisher: Routledge

ISBN: 1134648723

Category: Literary Criticism

Page: 224

View: 5214

In the course of exploring the theatrical cultures of South and East Asia, eminent Shakespeareanist John Russell Brown developed some remarkable theories about the nature of performance, the state of Western 'Theatre' today, and the future potential of Shakespeare's plays. In New Sites for Shakespeare he outlines his passionate belief in the power of theatre to reach mass audiences, based on his experiences of popular Asian performances. It is a personal polemic, but it is also a carefully argued and brilliantly persuasive study of the kind of theatrical experience Shakespeare's own contemporaries enjoyed. This is a book which cannot be ignored by anyone who cares about the live performing arts today. Separate chapters consider staging, acting, improvisation, ceremonies and ritual, and an analysis of the experience of the audience is paramount throughout.

Audience and Actors

A Study of Their Interaction in the Japanese Traditional Theatre

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Author: Jacob Raz

Publisher: Brill Archive

ISBN: 9789004068865

Category: Actors

Page: 307

View: 5107

The Garrick Stage

Theatres and Audience in the Eighteenth Century

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Author: Allardyce Nicoll,Sybil Marion Rosenfeld

Publisher: Manchester University Press

ISBN: 9780719008580

Category: Theater

Page: 184

View: 567

Theatre Audiences

A Theory of Production and Reception

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Author: Susan Bennett

Publisher: Psychology Press

ISBN: 9780415157223

Category: Drama

Page: 248

View: 9926

Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. Published here in a brand new updated edition, Theatre Audiences now includes: • a new preface by the author • a stunning extra chapter on intercultural theatre • a revised up-to-date bibliography. Theatre Audiences is a must-buy for teachers and students interested in spectatorship and theatre audiences, and will be valuable reading for practitioners and others involved in the theatre.

Audience Participation

Essays on Inclusion in Performance

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Author: Susan Kattwinkel

Publisher: Greenwood Publishing Group

ISBN: 9780313316715

Category: Performing Arts

Page: 221

View: 6990

Brings together essays on direct audience participation in the work of fourteen widely varied theatrical and dance artists, covering performance genres of the past and present, popular entertainment and high art.

Form and the Art of Theatre

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Author: Paul Newell Campbell

Publisher: Popular Press

ISBN: 9780879722791

Category: Performing Arts

Page: 136

View: 6062

This book is an argument for a particular point of view toward theatre, not a summary or survey of dramatic theory and criticism. The argument centers on the concept of form, a concept that is the rock on which all theoretical and critical works are built, or against which they shatter.

Young Audiences, Theatre and the Cultural Conversation

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Author: John O'Toole,Ricci-Jane Adams,Michael Anderson,Bruce Burton,Robyn Ewing

Publisher: Springer Science & Business Media

ISBN: 9400776098

Category: Education

Page: 201

View: 2010

This volume offers rare insights into the connection between young audiences and the performing arts. Based on studies of adolescent and post-adolescent audiences, ages 14 to 25, the book examines to what extent they are part of our society’s cultural conversation. It studies how these young people read and understand theatrical performance. It looks at what the educational components in their theatre literacy are, and what they make of the whole social event of theatre. It studies their views on the relationship between what they themselves decide and what others decide for them. The book uses qualitative and quantitative data collected in a six-year study carried out in the three largest Australian States, thirteen major performing arts companies, including the Sydney Opera House, three state theatre companies and three funding organisations. The book’s perspectives are derived from world-wide literature and company practices and its significance and ramifications are international. The book is written to be engaging and accessible to theatre professionals and lay readers interested in theatre, as well as scholars and researchers. “This extraordinary book thoroughly explains why young people (ages 14-25+) do and do not attend theatre into adulthood by delineating how three inter-linked factors (literacy, confidence, and etiquette) influence their decisions. Given that theatre happens inside spectators’ minds, the authors balance the theatre equation by focusing upon young spectators and thereby dispel numerous beliefs held by theatre artists and educators. Each clearly written chapter engages readers with astute insights and compelling examples of pertinent responses from young people, teachers, and theatre professionals. To stem the tide of decreasing theatre attendance, this highly useful book offers pragmatic strategies for artistic, educational, and marketing directors, as well as national theatre organizations and arts councils around the world. I have no doubt that its brilliantly conceived research, conducted across multiple contexts in Australia, will make a significant and original contribution to the profession of theatre on an international scale.” Jeanne Klein, University of Kansas, USA “Young Audiences, Theatre and the Cultural Conversation is a compelling and comprehensive study on attitudes and habits of youth theatre audiences by leading international scholars in the field. This benchmark study offers unique insights by and for theatre makers and administrators, theatre educators and researchers, schools, parents, teachers, students, audience members of all ages. A key strength within the book centers on the emphasis of the participant voices, particularly the voices of the youth. Youth voices, along with those of teachers and theatre artists, position the extensive field research front and center.” George Belliveau, The University of British Columbia, Canada

Distance, Theatre, and the Public Voice, 1750–1850

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Author: M. Nuss

Publisher: Springer

ISBN: 1137291419

Category: History

Page: 197

View: 4853

As theatres expanded in the eighteenth and nineteenth centuries, the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience.

Community-Making in Early Stuart Theatres

Stage and audience

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Author: Anthony W. Johnson,Roger D. Sell,Helen Wilcox

Publisher: Routledge

ISBN: 131716329X

Category: Literary Criticism

Page: 450

View: 2923

Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women’s drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.

Modern Japanese Theatre and Performance

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Author: David Jortner,Keiko I. McDonald,Kevin J. Wetmore

Publisher: Lexington Books

ISBN: 9780739123003

Category: Performing Arts

Page: 289

View: 639

Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a 'Superkyogen' play.

Theatre, Drama, and Audience in Goethe's Germany

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Author: Walter Horace Bruford

Publisher: Praeger Pub Text

ISBN: N.A

Category: Performing Arts

Page: 388

View: 8546

The present work . . . a continuation of the earlier is] a study of one literary genre, the drama . . . both in its passive and active relations with the life of the time and with the theatre, the medium without the aid of which the possibilities of the drama as an art form remain only half realized, like a musical score which is never performed. from the author's preface

Architecture, Actor and Audience

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Author: Iain Mackintosh

Publisher: Routledge

ISBN: 1134969112

Category: Performing Arts

Page: 192

View: 7660

Understanding the theatre space on both the practical and theoretical level is becoming increasingly important to people working in drama, in whatever capacity. Theatre architecture is one of the most vital ingredients of the theatrical experience and one of the least discussed or understood. In Architecture, Actor and Audience Mackintosh explores the contribution the design of a theatre can make to the theatrical experience, and examines the failings of many modern theatres which despite vigorous defence from the architectural establishment remain unpopular with both audiences and theatre people. A fascinating and provocative book.

Theatre in the Victorian Age

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Author: Michael R. Booth

Publisher: Cambridge University Press

ISBN: 9780521348379

Category: Drama

Page: 218

View: 6374

A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.

Shakespeare and Audience in Practice

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Author: Stephen Purcell

Publisher: Macmillan International Higher Education

ISBN: 1137375256

Category: Performing Arts

Page: 216

View: 5692

What do audiences do as they watch a Shakespeare play? What makes them respond in the ways that they do? Exploring the practice of being a modern Shakespearean audience, Stephen Purcell examines a wide range of theatrical productions, surveys some of the most influential ideas about spectatorship in contemporary performance studies, and analyses how both modern theatre practitioners and the play texts themselves position audiences in particular ways. Innovative and insightful, this book includes detailed case studies of two modern productions, a collaborative debate section, and suggestions for practical exercises and further reading.

Reflecting the Audience

London Theatregoing, 1840-1880

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Author: Jim Davis,Victor Emeljanow

Publisher: University of Iowa Press

ISBN: 1587294028

Category: Performing Arts

Page: 299

View: 2679

This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.

Theatre and Culture in Early Modern England, 1650-1737

From Leviathan to Licensing Act

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Author: Dr Catie Gill

Publisher: Ashgate Publishing, Ltd.

ISBN: 1409476243

Category: Literary Criticism

Page: 190

View: 7315

Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Individual essays demonstrate the significant contrasts between the theatre of different decades and the context of performance, paying special attention to the literary innovation and socio-political changes that contributed to the evolution of drama. Exploring the developments in both tragedy and comedy, and in literary production, specific topics include the playwright's relationship to the monarch, women writers' connection to the audience, the changing market for plays, and the rise of the bourgeoisie. This collection also examines aspects of gender and class through the exploration of women's impact on performance and production, masculinity and libertinism, master/servant relationships, and dramatic representations of the coffee house. Accompanied by a list of Spanish-English plays and a chronology of monarch's reigns and significant changes in theatre history, From Leviathan to Licensing Act is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.