Derek Jarman's Medieval Modern

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Author: Robert Mills

Publisher: D. S. Brewer

ISBN: 9781843844938

Category: Medievalism in motion pictures

Page: 286

View: 5498

First exploration of Jarman's engagement with the medieval, revealing its importance to his work.

Medieval and Early Modern Authorship

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Author: Guillemette Erne, Lukas Bolens

Publisher: BoD – Books on Demand

ISBN: 382336667X

Category: Language Arts & Disciplines

Page: 328

View: 1019

Derek Jarman

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Author: Rowland Wymer

Publisher: Manchester University Press

ISBN: 9780719056918

Category: Biography & Autobiography

Page: 210

View: 3669

This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure. It places particular emphasis on the importance of Renaissance art and literature for Jarman, and emphasizes his interest in Jungian psychology. Wymer shows how Jarman used his films to take his audience with him on an inner journey in search of the self, while remaining fully aware of the dangers of such a journey.

Chroma

ein Buch der Farben

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Author: Derek Jarman

Publisher: N.A

ISBN: 9783883961248

Category:

Page: 196

View: 2232

Medieval and Early Modern Film and Media

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Author: R. Burt

Publisher: Springer

ISBN: 0230614566

Category: Performing Arts

Page: 279

View: 6224

Medieval and Early Modern Film and Media contextualizes historical films in an innovative way - not only relating them to the history of cinema, but also to premodern and early modern media. This philological approach to the (pre)history of cinema engages both old media such as scrolls, illuminated manuscripts, the Bayeux Tapestry, and new digital media such as DVDs, HD DVDs, and computers. Burt examines the uncanny repetitions that now fragment films into successively released alternate cuts and extras (footnote tracks, audiocommentaries, and documentaries) that (re)structure and reframe historical films, thereby presenting new challenges to historicist criticism and film theory. With a double focus on recursive narrative frames and the cinematic paratexts of medieval and early modern film, this book calls our attention to strange, sometimes opaque phenomena in film and literary theory that have previously gone unrecognized.

The Films of Derek Jarman

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Author: William Pencak

Publisher: McFarland

ISBN: 9780786414307

Category: Social Science

Page: 213

View: 5033

Derek Jarman's films explore the possibilities and limitations of same-sex love and self-expression during various historical eras, ranging from ancient Egypt to present times. His work covers a millennium of sexual repression and efforts to escape it. Jarman provides us with a cinematic history of people whose homoerotic passions had a major impact on western civilization in religion, art, politics, philosophy, and war. This book provides background information on each of Jarman's fifteen scripts and films. The chapters are "program notes" to his films from a historical perspective. An interpretation of Jarman's intentions, gleaned from the director's writings and works about him, is also provided. This work reveals Jarman's importance as a keen student of the limits of historical knowledge, and delineates the role of history in inspiring change or preserving inertia in the present struggle against homophobia.

Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

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Author: Dominic Janes

Publisher: University of Chicago Press

ISBN: 022625061X

Category: History

Page: 240

View: 1723

Dominic Janes is at pains here to highlight the role played by Christianity in the history of homosexuality in Britain. His story deals not merely with genital relations but also with identities both embraced and refused. Necessarily, coded expressions of desire as well as creative blurrings between religious idealism and queer gender and sexuality are integral to Janes s account. A special focus for Janes is the way in which visual images and imaginary visions of suffering in ecclesiastical contexts were used to develop concepts of male same-sex desire that projected the self as dutiful and penitent rather than shameful. And so, a model (and in ways a substitute) for same-sex relationships was readily available in idealizations of the person and body of Christas unmarried queer martyr. Homosexual desires and identities prove to have unfolded in creative dialogue with religion during and since the 19th century. Various figures enter into Janes s history, from Cardinal Newman and Oscar Wilde to artists such as Simeon Solomon and Frederick Rolfe, and the plot thickens with forays into Victorian monasteries that functioned as queer families, with fascinating side trips into Rolfe s Christmas cards as expressions of queer aesthetic/identity. He brings the account full circle with a concluding chapter on the life and works of Derek Jarman. Janes uses this case to show that the experience of the AIDS epidemic led to a reconnection with older modes of queer self-expression specifically concerned with the endurance of suffering. The religious roots of queer creativity are a vital resource for modern churches and openly gay men and women to learn from."

Chroma

A Book of Colour - June '93

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Author: Derek Jarman

Publisher: Random House

ISBN: 1473559030

Category: Art

Page: 160

View: 6426

In Chroma, Derek Jarman explains the use of colour in Medieval painting through the Renaissance to the modernists and draws on the great colour theorists from Pliny to Leonardo. He also talks about the meaning of colours in literature, science, philosophy, psychology, religion and alchemy. The colours on Jarman's palette are mixed with memory and insight to create an evocative and highly personal work.

Fourteenth Century England

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Author: Nigel Saul

Publisher: Boydell Press

ISBN: 9781843833871

Category: History

Page: 190

View: 9706

This series provides a forum for the most recent research into the political, social and ecclesiastical history of the 14th century.

Derek Jarman and lyric film

the mirror and the sea

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Author: Steven Dillon

Publisher: Univ of Texas Pr

ISBN: N.A

Category: Performing Arts

Page: 271

View: 5755

Derek Jarman was the most important independent filmmaker in England during the 1980s. Using emblems and symbols in associative contexts, rather than conventional, cause-and-effect narrative, he created films noteworthy for their lyricism and poetic feeling and for their exploration of the gay experience. His style of filmmaking also links Jarman with other prominent directors of lyric film, including Pier Paolo Pasolini, Andrei Tarkovsky, Jean Cocteau, and Jean Genet. This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue. Steven Dillon looks at Jarman and other directors working in a similar vein to establish how lyric films are composed through the use of visual imagery and actual poetry. He then traces Jarman's use of imagery (notably mirrors and the sea) in his films and discusses in detail the relationship between cinematic representations and sexual identity. This insightful reading of Jarman's work helps us better understand how films such as The Last of England and The Garden can be said to cohere and mean without being reduced to clear messages. Above all, Dillon's book reveals how truly beautiful and brilliant Jarman's movies are.

Derek Jarman

Dreams of England

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Author: Michael O'Pray

Publisher: British Film Inst

ISBN: N.A

Category: Performing Arts

Page: 232

View: 4137

This pioneering study of Jarman explores the life and work of a complex and enigmatic man with many talents: director, painter, designer, chronicler of English history, radical gay activist, student of mystical thought and celebrated gardener. What emerges is a compelling portrait of a major artist who, like a latter-day William Blake, was patriotic and steeped in English life but acutely aware of the reality of social injustice and prejudice - especially in 80s Britain - which he cogently and angrily depicted in his films.

Martyrdom and Terrorism

Pre-Modern to Contemporary Perspectives

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Author: Dominic Janes,Alex Houen

Publisher: Oxford University Press

ISBN: 0199376514

Category: Religion

Page: 336

View: 2475

In recent years, terrorism has become closely associated with martyrdom in the minds of many terrorists and in the view of nations around the world. In Islam, martyrdom is mostly conceived as "bearing witness" to faith and God. Martyrdom is also central to the Christian tradition, not only in the form of Christ's Passion or saints faced with persecution and death, but in the duty to lead a good and charitable life. In both religions, the association of religious martyrdom with political terror has a long and difficult history. The essays of this volume illuminate this history--following, for example, Christian martyrdom from its origins in the Roman world, to the experience of the deaths of "terrorist" leaders of the French Revolution, to parallels in the contemporary world--and explore historical parallels among Islamic, Christian, and secular traditions. Featuring essays from eminent scholars in a wide range of disciplines, Martyrdom and Terrorism provides a timely comparative history of the practices and discourses of terrorism and martyrdom from antiquity to the twenty-first century.

Die Künste des Kinos

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Author: Martin Seel

Publisher: S. Fischer Verlag

ISBN: 3104027455

Category: Performing Arts

Page: 256

View: 384

Wie Filme zeigen können, woran wir mit uns sind. Von Anfang an übernimmt das Kino viele Verfahren der Architektur, der Musik, der Malerei, des Schauspiels, der Literatur und anderer Künste – aber es lässt sie nicht so, wie sie dort sind. Das Kino kann, was es kann, weil es das verkehrt und verwandelt, was die anderen Künste können. In seinem neuen Buch unternimmt Martin Seel eine Analyse dieser Verbindung. In neun konzisen Kapiteln erkundet er das besondere ästhetische Potential des Films und führt an konkreten Beispielen vor, wie unterschiedlich es realisiert werden kann. Stilistisch glänzend entwirft Martin Seel eine neuartige Perspektive auf den Film und darauf, was er mit uns im Kino macht.

The Reel Middle Ages

American, Western and Eastern European, Middle Eastern, and Asian Films about Medieval Europe

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Author: Kevin J. Harty

Publisher: McFarland Publishing

ISBN: N.A

Category: Performing Arts

Page: 316

View: 7351

Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of over 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.

History on Film/Film on History

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Author: Robert A. Rosenstone

Publisher: Routledge

ISBN: 1317860594

Category: History

Page: 240

View: 6369

History on Film/Film on History demonstrates how films can be analyzed as historical sources. It offers undergraduates an introduction to some of the first issues involved with studying historical films. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major factor in our understanding of past events. He examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world. This new edition places this 'classic' text in the context of work done elsewhere in the field over the ten years since this book first published, and help to renew the title for a new generation of undergraduates.

Derek Jarman

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Author: Tony Peake

Publisher: Overlook Books

ISBN: 9781585673315

Category: Biography & Autobiography

Page: 613

View: 5631

The freewheeling life and career of this activist independent filmmaker is chronicled here, with details about his drug use, his art school experience at the Slade, his sexual life, and his groundbreaking work as the director of Caravaggio, Sebastiane, and other great films. Reprint.

By angels driven

the films of Derek Jarman

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Author: Chris Lippard

Publisher: N.A

ISBN: N.A

Category: Performing Arts

Page: 202

View: 9745