A History of American Literary Journalism

The Emergence of a Modern Narrative Form

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Author: John C. Hartsock

Publisher: Univ of Massachusetts Press

ISBN: 9781558492523

Category: Language Arts & Disciplines

Page: 294

View: 4504

This study examines the roots of the distinctive form of writing known as journalism - whether called literary journalism or creative non-fiction - and argues that within America it can be traced at least as far back as the late-19th century.

Textwissen und Schreibbewusstsein

Beiträge aus Forschung und Praxis

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Author: Johannes Berning

Publisher: LIT Verlag Münster

ISBN: 3643114923

Category: Language and languages

Page: 354

View: 6720

Textwissen und Schreibbewusstsein sind zentrale Elemente von Schreibkompetenz, die zur Bewältigung komplexer Schreibaufgaben in Schulen, Universitäten und sprachnahen Berufen notwendig ist. Kompetente Schreiberinnen und Schreiber verfügen in der Regel über ein sprachliches Wissen in Bezug auf ihren Text ebenso wie über ein strategisches Wissen hinsichtlich des Schreibprozesses. Der Studienband widmet sich der Erkundung dieses Wissens und gibt dazu Anstösse aus Forschung und Praxis. (Quelle: Homepage des Verlags).

Settling the Borderland

Other Voices in Literary Journalism

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Author: Jan Whitt

Publisher: University Press of America

ISBN: 9780761840930

Category: Biography & Autobiography

Page: 178

View: 6325

Settling the Borderland deals with the intimate connection between journalism and literature, both fields in which work by women has been underrepresented. This book has a twin focus: the work of journalists who became some of the greatest novelists, poets, and short-story writers of the nineteenth and twentieth centuries in America, several of whom are men, and contemporary journalists who best exemplify the effective use of literary techniques in news coverage. Although five women are emphasized here (Katherine Anne Porter, Eudora Welty, Joan Didion, Sara Davidson, and Susan Orlean), three men whose work was profoundly influenced by journalism also are included. Edgar Allan Poe, Walt Whitman, and John Steinbeck are well known as writers of poetry, short stories, and novels, but they, too, are among the "other voices" rarely included in studies of literary journalism. In Settling the Borderland, Jan Whitt presents a thorough analysis of the increasingly indistinct lines between truth and fiction and between fact and creative narrative in contemporary media.

Literary Journalism in the Twentieth Century

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Author: Norman Sims

Publisher: Northwestern University Press

ISBN: 0810125196

Category: Biography & Autobiography

Page: 297

View: 9111

This wide-ranging collection of critical essays on literary journalism addresses the shifting border between fiction and non-fiction, literature and journalism. Literary Journalism in the Twentieth Century addresses general and historical issues, explores questions of authorial intent and the status of the territory between literature and journalism, and offers a case study of Mary McCarthy’s 1953 piece, "Artists in Uniform," a classic of literary journalism. Sims offers a thought-provoking study of the nature of perception and the truth, as well as issues facing journalism today.

Out on Assignment

Newspaper Women and the Making of Modern Public Space

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Author: Alice Fahs

Publisher: Univ of North Carolina Press

ISBN: 0807834963

Category: Social Science

Page: 360

View: 8306

Out on Assignment illuminates the lives and writings of a lost world of women who wrote for major metropolitan newspapers at the start of the twentieth century. Using extraordinary archival research, Alice Fahs unearths a richly networked community

The Undeclared War between Journalism and Fiction

Journalists as Genre Benders in Literary History

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Author: D. Underwood

Publisher: Springer

ISBN: 1137353481

Category: Language Arts & Disciplines

Page: 250

View: 1291

In this volume, Doug Underwood asks whether much of what is now called literary journalism is, in fact, 'literary,' and whether it should rank with the great novels by such journalist-literary figures as Twain, Cather, and Hemingway, who believed that fiction was the better place for a realistic writer to express the important truths of life.

Intermediality and Storytelling

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Author: Marina Grishakova,Marie-Laure Ryan

Publisher: Walter de Gruyter

ISBN: 3110237741

Category: Literary Criticism

Page: 359

View: 5737

The ‘narrative turn’ in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the ‘medial turn’ in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called ‘multi-modal works’, and what new forms of narrativity are made possible by the emergence of digital media.

Literary Journalism and the Aesthetics of Experience

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Author: John C. Hartsock

Publisher: N.A

ISBN: 9781625341747

Category: Language Arts & Disciplines

Page: 224

View: 5958

Proponents and practitioners of narrative literary journalism have sought to assert its distinctiveness as both a literary form and a type of journalism. In Literary Journalism and the Aesthetics of Experience, John C. Hartsock argues that this often neglected kind of journalism--exemplified by such renowned works as John Hersey's Hiroshima, James Agee's Let Us Now Praise Famous Men, and Joan Didion's Slouching Towards Bethlehem--has emerged as an important genre of its own, not just a hybrid of the techniques of fiction and the conventions of traditional journalism. Hartsock situates narrative literary journalism within the broader histories of the American tradition of "objective" journalism and the standard novel. While all embrace the value of narrative, or storytelling, literary journalism offers a particular "aesthetics of experience" lacking in both the others. Not only does literary journalism disrupt the myths sustained by conventional journalism and the novel, but its rich details and attention to everyday life question readers' cultural assumptions. Drawing on the critical theories of Nietzsche, Bakhtin, Benjamin, and others, Hartsock argues that the aesthetics of experience challenge the shibboleths that often obscure the realities the other two forms seek to convey. At a time when print media appear in decline, Hartsock offers a thoughtful response to those who ask, "What place if any is there for a narrative literary journalism in a rapidly changing media world?"

Factual Fictions

Narrative Truth and the Contemporary American Documentary Novel

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Author: Leonora Flis

Publisher: Cambridge Scholars Publishing

ISBN: 1443824771

Category: Literary Criticism

Page: 250

View: 583

Factual Fictions: Narrative Truth and the Contemporary American Documentary Novel focuses on contemporary American documentary narratives, specifically the documentary novel, as it re-emerged in the 1960s and later developed into various other forms. The book explores the connections between the documentary novel and the concurrent rise of New Journalism (a.k.a. “literary journalism”) in the United States, situating the two genres in the cultural context of the tumultuous 1960s and an emerging postmodern ethos. Flis makes a comprehensive analysis of texts by Truman Capote, Norman Mailer, John Berendt, and Don DeLillo, while tackling discussions on various theoretical complexities with assurance and rigor. Interested in the precarious divide between fact and fiction, the author productively complicates traditional notions of the two poles. Furthermore, the book examines parallels between contemporary Slovene documentary narratives and their American counterparts. Flis’s work, with its systematic and innovative approach to the subject matter, adds an important historical dimension to the developing field of literary journalism studies as well as to the more established area of 20th Century American literature.

Nationalism in Europe and America

Politics, Cultures, and Identities since 1775

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Author: Lloyd S. Kramer

Publisher: UNC Press Books

ISBN: 0807869058

Category: History

Page: 272

View: 7126

Examining the history of nationalism's pervasive influence on modern politics and cultural identities, Lloyd Kramer discusses how nationalist ideas gained emotional and cultural power after the revolutionary upheavals in the late eighteenth-century Atlantic world. Nationalism in Europe and America analyzes the multiple historical contexts and intellectual themes that have shaped modern nationalist cultures, including the political claims for national sovereignty, the emergence of nationalist narratives in historical writing and literature, the fusion of nationalism and religion, and the overlapping conceptions of gender, families, race, and national identities. Kramer emphasizes the similarities in American and European nationalist thought, showing how European ideas about land, history, and national destiny flourished in the United States while American ideas about national independence and political rights reappeared among European nationalists and also influenced the rise of anticolonial nationalisms in twentieth-century Asia and Africa. By placing nationalist ideas and conflicts within the specific, cross-cultural framework of Atlantic history and extending his analysis to the twentieth-century world wars, Kramer offers readers a thoughtful perspective on nationalism's enduring political and cultural importance throughout the modern world.

Romanticism and Slave Narratives

Transatlantic Testimonies

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Author: Helen Thomas

Publisher: Cambridge University Press

ISBN: 9780521662345

Category: Literary Criticism

Page: 332

View: 8050

The first major attempt to relate canonical Romantic texts to writings of the African diaspora.

Other Voices

The New Journalism in America

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Author: William L. Rivers,Everette E. Dennis

Publisher: Transaction Publishers

ISBN: 1412844118

Category: Language Arts & Disciplines

Page: 236

View: 3274

Conflicting journalistic voices that were raised in the past have become such a jumble that merely identifying them is difficult. Dennis and Rivers define, categorize, present, and examine the voices that contributed to what became known as "the new media" environment in the 1970s. This new journalism came about as a result of dissatisfaction with existing values and standards of the early 1960s style of journalism. The authors are comprehensive in their concerns, as reflected in the national scope presented. They cover developments in the major cities, on both coasts, in the Middle West and South—in every major region of the United States. Most of the research required travel and interviews; all of it required reading almost endlessly and watching the video productions of journalists who built the structure of alternative television. Dennis and Rivers offer a representative view of forms and media, as well as the people who fashioned the new orientation. The authors claim that the wrangling over objective and interpretative reporting misses the main point, which is that neither is in close touch with reality. The best objective report may cover all surfaces of an event, the best interpretative report may explain all its meanings, but both are bloodless, a world away from the experience. Color, flavor, atmosphere, the ultimate human meaning—all these, the new journalists contend, are far beyond the reach of traditional models of journalism. This is one of the central reasons for the emergence of different forms and practices in our time. This volume will help younger scholars understand the sources of quasi-journalistic practices extant today, including blogging and electronic-only publications.

The Power of News

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Author: Michael Schudson

Publisher: Harvard University Press

ISBN: 9780674695863

Category: Social Science

Page: 269

View: 4339

Some say it's simply information, mirroring the world. Others believe it's propaganda, promoting a partisan view. But news, Michael Schudson tells us, is really both and neither; it is a form of culture, complete with its own literary and social conventions and powerful in ways far more subtle and complex than its many critics might suspect. A penetrating look into this culture, The Power of News offers a compelling view of the news media's emergence as a central institution of modern society, a key repository of common knowledge and cultural authority. One of our foremost writers on journalism and mass communication, Schudson shows us the news evolving in concert with American democracy and industry, subject to the social forces that shape the culture at large. He excavates the origins of contemporary journalistic practices, including the interview, the summary lead, the preoccupation with the presidency, and the ironic and detached stance of the reporter toward the political world. His book explodes certain myths perpetuated by both journalists and critics. The press, for instance, did not bring about the Spanish-American War or bring down Richard Nixon; TV did not decide the Kennedy-Nixon debates or turn the public against the Vietnam War. Then what does the news do? True to their calling, the media mediate, as Schudson demonstrates. He analyzes how the news, by making knowledge public, actually changes the character of knowledge and allows people to act on that knowledge in new and significant ways. He brings to bear a wealth of historical scholarship and a keen sense for the apt questions about the production, meaning, and reception of news today.

The American Novel 1870-1940

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Author: Priscilla Wald,Michael A. Elliott,Jonathan Arac

Publisher: Oxford University Press

ISBN: 0195385349

Category: Fiction

Page: 628

View: 1533

Witnessing the end of a war that nearly terminated the nation, the abolition of racial slavery and rise of legal segregation, the rise of Modernism and Hollywood, the closing of the frontier and two World Wars, the literary historical period represented in this volume constitutes the crucible of American literary history. Here, 35 essays by top researchers in the field detail how considerations of race and citizenship; immigration and assimilation; gender and sexuality; nationalism and empire; all reverberate throughout novels written in the United States between 1870 and 1940. Contributors discuss the professionalization of literary production after the Civil War alongside legal and political debates over segregation and citizenship; while chapters on journalism, geography, religion, and immigration offer discussions on everything from the lasting role of literary realism in American fiction to the Spanish-American War's effect on developing theories of aesthetics and popular culture. The volume offers thorough coverage of the emergence of serial fiction, children's fiction, crime and detective fiction, science fiction, and even cinema and comics, as new media and artistic revolutions like the Harlem Renaissance helped usher in the new international aesthetic movement of Modernism. The final chapters in the volume explore the relationship of the novel to the emergence of "American literature" as a category in the academy, in public criticism and journalism, and in mass culture.

Quality TV

Contemporary American Television and Beyond

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Author: Janet McCabe,Kim Akass

Publisher: I.B.Tauris

ISBN: 085773170X

Category: Performing Arts

Page: 312

View: 6719

In his seminal book'Television’s Second Golden Age', Robert Thompson described quality TV as ‘best defined by what it is not’: ‘it is not “regular” TV’. Audacious maybe, but his statement renewed debate on the meaning of this highly contentious term. Dealing primarily with the post-1996 era shaped by digital technologies and defined by consumer choice and brand marketing, this book brings together leading scholars, established journalists and experienced broadcasters working in the field of contemporary television to debate what we currently mean by quality TV. They go deep into contemporary American television fictions, from 'The Sopranos' and 'The West Wing', to 'CSI' and 'Lost' - innovative, sometimes controversial, always compelling dramas, which one scholar has described as 'now better than the movies!' But how do we understand the emergence of these kinds of fiction? Are they genuinely new? What does quality tv have to tell us about the state of today's television market? And is this a new Golden Age of quality TV? Original, often polemic, each chapter proposes new ways of thinking about and defining quality TV. There is a foreword from Robert Thompson, and heated dialogue between British and US television critics. Also included - and a great coup - are interviews with W. Snuffy Walden (scored 'The West Wing' among others) and with David Chase ('The Sopranos' creator). 'Quality TV' provides throughout groundbreaking and innovative theoretical and critical approaches to studying television and for understanding the current - and future - TV landscape.

The Examiner

A Weekly Paper on Politics, Literature, Music and the Fine Arts

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Author: N.A

Publisher: N.A

ISBN: N.A

Category:

Page: N.A

View: 2514

The Handbook of Communication History

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Author: Peter Simonson,Janice Peck,Robert T Craig,John Jackson

Publisher: Routledge

ISBN: 1136514309

Category: Language Arts & Disciplines

Page: 528

View: 423

The Handbook of Communication History addresses central ideas, social practices, and media of communication as they have developed across time, cultures, and world geographical regions. It attends to both the varieties of communication in world history and the historical investigation of those forms in communication and media studies. The Handbook editors view communication as encompassing patterns, processes, and performances of social interaction, symbolic production, material exchange, institutional formation, social praxis, and discourse. As such, the history of communication cuts across social, cultural, intellectual, political, technological, institutional, and economic history. The volume examines the history of communication history; the history of ideas of communication; the history of communication media; and the history of the field of communication. Readers will explore the history of the object under consideration (relevant practices, media, and ideas), review its manifestations in different regions and cultures (comparative dimensions), and orient toward current thinking and historical research on the topic (current state of the field). As a whole, the volume gathers disparate strands of communication history into one volume, offering an accessible and panoramic view of the development of communication over time and geographical places, and providing a catalyst to further work in communication history.