Poetics of the Flesh

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Author: Mayra Rivera

Publisher: Duke University Press

ISBN: 0822374935

Category: Religion

Page: 216

View: 3656

In Poetics of the Flesh Mayra Rivera offers poetic reflections on how we understand our carnal relationship to the world, at once spiritual, organic, and social. She connects conversations about corporeality in theology, political theory, and continental philosophy to show the relationship between the ways ancient Christian thinkers and modern Western philosophers conceive of the "body" and "flesh.” Her readings of the biblical writings of John and Paul as well as the work of Tertullian illustrate how Christian ideas of flesh influenced the works of Maurice Merleau-Ponty and Michel Foucault, and inform her readings of Judith Butler, Frantz Fanon, and others. Rivera also furthers developments in new materialism by exploring the intersections among bodies, material elements, social arrangements, and discourses through body and flesh. By painting a complex picture of bodies, and by developing an account of how the social materializes in flesh, Rivera provides a new way to understand gender and race.

Inkarnation

eine Philosophie des Fleisches

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Author: Michel Henry

Publisher: N.A

ISBN: 9783495480519

Category: Leib - Phänomenologie

Page: 431

View: 9181

Absoluter Gegenstoß

Versuch einer Neubegründung des dialektischen Materialismus

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Author: Slavoj Žižek

Publisher: S. Fischer Verlag

ISBN: 3104034133

Category: Fiction

Page: 656

View: 858

Der bekannte Philosoph und Kulturkritiker Slavoj Žižek schließt mit seinem neuen Buch ›Absoluter Gegenstoß. Versuch einer Neubegründung des dialektischen Materialismus‹ an seine umfangreiche Hegel-Neudeutung ›Weniger als Nichts‹ aus dem Jahr 2014 an. Ausgehend von Hegel unternimmt er nichts weniger als eine Neubestimmung des philosophischen Materialismus: In drei Teilen entfaltet er sein Vorhaben, Hegels Begriff des absoluten Gegenstoßes zu einem allgemeinen ontologischen Prinzip zu erheben. Ausgehend von einer kritischen Lektüre Badious und Althussers über eine Auseinandersetzung mit dem Hegel’schen Absoluten skizziert Žižek die Grundzüge einer Ontologie des »den«, des »Weniger-als-nichts«, um eine neue Grundlegung des dialektischen Materialismus zu formulieren. Ein so aufregender wie zentraler Beitrag zur zeitgenössischen Philosophie, mit Witz und Verve vorgetragen.

Poetics of the Incarnation

Middle English Writing and the Leap of Love

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Author: Cristina Maria Cervone

Publisher: University of Pennsylvania Press

ISBN: 0812207475

Category: Literary Criticism

Page: 320

View: 4092

The Gospel of John describes the Incarnation of Christ as "the Word made flesh"—an intriguing phrase that uses the logic of metaphor but is not traditionally understood as merely symbolic. Thus the conceptual puzzle of the Incarnation also draws attention to language and form: what is the Word; how is it related to language; how can the Word become flesh? Such theological questions haunt the material imagery engaged by medieval writers, the structural forms that give their writing shape, and even their ideas about language itself. In Poetics of the Incarnation, Cristina Maria Cervone examines the work of fourteenth-century writers who, rather than approaching the mystery of the Incarnation through affective identification with the Passion, elected to ponder the intellectual implications of the Incarnation in poetical and rhetorical forms. Cervone argues that a poetics of the Incarnation becomes the grounds for working through the philosophical and theological implications of language, at a point in time when Middle English was emerging as a legitimate, if contested, medium for theological expression. In brief lyrics and complex narratives, late medieval English writers including William Langland, Julian of Norwich, Walter Hilton, and the anonymous author of the Charters of Christ took the relationship between God and humanity as a jumping-off point for their meditations on the nature of language and thought, the elision between the concrete and the abstract, the complex relationship between acting and being, the work done by poetry itself in and through time, and the meaning latent within poetical forms. Where Passion-devoted writing would focus on the vulnerability and suffering of the fleshly body, these texts took imaginative leaps, such as when they depict the body of Christ as a lily or the written word. Their Incarnational poetics repeatedly call attention to the fact that, in theology as in poetics, form matters.

Die Augen der Haut

Architektur und Die Sinne

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Author: Juhani Pallasmaa

Publisher: N.A

ISBN: 9780982225196

Category: Architecture

Page: 110

View: 7558

Architektur kann inspirierend und einnehmend sein, sie kann sogar im Sinne Goethes -das Leben steigern-. Wie kommt es aber, dass architektonische Entwurfe am Zeichentisch oder am Computer-Bildschirm zwar meist recht gut aussehen, in der gebauten Realitat jedoch oft enttauschen? Die Antwort hierfur, behauptet Juhani Pallasmaa, findet sich in der Vorherrschaft des Visuellen, die alle Bereiche von Technologie- und Konsumkultur umfasst und so auch in die Architekturpraxis und -lehre Einzug gehalten hat. Wahrend unsere Erfahrung der Welt auf der Kombination aller funf Sinne beruht, berucksichtigt die Mehrheit der heute realisierten Architektur gerade mal einen den Sehsinn. Die Unterdruckung der anderen Erfahrungsbereiche hat unsere Umwelt sinnlich verarmen lassen und ruft Gefuhle von Distanz und Entfremdung hervor. Erstmalig 1996 (in englischer Sprache) veroffentlicht, ist "Die Augen der Haut" inzwischen zu einem Klassiker der Architekturtheorie geworden, der weltweit zur Pflichtlekture an den Architekturhochschulen gehort. Das Buch besteht aus zwei Essays. Der erste gibt einen Uberblick uber die Entwicklung des okularzentrischen Paradigmas in der westlichen Kultur seit der griechischen Antike sowie uber dessen Einfluss auf unsere Welterfahrung und die Eigenschaften der Architektur. Der zweite Essay untersucht, welche Rolle die ubrigen Sinne bei authentischen Architekturerfahrungen spielen, und weist einen Weg in Richtung einer multisensorischen Architektur, welche ein Gefuhl von Zugehorigkeit und Integration ermoglicht. Seit der Erstveroffentlichung des Buchs hat die Rolle des Korpers und der Sinne ein gesteigertes Interesse in der Architekturphilosophie und Architekturlehre erfahren. Die neue, uberarbeitete und erganzte Ausgabe dieses wegweisenden Werks wird nicht nur Architekten und Studenten dazu anregen, eine ganzheitlichere Architektur zu entwerfen, sondern auch die Wahrnehmung des interessierten Laien bereichern. -Seit "Architektur Erlebnis" (1959) des danischen Architekten Steen Eiler Rasmussen hat es keinen derart pragnanten und klar verstandlichen Text mehr gegeben, der Studenten und Architekten in diesen kritischen Zeiten dabei helfen kann, eine Architektur des 21. Jahrhunderts zu entwickeln.- Steven Holl Juhani Pallasmaa ist einer der angesehensten finnischen Architekten und Architekturtheoretiker. In allen Bereichen seiner theoretischen und gestalterischen Tatigkeit welche Architektur, Grafik Design, Stadteplanung und Ausstellungen umfasst betont er stets die zentrale Rolle von Identitat, Sinneserfahrung und Taktilitat."

The Wounded Body

Remembering the Markings of Flesh

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Author: Dennis Patrick Slattery

Publisher: SUNY Press

ISBN: 9780791443828

Category: Biography & Autobiography

Page: 293

View: 6792

Explores the wounded body in literature from Homer to Toni Morrison, examining how it functions archetypally as both a cultural metaphor and a poetic image.

The Poetics of Self-consciousness

Twentieth-century Spanish Poetry

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Author: Jonathan Mayhew

Publisher: Associated University Presse

ISBN: 9780838752562

Category: Poetry

Page: 162

View: 3561

"Twentieth-century poetry engages in a highly self-conscious meditation on the nature of poetic language. Spanish poetry, however, has sometimes been considered an exception to this tendency. This book, with its focus on linguistic self-reflexivity, refutes the notion that major Spanish poets such as Jorge Guillen and Vicente Aleixandre are theoretically naive creators. In a series of nuanced readings, Jonathan Mayhew demonstrates the extent to which modern Spanish poets are conscious of their linguistic medium." "Previous books on Spanish poetry published in English have been more limited in scope, usually including poets of a single "generation." The Poetics of Self-Consciousness is the first to study well-known writers of the earlier part of the century along with more recent poets such as Jose Angel Valente, Jaime Gil de Biedma, Jose Maria Alvarez, and Juan Lamillar. Interpreting poetic texts written from the 1920s through the 1980s, Mayhew is able to trace the evolving function of literary self-consciousness in Spanish poetry while remaining attentive to the differences among writers of the same historical moment. The modernist poets of the earlier part of the century are preoccupied by the problem of literary mimesis: the representation of reality through language. In the postwar years, poets turned their attention to the social and ethical dimensions of poetic language. The postmodernists of more recent decades, finally, are increasingly concerned with their own belatedness with respect to cultural traditions of the past." "Critics hailed Jonathan Mayhew's first book, Claudio Rodriguez and the Language of Poetic vision, as an "enlightening and timely book on perhaps Spain's greatest living poet," and "a signal first effort from a critic with high scholarly standards and a penetrating insight into contemporary poetry." With The Poetics of Self-Consciousness: Twentieth-Century Spanish Poetry, readers will discover another probing study of other modern and postmodern Spanish poets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Body and the Song

Elizabeth Bishop's Poetics

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Author: Marilyn May Lombardi

Publisher: SIU Press

ISBN: 9780809318858

Category: Literary Criticism

Page: 267

View: 9556

In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet’s published work. She explores the ways Bishop’s lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry—the ways she translated her bodily experiences into poetic form. A cornerstone of The Body and the Song is the poet’s thirty-year correspondence with her physician, Dr. Anny Baumann, who was both friend and surrogate mother to Bishop. The letters reveal Bishop’s struggles to understand the relation between her physical and creative drives. "Dr. Anny" also helped Bishop unravel the connections in her life between psychosomatic illness and early maternal deprivation—her mother was declared incurably insane and institutionalized in 1916, when Bishop was five years old. Effectively an orphan, she spent the rest of her childhood with relatives. In addition to these letters, Lombardi uses Bishop’s unpublished notebooks to demonstrate the poet’s resolve to "face the facts"—to confront her own emotional, intellectual, and physical frailties—and translate them into poetry that is clear-eyed and economical in its form. Lombardi argues that in her subtle way, Bishop explores the same issues that preoccupy the current generation of women writers. A deeply private artist, Bishop never directly refers to her homosexuality in her published work, but the metaphors she draws from her carnal desires and aversions confront stifling cultural prescriptions for personal and erotic expression. In choosing restraint over confession, Bishop parted company with her friend Robert Lowell, but Lombardi shows that her reticence becomes a powerful artistic strategy resulting in poetry remarkable for its hermeneutic potential. Informed by recent gender criticism, Lombardi’s lucid argument advances our understanding of the ways the material circumstances of life can be transformed into art.

Das Sichtbare und das Unsichtbare

gefolgt von Arbeitsnotizen

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Author: Maurice Merleau-Ponty

Publisher: N.A

ISBN: 9783770523214

Category: Knowledge, Theory of

Page: 391

View: 6558

Counting ev'ry grain

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Author: Christiane Lang-Graumann

Publisher: Waxmann Verlag

ISBN: 9783830955054

Category:

Page: N.A

View: 347

Made Flesh

Sacrament and Poetics in Post-Reformation England

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Author: Kimberly Johnson

Publisher: University of Pennsylvania Press

ISBN: 0812209400

Category: Literary Criticism

Page: 248

View: 6827

During the Reformation, the mystery of the Eucharist was the subject of contentious debate and a nexus of concerns over how the material might embody the sublime and how the absent might be made present. For Kimberly Johnson, the question of how exactly Christ can be present in bread and wine is fundamentally an issue of representation, and one that bears directly upon the mechanics of poetry. In Made Flesh, she explores the sacramental conjunction of text with materiality and word with flesh through the peculiar poetic strategies of the seventeenth-century English lyric. Made Flesh examines the ways in which the works of John Donne, George Herbert, Richard Crashaw, Edward Taylor, and other devotional poets explicitly engaged in issues of signification, sacrament, worship, and the ontological value of the material world. Johnson reads the turn toward interpretively obstructive and difficult forms in the seventeenth-century English lyric as a strategy to accomplish what the Eucharist itself cannot: the transubstantiation of absence into perceptual presence by emphasizing the material artifact of the poem. At its core, Johnson demonstrates, the Reformation debate about the Eucharist was an issue of semiotics, a reimagining of the relationship between language and materiality. The self-asserting flourishes of technique that developed in response to sixteenth-century sacramental controversy have far-reaching effects, persisting from the post-Reformation period into literary postmodernity.

Poetics of the Literary Self-Portrait

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Author: Michel Beaujour

Publisher: NYU Press

ISBN: 0814786111

Category: Literary Criticism

Page: 428

View: 2311

A serious and independent contribution to the literature of autobiography. -- John SturrockFrench StudiesClearly a landmark study. It seems certain to provoke a great deal of productive debate among those concerned with any of the many issues it raises. -- Comparative Literature The literary self-portrait, often considered to be an ill- formed autobiography, is receiving more attention as a result of the current obsession with personal narrative, but little progress has been made toward an understanding of its specific features. With Poetics of the Literary Self-Portrait, Michel Beaujour reveals the hidden ambitions of this genre. From St. Augustine to Montaigne, from Nietzsche to Malraux, Leiris and Barthes, individual self-portraits are analyzed jointly with the enduring cultural matrix from which self-portrayal derives its disconcerting non-narrative structure, and many of its recurrent topics.

The Poetics of Imitation in the Italian Theatre of the Renaissance

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Author: Salvatore Di Maria

Publisher: University of Toronto Press

ISBN: 1442647124

Category: Drama

Page: 222

View: 8992

The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely. DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period.

Der fremde Zwilling

Roman

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Author: Richard Kearney

Publisher: S. Fischer Verlag

ISBN: 3105612440

Category: Fiction

Page: 288

View: 5248

Ein rätselhafter Brief bringt Jack Toland in Montreal aus der Ruhe. Er soll sofort nach Genf kommen und sich um seine zwölfjährige Tochter kümmern. Seit fünf Jahren hat er Emilie nicht mehr gesehen, seit der Trennung von seiner Frau Raphaëlle. Und Raphaëlle teilt ihm mit, dass sie ›weg muss‹. Doch sie sagt nicht wohin, wie lange, weshalb. Richard Kearneys Roman über ein faszinierendes Rätsel ist Spannungsliteratur im besten Sinn. (Dieser Text bezieht sich auf eine frühere Ausgabe.)

Poetics of Dance

Body, Image, and Space in the Historical Avant-Gardes

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Author: Gabriele Brandstetter

Publisher: Oxford University Press

ISBN: 0190266864

Category: Performing Arts

Page: 456

View: 4058

When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation between dance and critical theory, but in fact a full interdisciplinary methodology that quickly found foothold with other areas of research within dance studies. The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. As Brandstetter demonstrates, the aesthetic renewal of dance vocabulary which was pursued by modern dancers on both sides of the Atlantic - Isadora Duncan and Loie Fuller, Valeska Gert and Oskar Schlemmer, Vaslav Nijinsky and Michel Fokine - unfurled itself in new ideas about gender and subjectivity in the arts more generally, thus reflecting the modern experience of life and the self-understanding of the individual as an individual. As a whole, the book makes an important contribution to the theory of modernity.

Gender and the Poetics of Excess

Moments of Brocade

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Author: Karen Jackson Ford

Publisher: Univ. Press of Mississippi

ISBN: 1617032204

Category: Literary Criticism

Page: 283

View: 804

The argument posed in this analysis is that the poetic excesses of several major female poets, excesses that have been typically regarded as flaws in their work, are strategies for escaping the inhibiting and sometimes inimical conventions too often imposed on women writers. The forms of excess vary with each poet, but by conceiving of poetic excess in relation to literary decorum, this study establishes a shared motivation for such a strategy. Literary decorum is one instrument a culture employs to constrain its writers. Perhaps it is the most effective because it is the least definable. The excesses discussed here, like the criteria of decorum against which they are perceived, cannot be itemized as an immutable set of traits. Though decorum and excess shift over time and in different cultures, their relationship to one another remains strikingly stable. Thus, nineteenth-century standards for women's writing and late twentieth-century standards bear almost no relation. Emily Dickinson's do not anticipate Gertrude Stein's or Sylvia Plath's or Jayne Cortez's or Ntozake Shange's. Yet the charges of indecorousness leveled at these women poets repeat a fixed set of abstract grievances. Dickinson, Stein, Plath, Cortez, and Shange all engage in a poetics of excess as a means of rejecting the limitations and conventions of "female writing" that the larger culture imposes on them. In resisting conventions for feminine writing, these poets developed radical new poetries, yet their work was typically criticized or dismissed as excessive. Thus, Dickinson's form is classified as hysterical and her figures tortured. Stein's works are called repetitive and nonsensical. Plath's tone is accused of being at once virulent and confessional, Cortez's poems violent and vulgar, Shange's work vengeful and self-righteous. The publishing history of these poets demonstrates both the opposition to such an aesthetic and the necessity for it. Karen Jackson Ford is a professor in the English department at the University of Oregon.

Slavic Sins of the Flesh

Food, Sex, and Carnal Appetite in Nineteenth-century Russian Fiction

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Author: Ronald Denis LeBlanc

Publisher: UPNE

ISBN: 1584657677

Category: Literary Criticism

Page: 338

View: 5830

A pathbreaking "gastrocritical" approach to the poetics of Dostoevsky, Tolstoy, and their contemporaries