Introduction to the Sociology of Music

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Author: Theodor W. Adorno

Publisher: Burns & Oates

ISBN: N.A

Category: Education

Page: 233

View: 1794

An eminent philosopher of music defines the sociology of music, explores modes of musical conduct, and deals with popular and chamber music, opera, and the relation of music to public opinion

Sociologists and Music

An Introduction to the Study of Music and Society

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Author: Paul Honigsheim

Publisher: Transaction Publishers

ISBN: 9781412834711

Category: Language Arts & Disciplines

Page: 360

View: 2751

An Introduction to the Study of Music & Society.

Music in Society

A Guide to the Sociology of Music

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Author: Ivo Supicic,Ivo [email protected]@,Supǐci ́c, Ivo

Publisher: Pendragon Press

ISBN: 9780918728357

Category: Music

Page: 488

View: 1094

The subject of this study has two distinct but not unrelated aspects: first, an investigation into the sociology of music as an autonomous and specialized discipline; and second, an examination of certain fundamental facts that may be considered within the purview of the sociology of music itself. If an analysis and study even a preliminary one of these facts is to be properly focused and fruitful, we must first try to determine the subject and methods of the sociology of music, its position and boundaries in respect to musicology, and, most especially, its relation to the aesthetics of music and music history. It is equally indispensable to ascertain what the sociology of music as a separate scholarly discipline embraces, where its investigation leads, and, finally, to establish its position vis-a-vis sociology in general. (From the Author's Introduction.)

The Routledge Reader on the Sociology of Music

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Author: John Shepherd,Kyle Devine

Publisher: Routledge

ISBN: 1135007918

Category: Music

Page: 386

View: 9759

The Routledge Reader on the Sociology of Music offers the first collection of source readings and new essays on the latest thinking in the sociology of music. Interest in music sociology has increased dramatically over the past decade, yet there is no anthology of essential and introductory readings. The volume includes a comprehensive survey of the field’s history, current state and future research directions. It offers six source readings, thirteen popular contemporary essays, and sixteen fresh, new contributions, along with an extended Introduction by the editors. The Routledge Reader on the Sociology of Music represents a broad reference work that will be a resource for the current generation of sociologically inclined musicologists and musically inclined sociologists, whether researchers, teachers or students.

Adorno's Aesthetics of Music

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Author: Max Paddison

Publisher: Cambridge University Press

ISBN: 9780521626088

Category: Music

Page: 378

View: 1268

The main aim of this book is to provide a conceptual context within which to situate Adorno's writings on music. It has quickly established itself as a classic text. Paddison surveys the early writings from the 1920s and examines Adorno's idiosyncratic reception of Marx and Freud. He then discusses Adorno's approach to analysis, and to the sociology of music, and his philosophy of history. The study closes with a critical assessment of Adorno's concept of musical material in the context of his best-known book Philosophy of New Music.

Beethoven

Philosophie der Musik ; Fragmente und Texte

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Author: Theodor W. Adorno

Publisher: N.A

ISBN: 9783518293270

Category: Music

Page: 387

View: 7073

Contemplating Music

Source Readings in the Aesthetics of Music

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Author: Carl Dahlhaus

Publisher: Pendragon Press

ISBN: 9780945193166

Category: Music

Page: 268

View: 944

Vol. 1: Substance ; vol. 2: Import ; vol. 3: Essence ; vol. 4: Community of discourse.

Sounds and Society

Themes in the Sociology of Music

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Author: Peter J. Martin

Publisher: Manchester University Press

ISBN: 9780719032240

Category: Social Science

Page: 298

View: 2024

In this pioneering new book, Dr Martin presents a lively and accessible introduction to the social analysis of music. Dr Martin argues that musical meaning must be understood as socially constructed, rather than inherent, and that the notion of a correspondence between social and musical structures is highly problematic. An alternative approach, based on the ‘social action’ pespective is outlined, and the book concludes with a discussion of the social situation of music in advanced capitalist society. Along the way, leading thinkers are introduced: Adorno, Weber and Schntz as well as, more recently, John Shepherd and the feminist musicologists. The book draws on studies spanning the whole spectrum of Western music - rock bands to symphony orchestras, medieval plainchant to avant-garde jazz and concludes with a discussion of the social situation of music in advanced capitalist society.

Music on Deaf Ears

Musical Meaning, Ideology, Education

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Author: Lucy Green

Publisher: Manchester University Press

ISBN: 9780719026485

Category: Music

Page: 175

View: 9427

The Pleasure of Modernist Music

Listening, Meaning, Intention, Ideology

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Author: Arved Mark Ashby,Associate Professor of Music Arved Ashby

Publisher: Boydell & Brewer

ISBN: 1580461433

Category: Music

Page: 404

View: 8059

An exploration of the meaning of "modernist" music.

Music and Its Social Meanings

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Author: Christopher Ballantine

Publisher: Routledge

ISBN: 1136768521

Category: Music

Page: 202

View: 1695

First Published in 1984. Routledge is an imprint of Taylor & Francis, an informa company.

Introduction to Sociology

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Author: Theodor W. Adorno

Publisher: Stanford University Press

ISBN: 9780804746830

Category: Social Science

Page: 208

View: 7050

Introduction to Sociology distills decades of distinguished work in sociology by one of this century’s most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. It consists of a course of seventeen lectures given by Theodor W. Adorno in May-July 1968, the last lecture series before his death in 1969. Captured by tape recorder (which Adorno called “the fingerprint of the living mind”), these lectures present a somewhat different, and more accessible, Adorno from the one who composed the faultlessly articulated and almost forbiddingly perfect prose of the works published in his lifetime. Here we can follow Adorno’s thought in the process of formation (he spoke from brief notes), endowed with the spontaneity and energy of the spoken word. The lectures form an ideal introduction to Adorno’s work, acclimatizing the reader to the greater density of thought and language of his classic texts. Delivered at the time of the “positivist dispute” in sociology, Adorno defends the position of the “Frankfurt School” against criticism from mainstream positivist sociologists. He sets out a conception of sociology as a discipline going beyond the compilation and interpretation of empirical facts, its truth being inseparable from the essential structure of society itself. Adorno sees sociology not as one academic discipline among others, but as an over-arching discipline that impinges on all aspects of social life. Tracing the history of the discipline and insisting that the historical context is constitutive of sociology itself, Adorno addresses a wide range of topics, including: the purpose of studying sociology; the relation of sociology and politics; the influence of Saint-Simon, Comte, Durkheim, Weber, Marx, and Freud; the contributions of ethnology and anthropology; the relationship of method to subject matter; the problems of quantitative analysis; the fetishization of science; and the separation of sociology and social philosophy.

Music and Manipulation

On the Social Uses and Social Control of Music

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Author: Steven Brown,Ulrik Volgsten

Publisher: Berghahn Books

ISBN: 1845450981

Category: Music

Page: 376

View: 7917

Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

Critical Models

Interventions and Catchwords

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Author: Theodor W. Adorno

Publisher: Columbia University Press

ISBN: 023151042X

Category: Philosophy

Page: 448

View: 9607

Critical Models combines into a single volume two of Adorno's most important postwar works — Interventions: Nine Critical Models (1963) and Catchwords: Critical Models II (1969). Written after his return to Germany in 1949, the articles, essays, and radio talks included in this volume speak to the pressing political, cultural, and philosophical concerns of the postwar era. The pieces in Critical Models reflect the intellectually provocative as well as the practical Adorno as he addresses such issues as the dangers of ideological conformity, the fragility of democracy, educational reform, the influence of television and radio, and the aftermath of fascism. This new edition includes an introduction by Lydia Goehr, a renowned scholar in philosophy, aesthetic theory, and musicology. Goehr illuminates Adorno's ideas as well as the intellectual, historical, and critical contexts that shaped his postwar thinking.

Recorded Music in American Life

The Phonograph and Popular Memory, 1890-1945

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Author: William Howland Kenney

Publisher: Oxford University Press

ISBN: 019988014X

Category: Music

Page: 288

View: 1569

Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself. Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"--from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories. Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players. Students and scholars of American music, culture, commerce, and history--as well as fans and collectors interested in this phase of our rich artistic past--will find a great deal of thorough research and fresh scholarship to enjoy in these pages.

History Beyond the Text

A Student’s Guide to Approaching Alternative Sources

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Author: Sarah Barber,Corinna Peniston-Bird

Publisher: Routledge

ISBN: 1135688710

Category: History

Page: 210

View: 2887

Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches. In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book. Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.

History, Memory and Migration

Perceptions of the Past and the Politics of Incorporation

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Author: Irial Glynn

Publisher: Springer

ISBN: 1137010231

Category: Social Science

Page: 251

View: 3747

By conversing with the main bodies of relevant literature from Migration Studies and Memory Studies, this overview highlights how analysing memories can contribute to a better understanding of the complexities of migrant incorporation. The chapters consider international case studies from Europe, North America, Australia, Asia and the Middle East.

Hermeneutics and Music Criticism

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Author: Roger W. H. Savage

Publisher: Routledge

ISBN: 1135839247

Category: Music

Page: 216

View: 989

Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluates our current understandings of music’s transformative power. The engagement with critical musicologists and philosophers, including Adorno, Gadamer, and Ricoeur, provides a nuanced analysis of the crucial issues affecting the theory and practice of music criticism. By challenging musical hermeneutics’ deployment as a means of deciphering social values and meanings, Hermeneutics and Music Criticism offers an answer to the long-standing question of how music’s expression of moods and feelings affects us and our relation to the world.

An Introduction to Music Studies

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Author: J. P. E. Harper-Scott,Jim Samson

Publisher: Cambridge University Press

ISBN: 052184293X

Category: Music

Page: 296

View: 7804

Why study music? An introduction to the main aspects of the subject, outlining the many benefits of a music degree.