Aesthetics as Philosophy of Perception


Author: Bence Nanay

Publisher: Oxford University Press

ISBN: 0191077445

Category: Philosophy

Page: 240

View: 2409

Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and about experiences in general. The focus of Aesthetics as Philosophy of Perception is the concept of attention and the ways in which this concept and especially the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. Sometimes our attention is distributed in an unusual way: we are attending to one perceptual object but our attention is distributed across its various properties. This way of experiencing the world is special and it plays an important role in characterizing a number of phenomena associated with aesthetics. Some of these that the book talks about include picture perception and depiction, aesthetic experiences, formalism, the importance of uniqueness in aesthetics, and the history of vision debate. But sometimes, in some aesthetic contexts, our attention is not at all distributed, but very much focused. Nanay closes his argument with an analysis of some paradigmatic aesthetic phenomena where our attention is focused: identification and engagement with fictional characters. And the conflict and interplay between distributed and focused attention is an important feature of many artworks.

The Oxford Handbook of the Philosophy of Perception


Author: Mohan Matthen

Publisher: Oxford University Press, USA

ISBN: 0199600473

Category: Perception (Philosophy)

Page: 924

View: 4728

Perception has been for philosophers in the last few decades an area of compelling interest and intense investigation. Developments in contemporary cognitive science and neuroscience has thrown up new information about the brain and new conceptions of how sensory information is processed and used. These new conceptions offer philosophers opportunities for reconceptualising the senses--what they tell us, how we use them, and the nature of the knowledge they giveus. Today, the philosophy of perception resonates with ideas that had not even been articulated in the 1970s and 1980s. This Handbook is a survey by leading philosophical thinkers of contemporary issuesand new thinking in philosophy of perception. It includes sections on the history of the subject, introductions to contemporary issues in the epistemology, ontology and aesthetics of perception, treatments of the individual sense modalities and of the things we perceive by means of them, and a consideration of how perceptual information is integrated and consolidated. New analytic tools and applications to other areas of philosophy are discussed in depth. Each of the entries is written by aleading expert, some collaborating with younger figures; each seeks to introduce the reader to a broad range of issues. All contain new ideas on the topics covered; together they demonstrate the vigourand innovative zeal of a young field.

The Aesthetic Mind

Philosophy and Psychology


Author: Elisabeth Schellekens,Peter Goldie

Publisher: Oxford University Press

ISBN: 0199691517

Category: Art

Page: 455

View: 3689

The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of art and the aesthetic. An eminent international team of experts explores the roles of emotion, imagination, empathy, and beauty in this realm of human experience, discussing visual and literary art, music, and dance.

The Philosophy of Perception

Phenomenology and Image Theory


Author: Lambert Wiesing

Publisher: Bloomsbury Publishing

ISBN: 1780937512

Category: Philosophy

Page: 176

View: 8825

Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually participate in the public and physical world we perceive. Only in looking at images, he proposes, can we achieve something like a break in participation, a temporary respite from this, one of perception's relentless demands. Wiesing's methods chart a markedly new path in contemporary perception theory. In addition to identifying common ground among diverse philosophical positions, he identifies how his own, phenomenological approach differs from those of many other philosophers, past and present. As part of the argument, he provides a succinct but comprehensive survey of the philosophy of images His original critical exposition presents scholars of phenomenology, perception and aesthetics with a new, important understanding of the old phenomenon, the human being in the world.

Tracing Expression in Merleau-Ponty

Aesthetics, Philosophy of Biology, and Ontology


Author: Véronique M. Fóti

Publisher: Northwestern University Press

ISBN: 0810166550

Category: Philosophy

Page: 132

View: 5654

The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, Véronique M. Fótiaddresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of his lecture courses on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of Le visible et l’invisible (The Visible and the Invisible). With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy.

Aesthetics & The Philosophy Of Spirit


Author: John Shannon Hendrix

Publisher: Peter Lang

ISBN: 9780820476322

Category: Philosophy

Page: 303

View: 4914

"Aesthetics & the Philosophy of Spirit" examines the aesthetics of Plotinus, Friedrich Wilhelm Joseph von Schelling, and Georg Wilhelm Friedrich Hegel. It discusses the Platonic bases of the aesthetics of Plotinus and the Plotinian bases of the aesthetics of Schelling and Hegel in the philosophy of spirit, identity philosophy, and transcendental idealism. Examining the notion of art as philosophy, as a product of mind, and as an instrument of intellect in the relation between reason and perception, the book involves concepts of the universal and particular, freedom and necessity, the beautiful and sublime, allegory and symbolism, consciousness and self-consciousness, subjective and objective spirit, and forms of artistic representation.

Aesthetics and the Sciences of Mind


Author: Greg Currie,Matthew Kieran,Aaron Meskin,Jon Robson

Publisher: OUP Oxford

ISBN: 0191046094

Category: Philosophy

Page: 272

View: 1898

Through much of the twentieth century, philosophical thinking about works of art, design, and other aesthetic products has emphasized intuitive and reflective methods, often tied to the idea that philosophy's business is primarily to analyze concepts. This 'philosophy from the armchair' approach contrasts with methods used by psychologists, sociologists, evolutionary thinkers, and others who study the making and reception of the arts empirically. How far should philosophers be sensitive to the results of these studies? Is their own largely a priori method basically flawed? Are their views on aesthetic value, interpretation, imagination, and the emotions of art to be rethought in the light of best science? The essays in this volume seek answers to these questions, many through detailed studies of problems traditionally regarded as philosophical but where empirical inquiry seems to be shedding interesting light. No common view is looked for or found in this volume: a number of authors argue that the current enthusiasm for scientific approaches to aesthetics is based on a misunderstanding of the philosophical enterprise and sometimes on misinterpretation of the science; others suggest various ways that philosophy can and should accommodate and sometimes yield to the empirical approach. The editors provide a substantial introduction which sets the scene historically and conceptually before summarizing the claims and arguments of the essays.

Die Sichtbarkeit des Bildes

Geschichte und Perspektiven der formalen Ästhetik


Author: Lambert Wiesing

Publisher: N.A

ISBN: 9783593386362

Category: Aesthetics, Modern

Page: 318

View: 2391

Merleau-Ponty and the Art of Perception


Author: Duane H. Davis,William S. Hamrick

Publisher: SUNY Press

ISBN: 1438459602

Category: Philosophy

Page: 336

View: 4053

Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty’s aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher’s writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining.

The Contents of Experience

Essays on Perception


Author: Tim Crane

Publisher: Cambridge University Press

ISBN: 9780521417273

Category: Philosophy

Page: 275

View: 5119

A 1992 volume of essays which examines traditional and contemporary problems of perception.

The Oxford Handbook of Aesthetics


Author: Jerrold Levinson

Publisher: Oxford University Press

ISBN: 9780199279456

Category: Art

Page: 821

View: 7190

'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.

Art at the Limits of Perception

The Aesthetic Theory of Wolfgang Welsch


Author: Jerome Carroll

Publisher: Peter Lang

ISBN: 9783039105694

Category: Philosophy

Page: 284

View: 8750

This book traces the significance that the modulations of sensory perception have had for thinking about aesthetics and art in the last two and a half centuries. Beyond a discussion of the philosophical significance of beauty, or of the puzzle of aesthetic representation, aesthetics is conceived broadly as a means of describing our relationship to the world in terms of the habits of perception, and indeed the overturning of these habits, as in the modernist aesthetic of defamiliarisation. In the light of the ideas of the contemporary German aesthetic theorist, Wolfgang Welsch, this book offers the first discussion of the theory and practice of art that operates at the poles of perception: sensory experience that exceeds conceptual organisation, and the imperceptible, or what Welsch calls the 'anaesthetic'. These seemingly opposite poles have many parallels: a comparable indeterminacy of meaning and a similar challenge to representation, but also a shared focus on the habits and modulations of sensory perception and a similar interrogation of the boundary between art and that which surrounds it. The author applies the categories discussed to art practice, in particular to the theatre of Peter Handke, Samuel Beckett and Heiner Muller."

Aesthetic perception

a Thomistic perspective


Author: Kevin E. O'Reilly

Publisher: Four Courts Pr Ltd


Category: Philosophy

Page: 131

View: 9653

In his seminal work, Truth and method, Hans-Georg Gadamer highlighted the misguided supposition of Enlightenment thought that such a thing as 'pure reason' actually exists. The notion that 'prejudice' informs all understanding is not however a novel one in the history of Western thought; it is, argues the author, fundamental to Aquinas' virtue epistemology. In this book the implications of this view for a Thomistic approach to the problematic of aesthetic perception are examined. Beginning with Thomas' famous definition of beautiful things as 'those things which when seen give pleasure', the author highlights the limitations present in previous treatments of Thomas' embryonic aesthetic theory and shows how virtue epistemology can more adequately deal with questions of subjectivity and objectivity in aesthetic experience.

Evaluative Perception


Author: Anna Bergqvist,Robert Cowan

Publisher: Oxford University Press

ISBN: 0191089206

Category: Philosophy

Page: 336

View: 4878

Evaluation is ubiquitous. Indeed, it isn't an exaggeration to say that we assess actions, character, events, and objects as good, cruel, beautiful, etc., almost every day of our lives. Although evaluative judgement - for instance, judging that an institution is unjust - is usually regarded as the paradigm of evaluation, it has been thought by some philosophers that a distinctive and significant kind of evaluation is perceptual. For example, in aesthetics, some have claimed that adequate aesthetic judgement must be grounded in the appreciator's first hand-hand perceptual experience of the item judged. In ethics, reference to the existence and importance of something like ethical perception is found in a number of traditions, for example, in virtue ethics and sentimentalism. This volume brings together philosophers working in aesthetics, epistemology, ethics, philosophy of mind, and value theory to investigate what we call 'evaluative perception'. Specifically, they engage with (1) Questions regarding the existence and nature of evaluative perception: Are there perceptual experiences of values? If so, what is their nature? Are perceptual experiences of values sui generis? Are values necessary for certain kinds of perceptual experience? (2) Questions about epistemology: Can evaluative perceptual experiences ever justify evaluative judgements? Are perceptual experiences of values necessary for certain kinds of justified evaluative judgements? (3) Questions about value theory: Is the existence of evaluative perceptual experience supported or undermined by particular views in value theory? Are particular views in value theory supported or undermined by the existence of evaluative perceptual experience?

Aesthetics of Appearing


Author: Martin Seel

Publisher: Stanford University Press

ISBN: 9780804743815

Category: Philosophy

Page: 238

View: 6829

This book proposes that aesthetics begin not with concepts of being or semblance, but with a concept of appearing. Seel examines the existential and cultural meaning of aesthetic experience. In doing so, he brings aesthetics and philosophy of art together again, which in continental as well as analytical thinking have been more and more separated in the recent decades.

Institutions of Art

Reconsiderations of George Dickie's Philosophy


Author: Robert J. Yanal

Publisher: Penn State Press

ISBN: 0271039922

Category: Philosophy

Page: 208

View: 8162

George Dickie has been one of the most innovative, influential, and controversial philosophers of art working in the analytical tradition in the past twenty-five years. Dickie's arguments against the various theories of aesthetic attitude, aesthetic perception, and aesthetic experience virtually brought classical theories of the aesthetic to a halt. His institutional theory of art was perhaps the most discussed proposal in aesthetics during the 1970s and 1980s, inspiring both supporters who produced variations on the theory as well as passionate detractors who thought the theory thoroughly wrongheaded. Dickie has also written widely on the history of aesthetics, and his work ranks among the best examples of analytic aesthetics. The philosophy of George Dickie continues to provoke reaction and reflection. The essays in this collection pay homage not only to Dickie's ideas but also to his influence. A brief biography of George Dickie and a bibliography of his works complete the volume.

Forests and Landscapes

Linking Ecology, Sustainablility, and Aesthetics


Author: Stephen Richard John Sheppard,Howard W. Harshaw

Publisher: CABI

ISBN: 0851995004

Category: Technology & Engineering

Page: 294

View: 1279

Forests are an important component in the visual appeal of landscapes. There is an increasing recognition of the importance of this subject among foresters and environmental scientists. Increasingly, forest resource managers must consider the aesthetic consequences of timber harvesting operations and management plans. This book is the first to address this subject area. It consists of 15 chapters and is divided into four parts. It brings together not only foresters and ecologists, but also landscape architects, psychologists and philosophers. It should therefore attract a wide readership. Contributors are leading research workers in their subjects, from Canada, the USA and UK.

Aesthetics Today

Contemporary Approaches to the Aesthetics of Nature and of Arts. Proceedings of the 39th International Wittgenstein Symposium in Kirchberg


Author: Stefan Majetschak,Anja Weiberg

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 311054041X

Category: Philosophy

Page: 485

View: 5786

Aesthetics is no longer merely the philosophy of perception and the arts. Nelson Goodman, Arthur Danto and others have contributed to develop aesthetics from a field at the margins of philosophy to one permeating substantial areas of theoretical and practical philosophy. New approaches like environmental and ecological aesthetics widened the understanding of the aesthetics of nature. The contributions in this volume address the most important issues in contemporary aesthetics, many of them from a Wittgensteinian perspective. The 39th International Ludwig Wittgenstein Symposium, organized by the Austrian Ludwig Wittgenstein Society, was held at Kirchberg am Wechsel, Lower Austria, from August 7th to 13th 2016 and aimed at taking an inventory of important tendencies and positions in contemporary aesthetics. The volume includes a selection of the invited papers.