The Social Production of Art

Second Edition

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Author: Janet Wolff

Publisher: NYU Press

ISBN: 0814792707

Category: Art

Page: 207

View: 4142

A valuable introduction to the central issues in the sociology of the arts, this work draws on sociology, art history, feminism, and literary and media studies, to explain the social nature of the arts, their production, distribution, and reception. This second edition is the result of the author's chapter-by-chapter review and updating, taking into account not only her own re-thinking on these issues but also the work that has been done in cultural studies and the sociology of the arts since the first edition appeared in 1984. Wolff considers changes in sociology, literary studies, and cultural studies, and their implications for the project of the sociology of art: the relevance of post structuralist theory for an understanding of the author/artist; and the current, and perhaps unfounded, rejection of the concept of ideology. The author also assesses the question of cultural politics in relation to debates about postmodernism, as well as the matter of identity politics with regard to gender and ethnicity. Containing a wealth of information about both past and present thinking on the sociology of art, this book will be of particular interest both to students of the arts and students of sociology.

Art and Society

Readings in the Sociology of the Arts

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Author: Arnold W. Foster,Judith R. Blau

Publisher: SUNY Press

ISBN: 9780791401170

Category: Social Science

Page: 513

View: 9367

There is currently no reader in print that provides a broad ranging overview for an undergraduate course on the sociology of the arts or the sociology of culture. This book remedies this situation as it provides students with an overall understanding of the current issues, theoretical approaches, and substantive contributions in the sociology of the arts. Included are chapters on the aesthetic meaning of art; the social and institutional production of art; the links among audiences, artists, and cultural organizations; tensions between artists and their bureaucratized working settings; the training and careers of artists; relations between art and society; and the dynamics of cultural change. In addition to section introductions, there is a comprehensive introduction to provide students with an understanding of the history of the field, its main theoretical currents, and also to provide them with an appreciation of the contributions to cultural studies by other disciplines, such as anthropology and history. An extensive bibliography is also included in the reader, which was developed to assist students who wish to pursue research topics.

Aesthetics and the Sociology of Art

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Author: Janet Wolff

Publisher: MacMillan

ISBN: 9780333596678

Category: Aesthetics

Page: 130

View: 2978

A great deal has changed in the ten years since the first edition of this book was published; an area of rather esoteric interest has become one of the major public battlefields of political and academic debate. Rejecting both the art historian's essentialism and the sociologist's reductionism, Janet Wolff argues in this new edition that the concept of the aesthetic must be rescued as much from those who would equate artistic value with political worth as from the total aesthetic relativists who are rendered incapable of judging artistic value.

Sociology of Art

A Reader

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Author: Jeremy Tanner

Publisher: Routledge

ISBN: 1134393296

Category: Art

Page: 288

View: 439

Introducing the fundamental theories and debates in the sociology of art, this broad ranging book, the only edited reader of the sociology of art available, uses extracts from the core foundational and most influential contemporary writers in the field. As such it is essential reading both for students of the sociology of art, and of art history. Divided into five sections, it explores the following key themes: * classical sociological theory and the sociology of art * the social production of art * the sociology of the artist * museums and the social construction of high culture * sociology aesthetic form and the specificity of art. With the addition of an introductory essay that contextualizes the readings within the traditions of sociology and art history, and draws fascinating parallels between the origins and development of these two disciplines, this book opens up a productive interdisciplinary dialogue between sociology and art history as well as providing a fascinating introduction to the subject.

AngloModern

Painting and Modernity in Britain and the United States

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Author: Janet Wolff

Publisher: Cornell University Press

ISBN: 9780801487422

Category: Art

Page: 172

View: 4099

In a masterly book on the sociology of modernism, Janet Wolff explores work that was primarily realist and figurative and investigates the processes by which art fell by the wayside in the post-war period.

The Aesthetics of Uncertainty

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Author: Janet Wolff

Publisher: Columbia University Press

ISBN: 0231140967

Category: Philosophy

Page: 184

View: 6841

Abstract:. - http://www3.openu.ac.il/ouweb/owal/new_books1.book_desc?in_mis_cat=115669.

Philosophy of the Arts

An Introduction to Aesthetics

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Author: Gordon Graham

Publisher: Routledge

ISBN: 1134563671

Category: Philosophy

Page: 240

View: 7956

A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.

Routledge International Handbook of the Sociology of Art and Culture

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Author: Laurie Hanquinet,Mike Savage

Publisher: Routledge

ISBN: 1135008892

Category: Social Science

Page: 480

View: 5056

The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.

Constructing a Sociology of the Arts

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Author: Vera L. Zolberg

Publisher: Cambridge University Press

ISBN: 9780521359597

Category: Art

Page: 252

View: 2266

Sociologists who study the arts have focused on constructing images of "the artist" as a social type and have, therefore, been criticized by art professionals for a lack of attention to the creative process and individual artistic personalities. In this book, the author examines the diverse theoretical approaches to the study of the arts and develops a sociological approach that acknowledges the importance of aesthetic imperatives and the individual creative process while also assessing the institutional, economic, and political influences on the creation of art. The author focuses on the ways in which people become artists, the institutions in which their careers unfold, the public they need to please, and the institutional and political pressures with which they must contend. Particular subjects covered include the differing relations of art to primitive and industrialized societies; the process by which works are "recreated" at different times for new social purposes; the role of the audience in the realization of artistic experiences; and the reasons for the evolution of artistic styles. This book makes a major contribution to the development of a sociology of the arts at a time when the role of the arts in society has become a subject of increasing concern to social scientists.

Durkheim, the Durkheimians, and the Arts

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Author: Alexander Tristan Riley,William Watts Miller,W.S.F. Pickering

Publisher: Berghahn Books

ISBN: 085745918X

Category: Social Science

Page: 320

View: 1544

Using a broad definition of the Durkheimian tradition, this book offers the first systematic attempt to explore the Durkheimians' engagement with art. It focuses on both Durkheim and his contemporaries as well as later thinkers influenced by his work. The first five chapters consider Durkheim's own exploration of art; the remaining six look at other Durkheimian thinkers, including Marcel Mauss, Henri Hubert, Maurice Halbwachs, Claude Lévi-Strauss, Michel Leiris, and Georges Bataille. The contributors-scholars from a range of theoretical orientations and disciplinary perspectives-are known for having already produced significant contributions to the study of Durkheim. This book will interest not only scholars of Durkheim and his tradition but also those concerned with aesthetic theory and the sociology and history of art.

How To Do Politics With Art

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Author: Violaine Roussel,Anurima Banerji

Publisher: Routledge

ISBN: 1317120965

Category: Social Science

Page: 238

View: 9863

A major issue in the relation of art to the rest of society is the question of how art penetrates politics. From the perspective of most art scholars, this is a question of aesthetics—whether politics necessarily pollutes and debases the quality of the arts. From the perspective of social science, it has been primarily a question of meaning—how political messages are conveyed through artistic media. Recent work has begun to broaden the study of the arts and politics beyond semiosis and content focus. Several strands of scholarship are converging around the general issue of the social relationships within which art takes political form, that is, how art and artists do politics. This perspective of "doing" moves analysis beyond addressing the meaning of culture, to focus on the ways that art is embedded in—and intervenes in—social relationships, activities, and institutions. This volume brings together an interdisciplinary group of scholars from France and the United States to investigate these directions and themes by exploring the question of "how to do politics with art" from a comparative standpoint, putting sociological approaches in conversation with other disciplinary prisms. It will be of interest to scholars of social movements and politicization, the sociology of art, art history, and aesthetics.

The Foundations of Aesthetics, Art & Art Education

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Author: Frank H. Farley

Publisher: Praeger Publishers

ISBN: N.A

Category: Art

Page: 420

View: 5486

"The Foundations of Aesthetics, Art, and Art Education" addresses the need for a single reference that will provide educators and educational psychologists with fundamental information and an appraisal of current research in this challenging area. The contributors to this informative volume assert that aesthetics is a basic human response and that attendant educational issues are best understood from the perspective of the social and behavioral sciences--pyschology, sociology, and biology. They present the latest theoretical and empirical knowledge of the biological, social, cognitive, and philosophical bases of aesthetics as it relates to the teaching of the arts. The introductory chapters review psycho-biological and sociological perspectives of aesthetics. These are followed by chapters discussing the psychological dimensions of aesthetics, including creativity, personality, visual thinking, problem finding, and developmental processes.

Art and Social Theory

Sociological Arguments in Aesthetics

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Author: Austin Harrington

Publisher: Polity

ISBN: 9780745630380

Category: Social Science

Page: 248

View: 2628

Art and Social Theory provides a comprehensive introduction to sociological studies of the arts. It examines the central debates of social theorists and sociologists about the place of the arts in society and the social significance of aesthetics. provides a comprehensive introduction to sociological study of art; examines the central debates of social theorists and sociologists about the place of the arts in society and the social significance of aesthetics; discusses the meaning of the arts in relation to changing cultural institutions and socio-economic structures; explores questions of aesthetic value and cultural politics, taste and social class, money and patronage, ideology and utopia, myth and popular culture, and the meaning of modernism and postmodernism; presents lucid accounts of leading social theorists of the arts from Weber, Simmel, Benjamin, Kracauer and the Frankfurt School to Foucault, Bourdieu, Habermas, Baudrillard, Lyotard, Luhmann and Jameson.

Feminine Sentences

Essays on Women and Culture

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Author: Janet Wolff

Publisher: Univ of California Press

ISBN: 9780520074323

Category: Social Science

Page: 146

View: 5404

Until recently, women have been noticeably absent from historical and sociological accounts of modernity. As a step toward remedying this situation, the essays gathered here challenge the continuing separation of sociological from textual analysis in cultural (and feminist) theory and inquiry. They address critically the question of women's writing, exploring the idea that women may begin to define their own lives and construct their own identities in a patriarchal culture through the very process of writing. They also present a cogent defense of a feminist cultural politics, including a politics of the body. Integrating material drawn from a variety of sources--feminist theory, cultural and literary analysis, sociology, and art history--Feminine Sentences is an original discussion of women's relationship to modern and postmodern culture. Janet Wolff's book represents a major statement of her distinctive position, and will be of interest to everyone working in the areas of cultural and literary theory, women's studies, and sociology. FROM THE BOOK:"Women . . . are sentenced to containment and silence. . . . This collection is intended as a contribution to the overthrow of that 'sentence,' and to the process whereby women find ways to intervene in an excluding culture, and to articulate their own experience. Feminine sentences are those formulations and expressions, in a variety of cultural forms and media, of women's own voice." "The literature of modernity describes the experience of men. It is essentially a literature about transformations in the public world and its associated consciousness. . . . In so far as the experience of 'the modern' occurred mainly in the public sphere, it was primarily men's experience." "I want to argue that a feminist cultural politics of the body is a possibility. . . . There is every reason . . . to propose the body as a privileged site of political intervention, precisely because it is the site of repression and possession."

The Live Art of Sociology

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Author: Cath Lambert

Publisher: Routledge

ISBN: 1317393899

Category: Social Science

Page: 218

View: 4832

The Live Art of Sociology attends to the importance of ‘the live’ in contemporary social and political life. Taking existing work in live sociology as a starting point, this book considers some of its aspirations through unique empirical investigations. Queer and feminist theory and methods are also employed in exploring the challenges of researching live experiences and temporalities. With case study examples ranging from the work of live body artists to experiments in curating sociological research, Lambert successfully demonstrates the diverse ways in which art can provide the aesthetic and affective conditions for social and political disruption. By emphasising the political importance of how people, knowledges, materials, emotions and senses are configured and reconfigured, The Live Art of Sociology asserts a creative and vital role for sociology in not only representing but also generating social realities and political possibilities. Putting aesthetics at the heart of contemporary sociology and making a strong case for a renewed sociological aesthetics, this volume will appeal to undergraduate and postgraduate students as well as postdoctoral researchers and academics interested in fields such as Sociology, Cultural Studies, Art and Visual Culture, Gender and Sexuality Studies and Leisure Studies. It will also be of interest to creative practitioners.

The Aesthetic in Education

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Author: M. Ross

Publisher: Elsevier

ISBN: 1483296253

Category: Art

Page: 253

View: 7080

Features papers presented at one of Exeter University's Annual Creative Arts Summer Schools, together with especially solicited material. Contributors have focussed on the idea of the aesthetic as a special dimension of education, and the volume embraces a wide range of perspectives - philosophical accounts of the arts, aesthetics and creativity, multicultural education, the sociology of art, and the arts in further education.

The Aesthetics and Ethics of Copying

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Author: Darren Hudson Hick,Reinold Schmücker

Publisher: Bloomsbury Publishing

ISBN: 1474254527

Category: Philosophy

Page: 352

View: 9018

The Aesthetics and Ethics of Copying responds to the rapidly changing attitudes towards the use of another's ideas, styles, and artworks. With advances in technology making the copying of artworks and other artefacts exponentially easier, questions of copying no longer focus on the problems of forgery: they now expand into aesthetic and ethical legal concerns. This volume addresses the changes and provides the first philosophical foundation for an aesthetics and ethics of copying. Scholars from philosophy of art, philosophy of technology, philosophy of law, ethics, legal theory, media studies, art history, literary theory, and sociology discuss the role that copying plays in human culture, confronting the question of how-and why-copying fits into our broader system of values. Teasing out the factors and conceptual distinctions that must be accounted for in an ontology of copying, they set a groundwork for understanding the nature of copies and copying, showing how these interweave with ethical and legal concepts. Covering unique concerns for copying in the domain of artworks, from music and art to plays and literature, contributors look at work by artists including Heinrich von Kleist, Robert Rauschenberg, Courbet and Manet and conclude with the normative dimensions of copying in the twenty-first century. By bringing this topic into the philosophical domain and highlighting its philosophical relevance, The Aesthetics and Ethics of Copying establishes the complex conditions-ontological, aesthetic, ethical, cultural, and legal-that underlie and complicate the topic. The result is a timely collection that establishes the need for further discussion.

Art and the Challenge of Markets Volume 2

From Commodification of Art to Artistic Critiques of Capitalism

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Author: Victoria D. Alexander,Samuli Hägg,Simo Häyrynen,Erkki Sevänen

Publisher: Springer

ISBN: 3319646443

Category: Social Science

Page: 328

View: 7716

Art and the Challenge of Markets Volumes 1 & 2 examine the politics of art and culture in light of the profound changes that have taken place in the world order since the 1980s and 1990s. The contributors explore how in these two decades, the neoliberal or market-based model of capitalism started to spread from the economic realm to other areas of society. As a result, many aspects of contemporary Western societies increasingly function in the same way as the private enterprise sector under traditional market capitalism. This second volume analyses the relationships of art with contemporary capitalist economies and instrumentalist cultural policies, and examines several varieties of capitalist-critical and alternative art forms that exist in today’s art worlds. It also addresses the vexed issues of art controversies and censorship. The chapters cover issues such as the culturalization of the economy, aesthetics and anti-aesthetics, the societal benefits of works of art, art's responsibility to society, "artivism", activist arts as protest and capitalism-critical works, and controversies over nudity in art, as well as considering the marketisation of emerging visual arts worlds in East Asia. The book ends with the a concluding chapter suggesting that even in today's marketized and commercialized environments, art will find a way. Both volumes provide students and scholars across a range of disciplines with an incisive, comparative overview of the politics of art and culture and national, international and transnational art worlds in contemporary capitalism.