Sociology and Music Education

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Author: Ruth Wright

Publisher: Routledge

ISBN: 1351548352

Category: Music

Page: 328

View: 7701

Sociology and Music Education addresses a pressing need to provide a sociological foundation for understanding music education. The music education community, academic and professional, has become increasingly aware of the need to locate the issues facing music educators within a broader sociological context. This is required both as a means to deeper understanding of the issues themselves and as a means to raising professional consciousness of the macro issues of power and politics by which education is often constrained. The book outlines some introductory concepts in sociology and music education and then draws together seminal theoretical insights with examples from practice with innovative applications of sociological theory to the field of music education. The editor has taken great care to select an international community of experienced researchers and practitioners as contributors who reflect current trends in the sociology of music education in Europe and the UK. The book concludes with an Afterword by Christopher Small.

Sociology for Music Teachers

Practical Applications

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Author: Hildegard Froehlich,Gareth Dylan Smith

Publisher: Taylor & Francis

ISBN: 1315402335

Category: Music

Page: 208

View: 6120

Sociology for Music Teachers: Practical Applications, Second Edition, outlines the basic concepts relevant to understanding music teaching and learning from a sociological perspective. It demonstrates the relationship of music to education, schooling and society, and examines the consequences for making instructional choices in teaching methods and repertoire selection. The authors look at major theories, and concepts relevant to music education, texts in the sociology of music, and thoughts of selected ethnomusicologists and sociologists. The new edition takes a more global approach than was the case in the first edition and includes the application of sociological theory to contexts beyond the classroom. The Second Edition: Presents major theories in ethnomusicology, both traditional and contemporary. Takes a global approach by presenting a variety of teaching practices beyond those found in the United States. Emphasizes music education in a traditional classroom setting, but also applies specific constructs to studio teaching situations in conservatories (with private lessons) and community music. Provides recommendations for teaching practices by addressing popular music in school music curricula, suggests inclusionary projects that explore musical styles and repertoire of the past and present, and connects school to community music practices of varying kinds. Contains an increased number of suggestions for projects and discussions among the students using the book.

Sociology for Music Teachers

Perspectives for Practice

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Author: Richard Colwell,Hildegard Froehlich

Publisher: Routledge

ISBN: 1317344057

Category: Music

Page: 128

View: 946

For upper level undergraduate and introductory graduate and doctoral courses in music education. Outlining the basic aspects, constructs and concepts relevant to understanding music teaching and learning from a sociological perspective, this volume introduces students to the discipline as a tool in understanding their own work. The text shows how certain academics in music, sociology and education have thought about the relationship of music to education, schooling and society and examines the consequences of such thinking for making instructional choices in teaching methods and repertoire selection. School music teaching is imbedded in two major societal traditions: (1) the tradition of music making, listening, and responding; and (2) the tradition of education as a societal mandate. The first tradition holds firmly to music artistry and musicological scholarship, the latter of which includes music sociology. The second tradition, that of education as a field of study, relies mostly on pedagogical principles rooted equally in psychology and sociology. Hildegard Froehlich bases the book upon the premise that a music teacher's work is equally shaped by both traditions. The more music teachers become aware of how societal structures shape their own lives as well as the lives of their students, colleagues, and superiors; the more "reality-based" their teaching will become. Society is a composite of communities in which different social classes, groups, and reference groups co-exist-to varying degrees of compatibility due to real or perceived differences in norms and values as well as hierarchies of power. Informed or intuitive choices made by an individual indicate allegiances to particular groups, how those groups are structured hierarchically; and where and how each individual fits into those hierarchies. This is true for the music world as it is true for the world of education.

Teaching Music in American Society

A Social and Cultural Understanding of Music Education

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Author: Steven N. Kelly

Publisher: Routledge

ISBN: 1135851212

Category: Music

Page: 200

View: 2808

Teaching Music in American Society is a comprehensive textbook designed for students who seek to be certified in music education to teach K-12 music in American public and private schools. It covers the issues facing music education, including the functional role of music within school environments and community settings, the role and function of a music teacher within the music profession and the general education profession, the role of music within the overall school curriculum, and the school music program and local, state, and national issues/policies.

Debates in Music Teaching

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Author: Chris Philpott,Gary Spruce

Publisher: Routledge

ISBN: 0415597625

Category: Education

Page: 269

View: 6713

Encourages students and practising teachers to engage with contemporary issues and developments in music education and aims to introduce a critical approach to the central concepts and practices that have influenced major interventions and initiatives in music teaching.

Bourdieu and the Sociology of Music Education

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Author: Pamela Burnard,Ylva Hofvander Trulsson

Publisher: Routledge

ISBN: 1317172906

Category: Music

Page: 254

View: 973

Pierre Bourdieu has been an extraordinarily influential figure in the sociology of music. For over four decades, his concepts have helped to generate both empirical and theoretical interventions in the field of musical study. His impact on the sociology of music taste, in particular, has been profound, his ideas directly informing our understandings of how musical preferences reflect and reproduce inequalities between social classes, ethnic groups, and men and women. Bourdieu and the Sociology of Music Education draws together a group of international researchers, academics and artist-practitioners who offer a critical introduction and exploration of Pierre Bourdieu’s rich generative conceptual tools for advancing sociological views of music education. By employing perspectives from Bourdieu’s work on distinction and judgement and his conceptualisation of fields, habitus and capitals in relation to music education, contributing authors explore the ways in which Bourdieu’s work can be applied to music education as a means of linking school (institutional habitus) and learning, and curriculum and family (class habitus). The volume includes research perspectives and studies of how Bourdieu’s tools have been applied in industry and educational contexts, including the primary, secondary and higher music education sectors. The volume begins with an introduction to Bourdieu’s contribution to theory and methodology and then goes on to deal in detail with illustrative substantive studies. The concluding chapter is an extended essay that reflects on, and critiques, the application of Bourdieu’s work and examines the ways in which the studies contained in the volume advance understanding. The book contributes new perspectives to our understanding of Bourdieu’s tools across diverse settings and practices of music education.

Sociologists and Music

An Introduction to the Study of Music and Society

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Author: Paul Honigsheim

Publisher: Transaction Publishers

ISBN: 9781412834711

Category: Language Arts & Disciplines

Page: 360

View: 1364

An Introduction to the Study of Music & Society.

Music education in the United States

contemporary issues

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Author: J. Terry Gates

Publisher: Univ of Alabama Pr

ISBN: N.A

Category: Music

Page: 328

View: 4113

In 1984-85 a two-year program of symposia and lectures at The University of Alabama, collectively known as "The Alabama Project: Music, Society, and Education in America," gave rise to two important volumes: Applications of Research in Music Behavior, edited by Clifford K. Madsen and Carol A. Prickett, and this volume. Music Education in the United States stands as the most important and far-ranging professional overview of the discipline since the appearance of the landmark Basic Concepts in Music Education (1958). Book jacket.

MasterClass in Music Education

Transforming Teaching and Learning

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Author: John Finney,Felicity Laurence

Publisher: A&C Black

ISBN: 1441188606

Category: Education

Page: 256

View: 7097

MasterClass in Music Education provides vivid, topical, reflective and above all 'real' accounts from existing teachers researching in the field, together with theoretical insights and a guided view of the relevant existing literature. Students embarking upon research will gain a many-faceted understanding of the possibilities for using action research and other research methods to explore the interesting and challenging issues confronting music education. At the same time, they will be able to develop an understanding of how to carry out research from the real life case study accounts written by their peers. John Finney and Felicity Laurence provide overarching support, drawing on their own experiences as supervisors of MA Music Education students to frame the debates and reflections which arise.

Promising Practices in 21st Century Music Teacher Education

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Author: Michele Kaschub,Janice Smith

Publisher: Oxford University Press

ISBN: 0190206152

Category: Music

Page: 248

View: 1055

This book surveys emerging music and education landscapes to present a sampling of the promising practices of music teacher education that may serve as new models for the 21st century. Contributors explore the delicate balance between curriculum and pedagogy, the power structures that influence music education at all levels, the role of contemporary musical practices in teacher education, and the communication challenges that surround institutional change. Models of programs that feature in-school, out-of-school and beyond school contexts, lifespan learning perspectives, active juxtapositions of formal and informal approaches to teaching and learning, student-driven project-based fieldwork, and the purposeful employment of technology and digital media as platforms for authentic music engagement within a contemporary participatory culture are all offered as springboards for innovative practice.

A Brief Introduction to A Philosophy of Music and Music Education as Social Praxis

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Author: Thomas A. Regelski

Publisher: Routledge

ISBN: 1317415310

Category: Music

Page: 120

View: 2175

Music and Music Education as Social Praxis is a brief introduction to a praxial theory of music education, defined by author. It is grounded in an interdisciplinary approach, for undergraduate and graduate students in music education. Drawing upon scholarship from a range of disciplines, including philosophy and sociology, the book emphasizes and highlights thinking of music as an active social practice and offers an alternative to existing approaches to music education. This text advocates for an alternative approach to teaching music, rooted in the social practice of music, and will supplement Foundations or Methods courses in the Music Education curriculum.

Music in Society

A Guide to the Sociology of Music

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Author: Ivo Supicic,Ivo [email protected]@,Supǐci ́c, Ivo

Publisher: Pendragon Press

ISBN: 9780918728357

Category: Music

Page: 488

View: 9243

The subject of this study has two distinct but not unrelated aspects: first, an investigation into the sociology of music as an autonomous and specialized discipline; and second, an examination of certain fundamental facts that may be considered within the purview of the sociology of music itself. If an analysis and study even a preliminary one of these facts is to be properly focused and fruitful, we must first try to determine the subject and methods of the sociology of music, its position and boundaries in respect to musicology, and, most especially, its relation to the aesthetics of music and music history. It is equally indispensable to ascertain what the sociology of music as a separate scholarly discipline embraces, where its investigation leads, and, finally, to establish its position vis-a-vis sociology in general. (From the Author's Introduction.)

Collaborative Creative Thought and Practice in Music

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Author: Professor Margaret S Barrett

Publisher: Ashgate Publishing, Ltd.

ISBN: 1472415868

Category: Music

Page: 328

View: 8621

Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice.

Popular Music, Cultural Politics and Music Education in China

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Author: Wai-Chung Ho

Publisher: Taylor & Francis

ISBN: 1317078012

Category: Music

Page: 198

View: 8078

While attention has been paid to various aspects of music education in China, to date no single publication has systematically addressed the complex interplay of sociopolitical transformations underlying the development of popular music and music education in the multilevel culture of China. Before the implementation of the new curriculum reforms in China at the beginning of the twenty-first century, there was neither Chinese nor Western popular music in textbook materials. Popular culture had long been prohibited in school music education by China’s strong revolutionary orientation, which feared ‘spiritual pollution’ by Western cultures. However, since the early twenty-first century, education reform has attempted to help students deal with experiences in their daily lives and has officially included learning the canon of popular music in the music curriculum. In relation to this topic, this book analyses how social transformation and cultural politics have affected community relations and the transmission of popular music through school music education. Ho presents music and music education as sociopolitical constructions of nationalism and globalization. Moreover, how popular music is received in national and global contexts and how it affects the construction of social and musical meanings in school music education, as well as the reformation of music education in mainland China, is discussed. Based on the perspectives of school music teachers and students, the findings of the empirical studies in this book address the power and potential use of popular music in school music education as a producer and reproducer of cultural politics in the music curriculum in the mainland.

Foundations of Music Education

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Author: Harold F. Abeles,Charles R. Hoffer,Robert H. Klotman

Publisher: Schirmer

ISBN: N.A

Category: Education

Page: 408

View: 5442

"Comprehensive, balanced, and up to date, this thoroughly revised second edition of Foundations of Music Education focuses on the fundamental issues that will affect the teaching and learning of music in the coming years. Featuring approximately forty percent new material and a ten-percent expansion, this edition incorporates the many events and trends of the last decade that have affected music education and education in general." "Written by three distinguished music educators, this carefully organized text explores the relationship between theory and practice in music teaching. From a comprehensive survey of the history, philosophy, and functions of music education to its social, psychological, and pedagogical aspects, the book presents the ideas that affect the teaching of music in any setting. The authors clearly explain the distinguishing features of leading schools of thought, interpret research findings, and critically examine the assumptions that underlie various approaches to curriculum and instruction." "Unique to this book are chapters that link current ideas in psychology, sociology, and social psychology to music education. How do social class, race, and other characteristics influence the responses of students to different types of music? How do cognitive and behavioral psychologists differ in their views of learning? In what ways do small-group interactions in the classroom affect the emergence of musical talent? These and many other issues are addressed here." "Indeed, Foundations of Music Education is notable for the attention it pays to trends in related fields of learning and the care with which such information is applied to contemporary music education. Included among its topics are attitude formation, creativity, cognitive processing, and behavioral techniques." "More practical topics are also given equal coverage: curriculum development, cultural pluralism, music for handicapped children, program evaluation, innovative approaches in assessment, accountability, critical thinking, computer-based instruction, and technology in music. A chapter on research in music education presents an analysis of a published article on practice conditions and performance accuracy, placing the basics of the scientific method at the student's disposal. The final chapter on teaching as a profession examines the emerging agenda for music educators in the 1990s and beyond. Each chapter ends with a concise summary, several study and discussion questions for class and individual use, suggested class activities for putting theory into practice, suggested additional readings, and complete bibliographic references." "Foundations of Music Education has long been regarded as the classic text in foundations courses, providing both a solid grounding in the development of music education and a forward look at the tools educators will need to master if music is to remain an essential part of American education. This newly revised edition will set the standard for music teaching in the decades to come."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Minerva

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Author: Werner Schuder,Karl Ignaz Trübner

Publisher: N.A

ISBN: N.A

Category: Universities and colleges

Page: N.A

View: 9980

Part 1 includes Europe, part 2 includes Outside of Europe.

Die Disziplinierung von Musik und Tanz

die Entwicklung von Musik und Tanz im Verhältnis zu Ordnungsprinzipien christlich-abendländischer Gesellschaft

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Author: Daniela Stocks

Publisher: N.A

ISBN: N.A

Category: Music

Page: 250

View: 8005

Compassionate Music Teaching

A Framework for Motivation and Engagement in the 21st Century

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Author: Karin S. Hendricks

Publisher: Rowman & Littlefield

ISBN: 1475837348

Category: Education

Page: 210

View: 4948

This book provides a framework for music teaching by outlining qualities, skills, and approaches to meet the needs of a unique and increasingly diverse generation of students.

Chances and Choices

Exploring the Impact of Music Education

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Author: Stephanie Pitts

Publisher: Oxford University Press

ISBN: 019998669X

Category: Music

Page: 240

View: 5859

In Chances and Choices, Stephanie Pitts surveys the aims and impact of formative musical experiences, evaluating the extent to which music education of various kinds provides a foundation for lifelong involvement and interest in music. Pitts draws upon rich qualitative data from her own extensive original study of over 100 adults with an active interest in music in the UK and Italy to address several key themes in the study of music education. Intertwined with discussion of topics such as music education policy and the role that music teachers and other role models play in nurturing musicians are first person 'interludes' that showcase the stories and voices of the research participants as they reflect upon the influences and opportunities that shaped their musical life histories. Pitts' analysis adds valuable context to these stories, illuminating the historical and contemporary debates about music education and proposing ways in which school music might better prepare young people for continued participation in music throughout their lives. A companion website contains Pitts' data sets and analytical frameworks; the website also features an interactive database through which readers can share their own musical life histories and search others that have been contributed there. Shedding new light on the long-term effects of music education, Chances and Choices is an important resource to understand how we can encourage lasting engagement with music and other cultural activities in every individual.