Costume in Performance

Materiality, Culture, and the Body

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Author: Donatella Barbieri

Publisher: Bloomsbury Publishing

ISBN: 147423688X

Category: Art

Page: 264

View: 5560

This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK

Martin Rupprecht

Bühnen Bilder

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Author: Martin Rupprecht

Publisher: Verlag Theater der Zeit

ISBN: 3957491665

Category: Performing Arts

Page: 240

View: 1062

Der Bühnen- und Kostümbildner Martin Rupprecht gilt als "einer der führenden Ausstatter des deutschsprachigen Raums, dessen 'Kunst der atmosphärischen Konzentration' variantenreich, opulent und ironisch herkömmliche Sehgewohnheiten bricht und starke optische Akzente setzt". (Rowohlt Theaterlexikon) Neben klassischen Opern hat er insbesondere im Neuen Musiktheater als kongenialer Partner von Regisseuren wie Mauricio Kagel, Winfried Bauernfeind und Michael Hampe gewirkt. Zahlreiche Werke, etwa von Kagel, Henri Pousseur, Hans Werner Henze und Wilhelm Dieter Siebert, brachte er zur Ur- oder Erstaufführung. Er war u. a. in Berlin, Tokio, Los Angeles und Stockholm tätig. Der Band dokumentiert in großformatigen Bildern und opulenter Ausstattung das Bühnenwerk von Rupprecht, begleitet von Beiträgen u. a. von Achim Freyer, Christoph Tannert, Mauricio Kagel und Peter W. Marx.

Shakespeare and the Materiality of Performance

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Author: E. Lin

Publisher: Springer

ISBN: 1137006501

Category: Literary Criticism

Page: 238

View: 6617

Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.

Theatre and Performance in Digital Culture

From Simulation to Embeddedness

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Author: Matthew Causey

Publisher: Routledge

ISBN: 1134205694

Category: Performing Arts

Page: 208

View: 2141

Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems. The book examines the two Iraq wars, 9/11 and the War on Terror through the lens of performance studies, and, drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of the Kantor, Foreman, Socíetas Raffaello Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. This wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena.

Mapping Intermediality in Performance

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Author: Sarah Bay-Cheng,Chiel Kattenbelt,Andy Lavender

Publisher: Amsterdam University Press

ISBN: 9089642552

Category: Performing Arts

Page: 304

View: 7646

This insightful book explores the relationship between theater and digital culture. The authors show that the marriage of traditional performance with new technologies leads to an upheaval of the implicit “live” quality of theatre by introducing media interfaces and Internet protocols, all the while blurring the barriers between theater-makers and their audience.

Inheriting Dance

An Invitation from Pina

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Author: Marc Wagenbach,Pina Bausch Foundation

Publisher: transcript Verlag

ISBN: 3839427851

Category: Performing Arts

Page: 192

View: 6415

»Inheriting Dance. An Invitation from Pina« sets out at the historical moment we found ourselves in after the passing of Pina Bausch. The Pina Bausch Foundation started their work of carrying the artistic heritage of dancer and choreographer Pina Bausch into the future. This book reflects discussions and questions aroused by her work: How to archive dance? How to deal with the performative heritage at the outset of the 21st century? How to describe the performativity of remembering? And finally, what is the task of an archive for tomorrow, an archive to serve as a workshop for the future? Furthermore, »Inheriting Dance« provides profound insight into the practical work of the Pina Bausch Foundation, on a local, national and global level, aiming at an archive as a place of transformation, exchange, creative production, and artistic practice, similar to an abundantly growing garden. A place for future generations of dancers, artists, non-professionals, and scholars. Contributions by Salomon Bausch, Stephan Brinkmann, Royd Climenhaga, Katharina Kelter, Gabriele Klein, Sharon Lehner, Keziah Claudine Nanevie, Linda Seljimi, Bernhard Thull, Michelle Urban and Marc Wagenbach.

The Indistinct Human in Renaissance Literature

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Author: J. Feerick,V. Nardizzi

Publisher: Springer

ISBN: 1137015691

Category: Literary Criticism

Page: 292

View: 5576

Argues for the necessity of a re-articulation of the differences that separated man from other forms of life. The essays in this collection argue for recognition of the persistently indistinct nature of humans, who cannot be finally divided ontologically or epistemologically from other forms of matter.

Translation and Adaptation in Theatre and Film

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Author: Katja Krebs

Publisher: Routledge

ISBN: 1134114176

Category: Performing Arts

Page: 236

View: 2400

This book provides a pioneering and provocative exploration of the rich synergies between adaptation studies and translation studies and is the first genuine attempt to discuss the rather loose usage of the concepts of translation and adaptation in terms of theatre and film. At the heart of this collection is the proposition that translation studies and adaptation studies have much to offer each other in practical and theoretical terms and can no longer exist independently from one another. As a result, it generates productive ideas within the contact zone between these two fields of study, both through new theoretical paradigms and detailed case studies. Such closely intertwined areas as translation and adaptation need to encounter each other’s methodologies and perspectives in order to develop ever more rigorous approaches to the study of adaptation and translation phenomena, challenging current assumptions and prejudices in terms of both. The book includes contributions as diverse yet interrelated as Bakhtin’s notion of translation and adaptation, Bollywood adaptations of Shakespeare’s Othello, and an analysis of performance practice, itself arguably an adaptive practice, which uses a variety of languages from English and Greek to British and International Sign-Language. As translation and adaptation practices are an integral part of global cultural and political activities and agendas, it is ever more important to study such occurrences of rewriting and reshaping. By exploring and investigating interdisciplinary and cross-cultural perspectives and approaches, this volume investigates the impact such occurrences of rewriting have on the constructions and experiences of cultures while at the same time developing a rigorous methodological framework which will form the basis of future scholarship on performance and film, translation and adaptation.

Performing Race and Torture on the Early Modern Stage

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Author: Ayanna Thompson

Publisher: Routledge

ISBN: 1135908540

Category: Literary Criticism

Page: 192

View: 8099

Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances.

Postdramatisches Theater

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Author: Hans-Thies Lehmann

Publisher: N.A

ISBN: 9783886612840

Category: Experimental theater

Page: 506

View: 4083

Pornography

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Author: Simon Stephens

Publisher: A&C Black

ISBN: 1408179865

Category: Drama

Page: 144

View: 6529

Pornography looks at the events of the first week of July 2005 (the G8 summit, Live 8, the announcement of the 2012 Olympics and the 7/7 bombings) through the perspectives of eight anonymous individuals, including a terrorist. The play can be performed by any number of actors with the scenes presented in any order. This flexibility means that it is ideal for student groups: containing four monologues, two duologues and fifty-two self-contained anecdotal speeches. This Student Edition offers a study of the meaning, context and performance choices available in this subtle and political play. The in-depth commentary explores the play's themes, its kaleidoscopic structure and the play's production history, looking at both the German and UK premieres. The editor, Jacqueline Bolton, incorporates previously unpublished interviews with Simon Stephens and the directors and dramaturgs associated with the early productions. The commentary reveals the play's performance possibilities, as well as discussing its accomplished form, innovative structure and compassionate impetus. It also includes a chronology of the playwright's life and work, an introduction giving the background to the play, commentary on themes, characters, language and style, notes on individual words and phrases in the text, questions for further study and bibliography and further reading.

Alexander McQueen

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Author: Judith Watt,Alexander McQueen

Publisher: N.A

ISBN: 9783899105582

Category:

Page: 223

View: 9989

Ästhetik des Performativen

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Author: Erika Fischer-Lichte

Publisher: Suhrkamp Verlag

ISBN: 3518785400

Category: Philosophy

Page: 378

View: 4165

Spätestens seit den 60er Jahren lassen sich zeitgenössische Kunstwerke nicht mehr in den Begriffen herkömmlicher Ästhetiken erfassen. Anstatt "Werke" zu schaffen, bringen die Künstler zunehmend Ereignisse hervor, die in ihrem Vollzug die alten ästhetischen Relationen von Subjekt und Objekt, von Material- und Zeichenstatus außer Kraft setzen. Um diese Entwicklung nachvollziehbar zu machen, entwickelt Erika Fischer-Lichte in ihrer grundlegenden Studie eine Ästhetik des Performativen, die den Begriff der Aufführung in den Mittelpunkt stellt. Dieser umfaßt die Eigenschaften der leiblichen Kopräsenz von Akteuren und Zuschauern, der performativen Hervorbringung von Materialität sowie der Emergenz von Bedeutung und mündet in eine Bestimmung der Aufführung als Ereignis. Die Aufhebung der Trennung von Kunst und Leben, welche die neueren Ausdrucksformen anstreben, wird hier ästhetisch auf den Begriff gebracht.

Tessera

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Author: N.A

Publisher: N.A

ISBN: N.A

Category: Canadian literature

Page: N.A

View: 5486

Adolphe Appia

Künstler und Visionär des modernen Theaters

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Author: Richard C. Beacham

Publisher: N.A

ISBN: 9783895811524

Category:

Page: 415

View: 9343

Annual Review of Anthropology

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Author: William H. Durham,Jane Hill,Jean Comaroff

Publisher: N.A

ISBN: 9780824319335

Category: Social Science

Page: 678

View: 9547

Der leere Raum

The Empty Space

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Author: Peter Brook

Publisher: Alexander Verlag Berlin

ISBN: 3895814156

Category: Performing Arts

Page: 200

View: 5834

Der leere Raum ist der Klassiker unter den Büchern zum Theater. Es basiert auf vier Vorlesungen, die Peter Brook unter dem Titel The Empty Space: The Theater Today in den sechziger Jahren an den Universitäten von Hull, Keele, Manchester und Sheffield hielt. 1968 erschienen diese Gedanken zum Gegenwartstheater in Buchform. Nachdem der Band für längere Zeit vergriffen war, machte ihn der Alexander Verlag 1983 wieder greifbar für das deutsche Publikum. Brook unterteilt das Theater in vier verschiedene Formen: Das konventionelle Theater definiert er als "tödlich", das an Ritualen festhaltende Theater als das "heilige", das leicht verständliche, volksnahe Theater als "derbes" und das von ihm favorisierte als "unmittelbares Theater".