Derek Jarman's Medieval Modern

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Author: Robert Mills

Publisher: D. S. Brewer

ISBN: 9781843844938

Category: Medievalism in motion pictures

Page: 286

View: 889

First exploration of Jarman's engagement with the medieval, revealing its importance to his work.

Chroma

ein Buch der Farben

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Author: Derek Jarman

Publisher: N.A

ISBN: 9783883961248

Category:

Page: 196

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Medieval and Early Modern Authorship

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Author: Guillemette Erne, Lukas Bolens

Publisher: BoD – Books on Demand

ISBN: 382336667X

Category: Language Arts & Disciplines

Page: 328

View: 8144

Chroma

A Book of Colour - June '93

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Author: Derek Jarman

Publisher: Random House

ISBN: 1473559030

Category: Art

Page: 160

View: 4336

In Chroma, Derek Jarman explains the use of colour in Medieval painting through the Renaissance to the modernists and draws on the great colour theorists from Pliny to Leonardo. He also talks about the meaning of colours in literature, science, philosophy, psychology, religion and alchemy. The colours on Jarman's palette are mixed with memory and insight to create an evocative and highly personal work.

Derek Jarman

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Author: Rowland Wymer

Publisher: Manchester University Press

ISBN: 9780719056918

Category: Biography & Autobiography

Page: 210

View: 1570

This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure. It places particular emphasis on the importance of Renaissance art and literature for Jarman, and emphasizes his interest in Jungian psychology. Wymer shows how Jarman used his films to take his audience with him on an inner journey in search of the self, while remaining fully aware of the dangers of such a journey.

The Films of Derek Jarman

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Author: William Pencak

Publisher: McFarland

ISBN: 9780786414307

Category: Social Science

Page: 213

View: 5256

Derek Jarman's films explore the possibilities and limitations of same-sex love and self-expression during various historical eras, ranging from ancient Egypt to present times. His work covers a millennium of sexual repression and efforts to escape it. Jarman provides us with a cinematic history of people whose homoerotic passions had a major impact on western civilization in religion, art, politics, philosophy, and war. This book provides background information on each of Jarman's fifteen scripts and films. The chapters are "program notes" to his films from a historical perspective. An interpretation of Jarman's intentions, gleaned from the director's writings and works about him, is also provided. This work reveals Jarman's importance as a keen student of the limits of historical knowledge, and delineates the role of history in inspiring change or preserving inertia in the present struggle against homophobia.

Medieval and Early Modern Film and Media

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Author: R. Burt

Publisher: Springer

ISBN: 0230614566

Category: Performing Arts

Page: 279

View: 7564

Medieval and Early Modern Film and Media contextualizes historical films in an innovative way - not only relating them to the history of cinema, but also to premodern and early modern media. This philological approach to the (pre)history of cinema engages both old media such as scrolls, illuminated manuscripts, the Bayeux Tapestry, and new digital media such as DVDs, HD DVDs, and computers. Burt examines the uncanny repetitions that now fragment films into successively released alternate cuts and extras (footnote tracks, audiocommentaries, and documentaries) that (re)structure and reframe historical films, thereby presenting new challenges to historicist criticism and film theory. With a double focus on recursive narrative frames and the cinematic paratexts of medieval and early modern film, this book calls our attention to strange, sometimes opaque phenomena in film and literary theory that have previously gone unrecognized.

Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

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Author: Dominic Janes

Publisher: University of Chicago Press

ISBN: 022625061X

Category: History

Page: 240

View: 7383

Dominic Janes is at pains here to highlight the role played by Christianity in the history of homosexuality in Britain. His story deals not merely with genital relations but also with identities both embraced and refused. Necessarily, coded expressions of desire as well as creative blurrings between religious idealism and queer gender and sexuality are integral to Janes s account. A special focus for Janes is the way in which visual images and imaginary visions of suffering in ecclesiastical contexts were used to develop concepts of male same-sex desire that projected the self as dutiful and penitent rather than shameful. And so, a model (and in ways a substitute) for same-sex relationships was readily available in idealizations of the person and body of Christas unmarried queer martyr. Homosexual desires and identities prove to have unfolded in creative dialogue with religion during and since the 19th century. Various figures enter into Janes s history, from Cardinal Newman and Oscar Wilde to artists such as Simeon Solomon and Frederick Rolfe, and the plot thickens with forays into Victorian monasteries that functioned as queer families, with fascinating side trips into Rolfe s Christmas cards as expressions of queer aesthetic/identity. He brings the account full circle with a concluding chapter on the life and works of Derek Jarman. Janes uses this case to show that the experience of the AIDS epidemic led to a reconnection with older modes of queer self-expression specifically concerned with the endurance of suffering. The religious roots of queer creativity are a vital resource for modern churches and openly gay men and women to learn from."

Fourteenth Century England

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Author: Nigel Saul

Publisher: Boydell Press

ISBN: 9781843833871

Category: History

Page: 190

View: 9333

This series provides a forum for the most recent research into the political, social and ecclesiastical history of the 14th century.

Derek Jarman and lyric film

the mirror and the sea

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Author: Steven Dillon

Publisher: Univ of Texas Pr

ISBN: N.A

Category: Performing Arts

Page: 271

View: 9948

Derek Jarman was the most important independent filmmaker in England during the 1980s. Using emblems and symbols in associative contexts, rather than conventional, cause-and-effect narrative, he created films noteworthy for their lyricism and poetic feeling and for their exploration of the gay experience. His style of filmmaking also links Jarman with other prominent directors of lyric film, including Pier Paolo Pasolini, Andrei Tarkovsky, Jean Cocteau, and Jean Genet. This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue. Steven Dillon looks at Jarman and other directors working in a similar vein to establish how lyric films are composed through the use of visual imagery and actual poetry. He then traces Jarman's use of imagery (notably mirrors and the sea) in his films and discusses in detail the relationship between cinematic representations and sexual identity. This insightful reading of Jarman's work helps us better understand how films such as The Last of England and The Garden can be said to cohere and mean without being reduced to clear messages. Above all, Dillon's book reveals how truly beautiful and brilliant Jarman's movies are.

Derek Jarman

Dreams of England

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Author: Michael O'Pray

Publisher: British Film Inst

ISBN: N.A

Category: Performing Arts

Page: 232

View: 3070

This pioneering study of Jarman explores the life and work of a complex and enigmatic man with many talents: director, painter, designer, chronicler of English history, radical gay activist, student of mystical thought and celebrated gardener. What emerges is a compelling portrait of a major artist who, like a latter-day William Blake, was patriotic and steeped in English life but acutely aware of the reality of social injustice and prejudice - especially in 80s Britain - which he cogently and angrily depicted in his films.

Martyrdom and Terrorism

Pre-Modern to Contemporary Perspectives

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Author: Dominic Janes,Alex Houen

Publisher: Oxford University Press

ISBN: 0199376514

Category: Religion

Page: 336

View: 5302

In recent years, terrorism has become closely associated with martyrdom in the minds of many terrorists and in the view of nations around the world. In Islam, martyrdom is mostly conceived as "bearing witness" to faith and God. Martyrdom is also central to the Christian tradition, not only in the form of Christ's Passion or saints faced with persecution and death, but in the duty to lead a good and charitable life. In both religions, the association of religious martyrdom with political terror has a long and difficult history. The essays of this volume illuminate this history--following, for example, Christian martyrdom from its origins in the Roman world, to the experience of the deaths of "terrorist" leaders of the French Revolution, to parallels in the contemporary world--and explore historical parallels among Islamic, Christian, and secular traditions. Featuring essays from eminent scholars in a wide range of disciplines, Martyrdom and Terrorism provides a timely comparative history of the practices and discourses of terrorism and martyrdom from antiquity to the twenty-first century.

History on Film/Film on History

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Author: Robert A. Rosenstone

Publisher: Routledge

ISBN: 1317860594

Category: History

Page: 240

View: 7091

History on Film/Film on History demonstrates how films can be analyzed as historical sources. It offers undergraduates an introduction to some of the first issues involved with studying historical films. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major factor in our understanding of past events. He examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world. This new edition places this 'classic' text in the context of work done elsewhere in the field over the ten years since this book first published, and help to renew the title for a new generation of undergraduates.

Alien Sex

The Body and Desire in Cinema and Theology

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Author: Gerard Loughlin

Publisher: John Wiley & Sons

ISBN: 0470775157

Category: Religion

Page: 336

View: 7714

Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan’s Memento, Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg’s The Man Who Fell to Earth and Derek Jarman’s The Garden. Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.

Derek Jarman

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Author: Tony Peake

Publisher: Overlook Books

ISBN: 9781585673315

Category: Biography & Autobiography

Page: 613

View: 6411

The freewheeling life and career of this activist independent filmmaker is chronicled here, with details about his drug use, his art school experience at the Slade, his sexual life, and his groundbreaking work as the director of Caravaggio, Sebastiane, and other great films. Reprint.

By angels driven

the films of Derek Jarman

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Author: Chris Lippard

Publisher: N.A

ISBN: N.A

Category: Performing Arts

Page: 202

View: 8530

König Eduard Ii

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Author: Professor Christopher Marlowe

Publisher: Tredition Classics

ISBN: 9783847290292

Category:

Page: 136

View: 6154

Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

Der Tag nach dem jüngsten Gericht

Roman

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Author: James Blish

Publisher: Heyne Verlag

ISBN: 3641176166

Category: Fiction

Page: N.A

View: 508

Die Geister, die ich rief ... Nachdem alle Dämonen der Hölle auf die Erde losgelassen wurden, versucht die Menschheit mit allen Mitteln, sich ihre Welt wieder zurückzuerobern. Doch weder Bomben noch die Marines können etwas gegen Dis, die Höllenstadt, ausrichten. Auch die Schwarzen und Weißen Magier werden die Geister, die sie riefen, nun nicht mehr los. Sollte dies das Ende der Menschheit sein? Hat Satan Merkatig die letzte Schlacht wirklich gewonnen?