Dark City Dames

The Wicked Women of Film Noir

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Author: Eddie Muller

Publisher: HarperEntertainment

ISBN: 9780060988548

Category: Performing Arts

Page: 304

View: 7850

The author of Dark City: The Lost World of Film Noir introduces readers to the genre's sizzling femme fatales, from Jane Greer and Claire Trevor to Ann Savage and Evelyn Keyes. Reprint.

Dark City

The Lost World of Film Noir

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Author: Eddie Muller

Publisher: Macmillan

ISBN: 9780312180768

Category: Performing Arts

Page: 206

View: 2315

Examines the movies and artists of film noir, describing the social climate and artistic skills that contributed to the genre

The Art of Noir

The Posters and Graphics from the Classic Era of Film Noir

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Author: Eddie Muller

Publisher: N.A

ISBN: 9781585670734

Category: Antiques & Collectibles

Page: 270

View: 3584

Collects more than 250 studio-commissioned poster art, lobby cards, and other promotional materials from the noir era for such movies as Out of the Past, Tough of Evil, and The Big Sleep. 10,000 first printing.

Gun Crazy

The Origin of American Outlaw Cinema

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Author: Eddie Muller

Publisher: N.A

ISBN: 9780692260265

Category:

Page: N.A

View: 5692

GUN CRAZY: THE ORIGIN OF AMERICAN OUTLAW CINEMA examines the history of the extraordinary 1950 film, from its genesis as a Saturday Evening Post short story through its tumultuous production history to its eventual enshrinement as one of the most influential cult films of all time.

Grindhouse

The Forbidden World of "adults Only" Cinema

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Author: Eddie Muller,Daniel Faris

Publisher: St Martins Press

ISBN: 9780312146092

Category: Performing Arts

Page: 157

View: 322

Chronicles decades of low-budget films featuring sex and sensation originally screened in low-rent venues known as "grindhouses"

NOIR CITY Annual 9

The Best of NOIR CITY E-Magazine 2016

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Author: Eddie Muller

Publisher: N.A

ISBN: 9780692808320

Category:

Page: N.A

View: 7007

A perfect-bound compendium of essays, interviews, profiles, tributes, and reviews selected from the 2016 issues of NOIR CITY, a quarterly e-magazine exploring all aspects of cinema's most stylish and durable artistic movement - FILM NOIR

That's Sexploitation!!

The Forbidden World of "adults Only" Cinema

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Author: Eddie Muller,Daniel Faris

Publisher: N.A

ISBN: 9781852868741

Category: Americans

Page: 157

View: 9649

A history of exploitation cinema from low budget pictures of the 1930s and 40s through an era of 'nudie cuties' and into the days of free love and beyond. Portraits of the artists and auteurs behind the films are provided including: Russ Meyer, Dwain Esper, Radley Metzger and The Mitchell Brothers.

Shadow Boxer

A Billy Nichols Novel

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Author: Eddie Muller

Publisher: Scribner

ISBN: 9780743214445

Category: Fiction

Page: 272

View: 3007

Stumbling upon evidence that suggests the person convicted of murdering his lover is innocent, Billy Nichols uncovers what may be a larger conspiracy involving the fight clubs.

Encyclopedia of Film Noir

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Author: Geoff Mayer,Brian McDonnell

Publisher: ABC-CLIO

ISBN: 9780313333064

Category: Performing Arts

Page: 477

View: 3359

Film noir, its directors, actors, histories, and themes, are presented for the student, scholar, and film fan.

Film Noir and the Cinema of Paranoia

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Author: Wheeler W. Dixon

Publisher: Rutgers University Press

ISBN: 0813545218

Category: Performing Arts

Page: 198

View: 2335

Noir. A shadow looms. The blow, a sharp surprise. Waking and sleeping, the fear is with us and cannot be contained. Paranoia. Wheeler Winston Dixon's comprehensive work engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s that contradicted an American split-level dream of safety and security. The dark cinema of the 1960s hosted films that reflected the tensions of a society facing a new and, to some, menacing era of social expression. From smaller studio work to the vibrating pulse of today's "click and kill" video games, Dixon boldly addresses the noir artistry that keeps audiences in an ever-consumptive stupor.

Kiss the Blood Off My Hands

On Classic Film Noir

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Author: Robert Miklitsch

Publisher: University of Illinois Press

ISBN: 0252096517

Category: Performing Arts

Page: 296

View: 9622

Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In Kiss the Blood Off My Hands: On Classic Film Noir, Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. Contributors analyze the oft-overlooked female detective and little-examined aspects of filmmaking like love songs and radio aesthetics, discuss the significance of the producer and women's pulp fiction, as well as investigate Disney noir and the Fifties heist film, B-movie back projection and blacklisted British directors. At the same time the writers' collective reconsideration unwinds the impact of hot-button topics like race and gender, history and sexuality, technology and transnationality. As bracing as a stiff drink, Kiss the Blood Off My Hands writes the future of noir scholarship in lipstick and chalk lines for film fans and scholars alike.

Historical Dictionary of Film Noir

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Author: Andrew Spicer

Publisher: Scarecrow Press

ISBN: 9780810873780

Category: Performing Arts

Page: 532

View: 2541

The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.

The Dark Side of the Screen

Film Noir

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Author: Foster Hirsch

Publisher: Da Capo Press

ISBN: 0786726776

Category: Performing Arts

Page: 272

View: 8604

A revised and updated edition of the definitive study of film noir—the most original genre of American cinema—with a new afterword by the author Since The Dark Side of the Screen first appeared over two decades ago, it has served as the essential take on what has become one of today’s most pervasive screen influences and enduringly popular genres. Covering over one hundred outstanding films and offering more than two hundred carefully chosen stills, it is by far the most thorough and entertaining study available of noir themes, visual motifs, character types, actors, and directors. This landmark work covers noir in full, from the iconic performances of Burt Lancaster, Joan Crawford, and Humphrey Bogart to the camera angles, lighting effects, and story lines that characterize the work of directors Fritz Lang, Billy Wilder, and Orson Welles. With a new afterword about the lasting legacy of noir as well as recently rediscovered films deserving of their own screenings alongside the classics, The Dark Side of the Screen reestablishes itself as both an unsurpassed resource and a captivating must-read for any fan of noir.

The Street Was Mine

White Masculinity in Hardboiled Fiction and Film Noir

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Author: M. Abbott

Publisher: Springer

ISBN: 1403970017

Category: Literary Criticism

Page: 246

View: 1796

This book considers a recurrent figure in American literature: the solitary white man moving through urban space. The descendent of Nineteenth-century frontier and western heroes, the figure re-emerges in 1930-50s America as the 'tough guy'. The Street Was Mine looks to the tough guy in the works of hardboiled novelists Raymond Chandler ( The Big Sleep ) and James M. Cain ( Double Indemnity ) and their popular film noir adaptations. Focusing on the way he negotiates racial and gender 'otherness', this study argues that the tough guy embodies the promise of an impervious white masculinity amidst the turmoil of the Depression through the beginnings of the Cold War, closing with an analysis of Chester Himes, whose Harlem crime novels ( For Love of Imabelle ) unleash a ferocious revisionary critique of the tough guy tradition.

Film Noir Guide

745 Films of the Classic Era, 1940–1959

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Author: Michael F. Keaney

Publisher: McFarland

ISBN: 0786491558

Category: Performing Arts

Page: 551

View: 4308

More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book—such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.

The Kill Bill Diary

The Making of a Tarantino Classic as Seen Through the Eyes of a Screen Legend

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Author: David Carradine

Publisher: A&C Black

ISBN: 1408147882

Category: Performing Arts

Page: 320

View: 640

The quirky, strange and utterly sagacious meditations of David Caradine written during the making of Quentin Tarantino's contemporary classic in which Carradine played the lead role. When Carradine landed the lead role in Quentin Tarantino's new film, Kill Bill, it catapulted him into the Hollywood limelight. This journal captures his experience of being courted by Tarantino for the role of Bill and the subsequent two years spent making the two-part feature film with co-star Uma Thurman, nominated for a Best Actress Golden Globe. In its mixture of autobiography and behind-the-scenes diary, The Kill Bill Diary takes the reader on a fascinating and witty journey into the world of film-making and the art of an acclaimed director. Along the way Carradine describes the martial arts training required for the role, the experience of filming in China, working with Tarantino and falling in love with Uma Thurman while 'swinging a steel-tempered Samurai sword at her head'. In describing the pre-production, production and promoting of the film, Carradine gives readers a rare and wholly authentic insight into the creation of a Hollywood blockbuster and the experience of a screen legend.

Complicated Women

Sex and Power in Pre-Code Hollywood

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Author: Mick LaSalle

Publisher: Macmillan

ISBN: 1466876972

Category: Performing Arts

Page: 304

View: 8948

Between 1929 and 1934, women in American cinema were modern! For five short years women in American cinema were modern! They took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers and, in general, acted the way many think women only acted after 1968. Before then, women on screen had come in two varieties - good or bad - sweet ingenue or vamp. Then two stars came along to blast away these common stereotypes. Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. Garbo and Shearer took the stereotypes and made them complicated. In the wake of these complicated women came others, a deluge of indelible stars - Constance Bennett, Ruth Chatterton, Mae Clarke, Claudette Colbert, Marlene Dietrich, Kay Francis, Ann Harding, Jean Harlow, Miriam Hopkins, Dorothy Mackaill, Barbara Stanywyck, Mae West and Loretta Young all came into their own during the pre-Code era. These women pushed the limits and shaped their images along modern lines. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later. Mick LaSalle, film critic for the San Francisco Chronicle, takes readers on a tour of pre-Code films and reveals how this was the true golden age of women's films and how the movies of the pre-Code are still worth watching. The bold, pioneering and complicated women of the pre-Code era are about to take their place in the pantheon of film history, and America is about to reclaim a rich legacy.

The Shape of Things to Come

Prophecy and the American Voice

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Author: Greil Marcus

Publisher: Farrar, Straus and Giroux

ISBN: 146680422X

Category: Social Science

Page: 336

View: 8671

From the author of Mystery Train and Lipstick Traces, an exhilarating and provocative investigation of the tangle of American identity "America is a place and a story, made up of exuberance and suspicion, crime and liberation, lynch mobs and escapes; its greatest testaments are made of portents and warnings, biblical allusions that lose all certainty in the American air." It is this story of self-invention and nationhood that Greil Marcus rediscovers, beginning with John Winthrop's invocation of America as a "city on the hill," Lincoln's second inaugural address, and Martin Luther King Jr.'s speech about his American dream. Listening to these prophetic founding statements, Marcus explores America's promise as a New Jerusalem and the nature of its covenant: first with God, and then with its own citizens. In the nineteenth century, this vision of the nation's story was told in public as part of common discourse, to be fought over in plain speech and flights of gorgeous rhetoric. Since then, Marcus argues, it has become cryptic, a story told more in art than in politics. He traces it across the continent and through time, hearing the tale in the disparate voices of writers, filmmakers, performers, and actors: Philip Roth, David Lynch, David Thomas, Allen Ginsberg, Sheryl Lee, and Bill Pullman. In The Shape of Things to Come, the future and the past merge in extraordinary and uncanny ways, and Marcus proves once again that he is our most imaginative and original cultural critic.

Never Coming to a Theater Near You

A Celebration of a Certain Kind of Movie

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Author: Kenneth Turan

Publisher: PublicAffairs

ISBN: 0786723947

Category: Performing Arts

Page: 352

View: 5918

It is in the nature of today's movie business that while Hollywood blockbusters invade every megaplex, smaller, quality films often don't get screen time. Fans of finer films have to count on catching up with them on video and DVD, but even the most hard-core devotees have trouble remembering what sounded good when a film was originally released. Never Coming to a Theater Near You will remedy that situation. This selection of renowned film critic Kenneth Turan's absorbing and illuminating reviews, now revised and updated to factor in the tests of time, point viewers toward the films they can't quite remember, but should not miss. Moviegoers know they can trust Turan's impeccable taste. His eclectic selection represents the kind of sophisticated, adult, and entertaining films intelligent viewers are hungry for. More importantly, Turan shows readers what makes these unusual films so great, revealing how talented filmmakers and actors have managed to create the wonderful highs we experience in front of the silver screen.

The Lady in the Lake

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Author: Raymond Chandler

Publisher: Penguin UK

ISBN: 0141911182

Category: Fiction

Page: 304

View: 6372

The Lady in the Lake is a classic detective novel by the master of hard-boiled crime Derace Kingsley's wife ran away to Mexico to get a quickie divorce and marry a Casanova-wannabe named Chris Lavery. Or so the note she left her husband insisted. Trouble is, when Philip Marlowe asks Lavery about it he denies everything and sends the private investigator packing with a flea lodged firmly in his ear. But when Marlowe next encounters Lavery, he's denying nothing - on account of the two bullet holes in his heart. Now Marlowe's on the trail of a killer, who leads him out of smoggy LA all the way to a murky mountain lake . . . 'Anything Chandler writes about grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess Best-known as the creator of the original private eye, Philip Marlowe, Raymond Chandler was born in Chicago in 1888 and died in 1959. Many of his books have been adapted for the screen, and he is widely regarded as one of the very greatest writers of detective fiction. His books include The Big Sleep, The Little Sister, Farewell, My Lovely, The Long Good-bye, The Lady in the Lake, Playback, Killer in the Rain, The High Window and Trouble is My Business.